Sentences with phrase «cultural diasporas»

Her work explores themes of African cultural diaspora and spirituality.
Her sculptures and installations, which are informed by her extensive studies of Latin American, Caribbean and African art and religion, frequently explore themes of the African cultural diaspora and spirituality.
Otis College President Bruce Ferguson in conversation with artist Alison Saar -LRB-» 81, MFA Fine Arts), discussing her most recent works, which explore themes of African Cultural Diaspora and Spirituality.
«Danger to The System» focuses on events highlighting artists of color, queer, and other marginalized intersections of artists whose work deals with time, space, histories, new media, cultural diaspora, erasure, patriarchy, white supremacy, the internet, recorded and performed sound works, live performance, and the intersectionality of histories, cultural trauma, healing strategies and the ever changing radical climate in America, 2016, as well as specifically Oakland, CA.
Alison Saar is an American artist who explores themes of African cultural diaspora and spirituality through her paintings, sculptures, and installations.
What it means to exist in the era of global villages, where most have a background of cultural diaspora, raised in omnipresence of virtual reality.

Not exact matches

In order to accomplish these objectives, contemporary Zionism must repudiate its traditional «negation of the Diaspora» and encourage Jewish survival, and spiritual and cultural creativity wherever Jews live.
Thus China laid the groundwork for a disenchantment with Christendom that led me 30 years later to hope for the end of cultural Christianity as the enabling condition for the development of a diaspora Christianity.
His research interests include cultural globalization, the social effects of new media, new religious movements, indigenization, diaspora Asians in the West, and the image industry in Asia.
partnered with the Caribbean Cultural Center (CCCADI) and The Weeksville Heritage Center to produce After Afropolitan: A Multimedia Exhibition Deconstructing Contemporary African Diaspora Experiences, and Probing the Socio - Economic, Cultural, and Aesthetic Equity of the Afropolitan Identity.
The group runs the Franklin H. Williams Caribbean Cultural Center African Diaspora Institute on West 58th Street, which was founded in 1976 and promotes the history, culture and art of African descendants in the Americas.
So I urge you to ensure the unity and stability of the Yoruba race within the territory of Nigeria, interface with the Yoruba inside Africa continent and network the Yoruba in the Diaspora for global collaboration in the areas of cultural integration, skills development, mental enrichment and social interaction.
Up to July 2015, he worked in Parliament through the All Party Parliamentary Group APPG for East Asian Business which he chaired, the All Party Parliamentary China Group [32] of which he was the vice-Chair (special focus on Hong Kong), and the All Party Parliamentary Group for Trade and Investment [33] of which he was treasurer to promote better trade and political and cultural links between the UK and East Asia and work to encourage the next generation of East Asians and other diaspora to develop the leadership skills to play a greater role in public life, in society, and business, and in harnessing the resources that East Asians have globally and locally both financial and non-financial to address global and local problems today.These groups were discontinued after the May 2015 election.
Laurie Cumbo (D)- D35 - Fort Greene, Clinton Hill, Prospect Heights, Crown Heights, and part of Bedford Stuyvesant - Cumbo is best known in Brooklyn for her leadership and expansion ofMoCADA, the Museum of Contemporary African Diaspora Arts, and other cultural programs she has jump - started.
And now, at one Canadian university, a yoga class designed to include disabled students has been canceled after concerns the practice was taken from a culture that «experienced oppression, cultural genocide and diasporas due to colonialism and western supremacy,» according to the group that once sponsored it.
Once T'Challa's true challenge is revealed, «Black Panther» becomes something deeper than the mere formation of one superhero, engaging such subjects as: the legacy of colonialism; collective memory and interior geography; the tension between autonomy and social conscience; and the need for solidarity within an African diaspora at political and cultural odds with itself.
She is focused on creating work that explores and preserves cultural traditions within Miami and the Caribbean, as well as the African and Latin diaspora that reside there.
All across the African Diaspora, there are cultural differences that keep us apart, many of which Black Panther touches on.
2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.
NEWS The Caribbean Cultural Center African Diaspora Institute (CCCADI) re-opens in a new home, a renovated firehouse in East Harlem.
Gestures of cultural understanding are performed by a number of artists whose images reveal complex narratives: Kent Monkman's alter ego Miss Chief Eagle Testickle reclaims a controversial headdress; Aida Muluneh speaks to the struggles and achievements of the African diaspora across history; and Caroline Monnet's scene of women in the film industry highlights an emerging sense of power and self - determination.
She is currently working on projects for the Caribbean Cultural Center African Diaspora Institute, New York City; Grounds for Sculpture, Hamilton, NJ; the Craft and Folk Art Museum, Los Angeles; and the Contemporary Art Center, Cincinnati.
Julia Grosse and Yvette Mutumba founded Contemporary And in 2013 to provide established and emerging artists, curators, art critics and other cultural producers from Africa and the Diaspora the opportunity to reach an international audience and expand their networks.
The show looks at cross - cultural influence and divergence — both historical and recent — between countries such as Cuba, Brazil, South Africa and Angola, as well as other regions such as Mozambique, and Namibia; featured artists born in or living between these countries or in the diaspora.
She has been researching modern and contemporary South African art since the late 1990s, specialising in the story of artists in exile during Apartheid and their cultural interactions with the Black Diaspora in France and England.
Our landmark exhibition Thin Black Line (s), co-curated by Paul Goodwin and Lubaina Himid, Tate Britain, London (2011 - 12), sparked debates about recorded histories, acknowledged archives and the connectivity of Diaspora cultural activity.
Standing between diaspora and indigeneity, I navigate the oceanic, cultural and trade circulations between Asia, the Americas and Europe.
Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, BRIC, Bronx Museum of Art, Bureau of General Services — Queer Division, Caribbean Cultural Center African Diaspora Institute, Community Access Art Collective, Decolonize This Place, Discwoman, El Museo de Los Sures, Eyebeam, Flux Factory, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Social Practice Queens, Studio Museum in Harlem, Swale, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.
While Whitten will be remembered as a giant of American painting and a singular figure in the creative history of black diaspora, he kept his eye fixed on the deeper currents that connect people across broad cultural divides and vast historical distances.
She has been an Artist - in - Residence at Diaspora Vibe Cultural Arts Incubator (Miami), the Skowhegan School of Painting and Sculpture, ACRE, and Ox - Bow School of Art.
Awards include a New Jersey State Council on the Arts Fellowship, as well as an Innovative Cultural Advocacy Fellowship from the Caribbean Cultural Center African Diaspora Institute.
The new center will afford Blackman the opportunity to continue his extensive curatorial work on the African Diaspora ensuring its important cultural influence finds an anchor and a proper voice in the Washington, DC art world.
#race #ethnicity #gender #institutions #access #identity Since the Civil Rights Era, it has become commonplace for marginalized ethnic communities to instate their own institutions of sociological and cultural study such as university Ethic Studies departments and museums like Brooklyn's Museum of Contemporary African Diaspora Arts.
Since the Civil Rights Era, it has become commonplace for marginalized ethnic communities to instate their own institutions of sociological and cultural study such as university Ethic Studies departments and museums like Brooklyn's Museum of Contemporary African Diaspora Arts.
Grantees for the third cycle of WaveMaker Grants were selected by an independent juror panel of distinguished artists and arts professionals, including Rosie Gordon Wallace, Founding President and Curator, Diaspora Vibe Cultural Arts Incubator; Franklin Evans, artist, New York and Ximena Caminos, Chair of Faena Art, Executive Creative Director and partner in Faena Group.
It conceptually and aesthetically ties together the sociopolitical conditions, multiple experiences, creative practices, imaginations and cultural expressions of black people in the United Sates (mainly the south) and throughout the African diaspora.
Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?
after 11p St Leroy II and Ali Coyote after 12a Oxnylia after 1 am and more all night Open Studios with Maggie Knox Jon Davis / 55BelleChase Bhakti Baxter Michael Vasquez Federico Cattaneo Ernesto Kunde Nina Surel Deft Union Inside Maggie Knox Candle Making workshop starting at 5 pm Open Studio and engagement with resident artist Rondell Crier (in partnership and support with Diaspora Vibe Cultural Arts Incubator, Inc, Adeline Edwards Foundation, Visual Art Network) Exhibition with works by Eurydice Kamvyselli, Deming King Harriman Art, Nicole Salcedo, Elizabeth Newberry, Francesca Lalanne, Magdalena Goudie and all the vibes with ABA Jewels «My Queen before you go tell my horse» a Performance by Jamilah Sabur, 9:30 pm (details below) Candle Vigil for all lost to the current violence of our time If you want a full experience with us take the 11 am boxing class at SolBox FC, 7101 North Miami Avenue (with shower) Please park in the back parking lot, entrance at 7101 North Miami Avenue, in the streets around or take a LYFT CODE FOR 5 FREE RIDES UP TO $ 10 EACH >> > SUPERFINERIDE Special thanks and love to Marlee's Green Tea, Miami Spaces, Gummdrops, Naomi's Garden, Gramps, Diaspora Vibe Cultural Arts Incubator (just to name a few) for their ongoing love and support and Thanks to Superfine - The Fairest Fair for their effort and support in bringing this evening to light.
The Korean Cultural Center Washington, D.C. proudly presents Life Infinite, a group exhibition featuring evocative works by 30 Korean American artists who represent the great diversity of Korean diaspora experiences in America, opening Wednesday, Jan. 11, 2017.
The library has a unique collection of exhibition catalogues and monographs, as well as a strong focus on cultural and critical theory, diaspora, gender studies, and media studies.
EXHIBITION «Liminal Space,» opens June 17 at Caribbean Cultural Center African Diaspora Institute in New York.
2018 Diaspora Pavilion Wolverhampton Art Gallery, UK, 10 Feb — 29 April 2018 Presence — A Window into Contemporary Chinese Art The Vaults, St George's Hall, Liverpool, UK, 9 Feb — 2 June 2017 Diaspora Pavilion Palazzo Pisani Santa Marina, Venice, 13 May — 26 November 2017 Sonic Soundings Venice / www.echoes.xyz 1 Sept — 30 November 2015 - 16 1st Asia Biennial & 5th Guangzhou Triennial Guangdong Museum of Art, Guangzhou 2013 The Global Archive Hanmi Gallery, London 2012 Everything Flows De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, screenings at De La Warr Pavilion, Bexhill 2012 Blue Crystal Ball Samsung IOC Olympics Media Art Collection, exhibition, AND Festival, Holden Gallery, Manchester 2012 March 2012 part of Time Lapse SITE Santa Fe, New Mexico 2011 Fraternise — the Salon Beaconsfield, London 2010 How We Became Metadata University of Westminster Gallery, London 2010 Tables of Thought Academy of Fine Arts, Helsinki, Finland 2009 Hit the Ground Hatton Gallery, Newcastle (Great North Run Cultural Programme) 2008 Artradio exhibition & online station, Cornerhouse, Manchester (featured soundwork) 2006 Cruel / Loving Bodies 2 exhibition, Hong Kong Arts Centre & Goethe Institute 2005 Private View exhibition, Shanghai Duolun MoMA 2005 Lightsilver exhibition, Beaconsfield Contemporary Art, London 2005 Reassurance exhibition, SPACE Triangle, London & Chinese Arts Centre, Manchester 2004 New Nasubi Gallery in «Osawa Tsuyoshi: Answer with Yes and No!»
The programme, a key element of the Ireland 2016 Global and Diaspora strand, is one of celebration through contemporary arts while also reflecting on Ireland's cultural journey over the last one hundred years.
His work addresses sweeping cultural and political themes, but refracts them through intimate personal narratives — what the artist calls «the tiny diasporas of a person's life.»
Akunyili Crosby's characters and scenes, however, occupy the liminal, in - between zone that post-colonial theorist Homi K. Bhabha refers to as «the third space», a point of overlap, conflation and mixing of cultural influences specific to diaspora communities.
In the planning for more than five years, «Caribbean» is an unprecedented collaborative effort to consider the multiple historical, cultural, and social forces that shaped not only 28 countries but also their diasporas in North and South America and beyond.
This trend has followed me through my curatorial career, and has had a defining impact on my research interests and teaching that increasingly tend towards cultural or diaspora studies using web technology.
Offering a rare comprehensive overview of modern Arab art, Mathaf also offers programs that engage the local and international community, encourage research and scholarship and contribute to the cultural landscape of the Gulf region, the Middle East and the Arab Diaspora.
The Caribbean Cultural Center African Diaspora Institute (CCCADI) preserves and presents African Diaspora cultures, promoting arts and culture as tools for personal transformation, community - building,...
The Retreival carries forward the momentum of important recent exhibitions including The Black Woman is God at SOMArts Cultural Center, When and Where I Enter, Angela Hennessy's solo exhibition at Southern Exposure, and Hinkle's solo exhibition Who Among Us... at San Francisco's Museum of the African Diaspora (2015 - 16) and The Evanesced at Los Angeles» California African American Museum (2017).
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