Sentences with phrase «cultural dialogues between»

Elina Kountouri, Director of NEON said: «I am confident that this important cultural dialogue between Greece and the UK through our partnership with the Whitechapel, has gone from strength to strength with each year of the Curatorial Award.

ATHR is currently developing a cultural exchange scheme with international artists and curators as part of its commitment to promoting cultural dialogue between Saudi Arabia and the rest of the world.

Swiss Institute has grown from a showcase of Swiss art and artists for a mostly Swiss audience into an innovative international venue for art that provides a significant forum for cultural dialogue between Switzerland, Europe, and the United States.

«We are committed to building the cultural dialogue between our two countries and are in the process of coordinating the exhibition at the Bronx Museum in 2017,» a representative for the museum said in the statement.

Roya Khadjavi Projects largely focuses on the works of young Iranian artists working both in Iran and beyond it's borders, seeking not only to support their artistic endeavors but to also facilitate awareness and cultural dialogue between artistic communities.

«The Bronx Museum has been working with the arts community from Cuba since the launch of the first Bienal de La Habana in 1984 and we are committed to continuing to build the cultural dialogue between our two countries.»

Not exact matches

While Biblical hermeneutics provided the key to an understanding of the role of women in the church and family, dialogue between those whose traditions have heard the Word of God differently in other times and places held the key for the discussion of social ethics, and engagement with the full range of cultural activity (from psychotherapy to radical protest, from personal testimony to scientific statement) was the locus for theological evaluation concerning homosexuality.

In this context he praised Pena's emphasis upon dialogue between those of different religions which necessarily «places one's own faith in parenthesis» and discusses the «cultural consequences of foundational religious decisions.»

In answer to the criticism that WCC is syncretistic because of its program for inter-religious dialogue, Thomas said that if the word syncretism denotes all processes of interpenetration between cultures and religions, the only answer to a wrong syncretism, which means the uncritical, superficial, normless mixing of basically incompatible religious concepts and cultural attitudes, is a Christ - centered syncretism which grapples with and evaluates all concepts and attitudes critically in the light of Jesus Christ and converts them into vehicles for communicating the truth of the Gospel and for expressing its meaning for life.

In an interview with Il Foglio Cardinal Scola, Patriarch of Venice and founder of the Oasis cultural centre for understanding between Catholics and Muslims, said that the Open Letter to the Pope and other Christian leaders by 138 scholars from various Islamic traditions was «not only a media event, because consensus is for Islam a source of theology and law... The fact that the text is rooted in Muslim tradition is very important and makes it more credible than other proclamations expressed in more western language... It is only a prelude to a theological dialogue... in an atmosphere of greater reciprocal esteem.

For Christians who come from cultures shaped by another faith, an even more intimate interior dialogue takes place as they seek to establish the connection in their lives between their cultural heritage and the deep convictions of their Christian faith.

Written with the help of a friend and Yale historian Timothy Snyder, the book is a dialogue between the two men on the story Judt hoped to tell in his planned book — the intellectual and cultural history of the Twentieth Century.

The Gender Summit is a platform for dialogue where scientists, policymakers, gender scholars and stakeholders in science systems examine new research evidence showing when, why, and how biological differences (sex) and socio - cultural differences (gender) between females and males impact on outcomes.

Our cultural silence, and social ignorance towards these awful crimes, has finally begun to come to an end, and this is marked by the increasing dialogue between the Ministry of Justice and charities, like Survivors Manchester, who specialise in male rape and sexual assault.

Founded by Robert Redford in 1981, Sundance Institute is a global, nonprofit cultural organization dedicated to nurturing artistic expression in film and theater, and to supporting intercultural dialogue between artists and audiences.

Film Forward travels the globe and partners with local organizations and embassies to exhibit films and hold meaningful discussions, Q&A's, panels, and master classes that support an engagement between filmmakers and audiences and foster broader cultural dialogues.

Haynes brilliantly uses the restrictions of the genre to critique cultural expectations: Cathy's purposefully stilted dialogue remains bound by the front - office conventions of post-WWII Hollywood (interestingly, Frank's isn't), and unlike the men in the film, her options are as limited as the choice between a happy or a sad ending.

Even if its splodgy icons of plump juicy veg and snot - green splats can seem rather reductive, Rotten Tomatoes has evolved into a valuable platform for dialogue between cultural gatekeepers and impassioned fans.

About Sundance Institute: Founded by Robert Redford in 1981, Sundance Institute is a global, nonprofit cultural organization dedicated to nurturing artistic expression in film and theater, and to supporting intercultural dialogue between artists and audiences.

The Essential Conversation: What Parents and Teachers Can Learn From Each Other (2003), captures the crucial exchange between parents and teachers, a dialogue that is both mirror and metaphor for the cultural forces that shape the socialization of our children, and The Third Chapter: Risk, Passion, and Adventure in the Twenty - Five Years After 50 (2009) explores new learning during one of the most transformative and generative times in our lives, and EXIT: The Endings That Set Us Free (2012).

Open dialogue creates working relationships between two parties that ultimately share a similar goal: to enhance the learning experience of students as they explore cultural dimensions in their school curriculum.

While international promotion remains the primary mission of the CGDA, the association also seeks domestic support for game development as a viable business model and provides a platform for dialogue between game developers, media, educational institutions, creative and cultural sectors, as well as IT sectors.

This dialogue between two art curators is intended to shed light on recent cultural developments in China, from two distinct perspectives.

The Public Knowledge Library serves as the main hub for Public Knowledge, a series of artist projects, research collaborations, and programs designed to promote public dialogue on the cultural impact of urban change and build new connections between ideas, individuals, and communities.

Volume 15 of The Conversation Series features a riveting dialogue between series editor and cultural catalyst Hans Ulrich Obrist and the renowned Italian designer Enzo Mari.

Artist talks open a direct dialogue between the artist community and the general public, building personal connections and supporting the growth of the area's cultural support system.

From focused exhibitions on the work of Cuban painter Amelia Peláez and Haitian born, Miami - based artist Edouard Duval - Carrié to thematic presentations of the Museum's permanent collection to major retrospectives on artists Ai Weiwei and Beatriz Milhazes and group exhibitions on the exchange of ideas between the Caribbean basin, Europe, and North Africa, PAMM's upcoming projects serve as critical frames through which larger dialogues about recent history, migration, new cultural formations, and diverse ideologies can be structured.

«Established in 2000, the Sundaram Tagore Gallery has become one of the most important alternative cultural spaces in New York, with a focus on a dialogue between Western and non-Western cultures.»

PACIFIC STANDARD TIME More than 100 galleries, museums and cultural institutions will be mounting shows as part of this polyphonic dialogue, initiated by the Getty, between Latino and Latin American art and the city of Los Angeles.

Organized by Kultura Medialna and curated by Maria Veits for their annual Construction Arts Festival, the exhibition draws on the current political and cultural concerns of Dnepr, the largest city in proximity to the occupied Ukrainian territories and Crimean annexation and addresses disputable territories, belonging and ownership of the public space and its reshaping by various social groups, urban planning and attempts to create a dialogue in and about public spaces between communities, governments and activists.»

Bahmanipour's interdisciplinary practice spans from installation to painting and video based works, examining hybrid dialogues between Western and Eastern perspectives in search of deconstructing cultural truisms.

Committed to cultural preservation and the promotion of work by emerging artists, the gallery serves as a platform for dialogue between contemporary artworks and the printed matter that informs, inspires and in some cases serves as raw material in the creative process.

Electra's core aim is to foster a dialogue between a range of disciplines of contemporary artistic practice, to provide a platform for debate and engaged, dynamic investigations of urgent social, political and cultural questions.

Shown together, the works in the installation represent the result of a dialogue between Cruzvillegas and Kuri, who are also long time friends and colleagues, creating an idealized world of cultural exchange that is defined by affinities rather than differences.

«By presenting concurrent project room exhibitions with one artist from New York and the other from Los Angeles, our aim is to foster a national dialogue between these two cultural centers.»

This collaboration between the DESTE Foundation and the Museum of Cycladic Art is part of the latter's «Young Views» program, which aims at launching a dialogue with a younger generation, keeping the public up to date with the latest developments in contemporary cultural production, and ensuring the dynamic presence of a space for the exchange of ideas.

It is the Audain gallery's mission to encourage «conceptual and experimental projects that explore the dialogue between the social and the cultural in contemporary artistic practices» and SFU prides itself on its adherence to the principles of an autodidactic education, placing an emphasis on «self - directed and individual modes of learning».

To take a leadership role in the interface between artists and community, and foster dialogue between contemporary artists from diverse cultural / political perspectives

Published to document a project by the Dagestani artist Taus Makhacheva that consists of the film Tightrope and the series of performances On the Benefits of Pyramids in Cultural Education, Strengthening of National Consciousness, and the Formation of Moral and Ethical Guideposts, this book is built around a dialogue between Makhacheva and the protagonist of her film, the tightrope walker Rasul Abakarov.

Apart from the promotion of national emerging and established names, Red Gate has been facilitating cultural exchanges and dialogues between the country and the rest of the world, through its vibrant Artist - In - Residence Programme established in 2001.

By appropriating elements of the red - light district's history, namely it's massage parlours, sex toy shops, bathhouses, etc. combined with the artist's own works, Jaks intends to create a visual dialogue between the history of the exhibition space and the shift toward the creation of a cultural district by the city of Amsterdam.

Created in 1996, the Fundação Bienal do Mercosul is a private, non-profit organization in Brazil with a mission is to develop cultural and educational projects in the field of visual arts, encouraging dialogues between contemporary artists and communities.

This nomadic pedagogical platform travels to countries across Africa, creating dialogues between local and international guest artists, scholars, curators and cultural practitioners in the hope of stimulating critical and conceptual thought at a local level.

Reconnecting Artistic Practice and Humanities Research 25 April 2018, 10.30 am — 4 pm Furtherfield Commons Can a renewed dialogue between humanities scholars and artistic practice provide innovative perspectives to confront current social and cultural challenges?

Over the last 20 years, the gallery has been engaging and promoting Chinese artists by exhibiting the best of Chinese contemporary art as well as facilitating cultural exchanges and dialogues between China and the rest of the world through its vibrant residency program established in 2001.

Created to preserve LGBTQ identity and build community, the Leslie - Lohman Museum of Gay and Lesbian Art provides a training ground for queer artists and cultural workers to examine the juxtaposition between art and social justice in ways that provoke dialogue and thought, while acting as a cultural hub for LGBTQ individuals and communities.

Forty Brazilian artists, with works that establish a dialogue between visual arts and cultural and artistc heritage, were selected.

The exhibition aims to encourage a dialogue between the artworks and the viewer on the social, political, and cultural frameworks from which these tensions arise in Canadian history and how they also carry into the present.

She goes on to say, «As cultural producer I am interested in transversal approaches that privilege dialogue between disciplines.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003