Sentences with phrase «cultural dynamics at»

US - based firms need to understand the specific cultural dynamics at work in other countries and transform American thinking about diversity into a global mindset.

Tamara Johnson's sculptural interventions and performative gestures whimsically explore the cultural dynamics at work in the landscape, merging public and private notions of space.

Not exact matches

Read stories of how others in similar situations have responded, or read for a deeper understanding of the historical and cultural dynamics that are at play in your situation.

At times it appears that each theorist regards religious evolution, like other dimensions of cultural evolution, as resulting from its own internal dynamics.

«It's a tremendous leap to draw these conclusions — that climate change is linked to violence — and factors such as economics, technology, poverty, group dynamics, cultural nationalism and personalities play significant roles in outbreaks of war,» says William Martel, an international securities expert at the Fletcher School of Law and Diplomacy at Tufts University.

«It is essential to understand the dynamics of cultural inheritance at different temporal and spatial scales, to uncover the underlying mechanisms that drive these dynamics, and to shed light on their implications for our current theory of evolution as well as for our interpretation and predictions regarding human behavior.»

But beyond «Get Out,» there were many other powerful meditations on relevant issues, be they class («The Florida Project,» «Lady Bird»), gender dynamics («Battle of the Sexes,» «The Beguiled») or cultural discrimination («The Big Sick,» «Beatriz at Dinner»).

In a sense, In the Mood for Love tries to duplicate Happy Together «s similarly improvised final form: one couple's dynamics are replaced with another's; Hong Kong on the eve of June 1997 becomes Hong Kong on the eve of the Cultural Revolution and the escalation in Vietnam; the Taipei subway becomes a Cambodian temple; and the falls at Iguazu find their equivalent in the secret desires locked in Li - zhen's heart, betrayed by her too - eloquent body language and mournful gaze.

As of the 1970s, Judd's essays focused less on individual artists, but instead looked at art in the larger cultural context - its economy and politics and their interrelated dynamics.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

Zohra Opoku's self - portraits, on view at Mariane Ibrahim Gallery, are printed on textiles and hung from the ceiling, examining he socio - cultural dynamics in relation to individual and African historical identities.

At his blog Adam Smith, Esq., Bruce MacEwen reports from Georgetown Law School's symposium on the future of the global law firm, where an international assemblage of academics and law firm leaders considered global competition, ownership and capital structure, ethics and professional values, cultural dynamics and related issues.

One of the highlights was my year as a Fulbright Scholar at the University of Botswana, where I taught group counseling and studied the cultural factors influencing group dynamics in the country.