To see Orly's arrestingly frank, personal images sewn upon kitschy vintage table runners is to understand immediately the many changes in the tenor of
cultural expression between then and now, and in conflating today's brand of cultural confessionalism with yesteryear's kitschy conservatism her work encapsulates a sweeping arc of feminist history.
Not exact matches
In that
cultural setting, understanding was largely narrowed to a choice
between expression in a literal sense or through cloudy abstraction.
Examples might be a manuscript that examines social - cognitive processes and their relevance to the etiology of depression, a manuscript that examines how the interaction
between two brain regions places people at risk for anxiety disorders, or a manuscript that examines how
cultural variables shape the experience or
expression of schizophrenia (of course, these are only three potential examples among hundreds).
Founded by Robert Redford in 1981, Sundance Institute is a global, nonprofit
cultural organization dedicated to nurturing artistic
expression in film and theater, and to supporting intercultural dialogue
between artists and audiences.
They Will Have to Kill Us First (Unrated) Freedom of
expression documentary chronicling the clash of civilizations
between defiant, Malian musical artists determined to preserve their country's rich
cultural heritage and Islamic jihadist invaders inclined to behead anyone who doesn't submit to their interpretation of Islam.
About Sundance Institute: Founded by Robert Redford in 1981, Sundance Institute is a global, nonprofit
cultural organization dedicated to nurturing artistic
expression in film and theater, and to supporting intercultural dialogue
between artists and audiences.
Richard Grayson's video and multimedia works expand on the trifold relationship
between religious and social belief systems, individual
expression, and the development of
cultural identity.
Norte Maar aims to be a leader in building collaborative partnerships
between artists and other organizations whereby uniting
cultural forces to foster artistic
expression and raising the imaginative energy in us all.
In his practice, Parlá highlights the
cultural bonds
between communities and the
expression thereof.
Standouts include Carrie Mae Weems» holographic narrative about race, sex, and politics portrayed by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels
between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the
cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate by New Orleans city council members during a 1991 vote to racially integrate the Mardi Gras krewes — changing her voice and
expression as she dynamically alternated
between speakers, both black and white.
To serve an audience that is multicultural, young and old, general and specialized, the museum presents programs that recognize the variety and complexity of
cultural experience and explore the relationship
between traditional
expression and contemporary practice.
His most recent public effort ended in the project Who Cares (Creative Time, 2006), a book built from a series of conversations
between Ashford and many other
cultural practitioners on public
expression, ethics, and beauty.
Norte Maar aims to be a leader in building collaborative partnerships
between originating artists and other organizations thereby uniting
cultural forces to foster artistic
expression and raise the imaginative energy in us all.
with families where differences exist
between therapist and child in terms of family style or
cultural expression and where parents have expectations about appropriate ways for children to communicate.
The relationship
between somatic
expression, psychological distress and GP consultation in two
cultural groups.