Known for painted sculptures appropriating low -
cultural ephemera and graffiti - inspired text paintings.
These posters celebrate the close connection between art and a life lived, the intractable stamps beloved
cultural ephemera leave on our experiences.
The modest scale of these skeletal biographies speak directly to the ways in which they evoke various commonplace
cultural ephemera, such as novels, album covers, maps, notebooks and magazines.
He adopts and endows elements of
cultural ephemera with a political charge, attempting to transform various materials into signifiers of dissent.
Autumn Casey (b. 1987, Dallas) draws on a variety of personal relics and pop -
cultural ephemera, both abject and singular, to challenge and question her subjectivity of the world at large.
While cartoons and
cultural ephemera still provide her with subject matter, the works on display at Lisson Gallery speak more of Pensato's ongoing experimentation with technique, as well as the positioning and fragmentation of figures.
In addition to work by more than 35 area artists, the exhibition also features documentary photography, video and other
cultural ephemera.
Arcangel's work has long dealt with the status conferred upon differing
cultural ephemera: the privilege endowed so - called Fine Art as compared to the visual vernacular of «lowbrow» pop culture.
Instead, they take their own culture and heritage as primary sources of inspiration and combine photography with other techniques such as collage, silk - printing, painting, and images that use
cultural ephemera and archival documents.
This could entail long - term projects to exhibits of
cultural ephemera.
Through re-contextualization, he endows adopted elements of
cultural ephemera with a political charge, attempting to transform a battery of neutral art materials into signifiers of dissent.
Working predominantly with textiles, Los Angeles - based artist Megan Whitmarsh uses hand - stitched embroidery to fabricate replicas of personal and
cultural ephemera.
R. Luke DuBois is a composer, artist, and performer who explores the temporal, verbal, and visual structures of
cultural ephemera.
Shinro Ohtake is a master of collage, renowned for his painterly, multi-layered scrap - books created from discarded tickets, newspapers, magazines and other types of
cultural ephemera.
The movies will in turn serve as «a jumping - off point» for «guest editors,» who will add content inspired by the film, anything from «essays, music, video and photography to
cultural ephemera» that reflects themes expressed in the selected films.
Not exact matches
Brischler's source material is culled from a wide swath of
cultural references including book covers, vintage film posters,
ephemera from long - out - of - print queer publications, and digital imagery in the age of social media.
With the aid of film and photographic records, correspondence, invitation cards, as well as posters and other
ephemera, light will be shed on Joan Mitchell's colorful personality and her multifaceted relationships to visual artists, writers, and other
cultural figures.
With film recordings and photographs as well as correspondence, invitations, posters, and other
ephemera, Joan Mitchell's vibrant personality and her various relationships to artists, authors, and other figures from the
cultural world of her time are illuminated.
Through audio interviews, a reading room of magazines and publications, documentation,
ephemera and narrative descriptions, the exhibition will tell the story of over 130 spaces, elaborating on the significant contributions that these organizations have made to the
cultural fabric of New York City.
As can be seen in the rash of exhibitions recently or currently on view, the digital revolution has been a double - edged sword for artists who work with or in the medium of
ephemera and miscellany; on one hand, artists can easily manufacture their own work; on the other, some printed materials may soon be obsolete, changing the nature of the visual landscape and
cultural communications.
Throughout her career Pensato's eye has been drawn to the
cultural touchstones and abandoned
ephemera of a quintessentially American childhood, and boasts an enormous collection of plush toys, models and statuettes of cartoon characters and mascots in her East Williamsburg studio.
Pickleman's studio, the JNL graphic design, was begun in 1992 and specializes in the creation of graphic
ephemera of unique
cultural significance.
The idea is «to deepen the viewer's understanding of how value is generated and accrued within a
cultural context» while showing how «printed
ephemera has woven itself invisibly into our understanding of art and culture.»
She draws inspiration for her work from a detailed examination of daily routines, events, everyday
ephemera and experiences in Tehran and investigates the potential for
cultural and urban development in contemporary Iran.
The show features paintings by Helen Frankenthaler, Alfred Leslie, Trevor Winkfield, Nell Blaine, Joe Brainard, Grace Hartigan, Joan Mitchell, Jane Freilicher and Fairfield Porter; poetry collections published by the gallery's imprint, Tibor de Nagy Editions, and featuring work by Frank O'Hara, Kenneth Koch, James Schuyler, John Ashbery, Barbara Guest and others, with illustrations by Tibor de Nagy artists; photographs and films by Rudy Burckhardt; letters, announcement cards and other
ephemera; and archival photographs of leading
cultural figures of the day by John Gruen and Fred McDarrah.
As seen in the exhibitions on view, understandings and uses of printed
ephemera have changed over time in response to
cultural shifts.
She collects rare books, vintage smut, punk albums and 60s pop
cultural and political
ephemera.
In two new photographic series, Catherine Opie looks at the
cultural significance of the persona and the
ephemera of an icon.
The first major retrospective of the work of Lasar Segall, this catalogue explores the artist's changing
cultural and artistic identities as demonstrated in over 224 works, including paintings, watercolors, prints, drawings, and
ephemera
Considering desires, Ghost of a Dream collects
ephemera discarded in the pursuit of dreams and reassembles this matter into hypnotic visions of
cultural identity.
The exhibition foregrounds the relationship of printed
ephemera to
cultural and artistic production, and marks the curatorial debut for Printeresting.org.
After the assassination of Dr. Martin Luther King, Jr. in 1968, this
ephemera became the
cultural debris of racism that she would recycle into art.
An exhibition opening at the Guggenheim Museum in New York at the end of this month showcases about 40 works that were exhibited in the six editions of the Salon, along with documents and printed
ephemera that chronicle this
cultural moment.
Exploring and celebrating the legacy of the Leeds West Indian Carnival with a mix of
cultural, aesthetic and political displays including costume, film, sound and
ephemera.
Through paintings, costume and set designs, posters, photographs, film clips and theater
ephemera this exhibition brings to light an exhilarating but fleeting moment in the
cultural history of the Soviet Union when innovative visual artists joined forces with avant - garde playwrights, actors, and theatrical producers.
About Analog Projects Press Analog Projects Bookstore focuses on artist books and
ephemera, as well as
cultural and groundbreaking books and magazines.
The fear of contamination, physiological and
cultural, the anxiety of societies encountering alterities and facing their own projections and prejudices are explored through the contribution of artists of various generations, shown together with historical artifacts and pop culture
ephemera.
The Elegant Dissonance highlights a recent body of work that explores the human relationship between
cultural, environmental, and urban decay through delicately rendered hand cut paper on reclaimed street
ephemera.
For Double Bind's installation, Ledare assembled the two sets of private photographs against a collection of roughly 6000 pieces of
ephemera culled from the pages of various
cultural, editorial, pornographic, fashion, and advertising print media.
Jeremy Deller: Joy in People will include a number of his pioneering collaborative works with fans and amateur
cultural practitioners, such as The Uses of Literacy (1997), an exhibition created by fans of The Manic Street Preachers, which brings together paintings, collages, drawings, books, poetry and
ephemera inspired by the band's lyrics.
In February, it took on Broadway and
cultural gentrification with Cats on Bowery, a display of
ephemera and mockumentary film footage from its appropriative revival of Cats: The Musical.
In lieu of a press release, Berlin - based scholar and critic Diedrich Diederichsen — who organized the show in collaboration with Galerie Buchholz codirector Christopher Müller — provided a feature - length work of art - historical exposition drawing comparisons among historically and geographically disparate
cultural phenomena, fleshed out by loosely schematic displays of pertinent art and
ephemera.
This richly illustrated book contains essays on the intersections between art and magic by Jonathan Allen and Sally O'Reilly; texts on each of the 24 featured artists; new writing on the
cultural history of magic by Simon During, Brigitte Felderer, Peter Lamont, Pierre Taillefer, Helen Varola and Marina Warner; a fold - out collation of texts and images exploring the dynamics of magic, art and power; and an illustrated selection of props and offbeat
ephemera from the world of theatrical magic.
Flood has been making his lace paintings since the early 90s; their process of manufacture and slightly kitschy image derived from actual lace encourages us to look at these seductive beauties with a jaundiced eye; 2) The exhibition includes site - specific installations made of absurd pseudo-posters, multi-media,
ephemera, collages, text paintings, and documents from the last decade that remix pop culture and critique systems of mass
cultural distributions such as rock videos and albums.