Sentences with phrase «cultural forces present»

Participants will explore the eight cultural forces present in every group learning situation — language, time, environment, opportunities, routines, modeling, interactions, and expectations — and how they influence the group's cultural dynamic.
Learn the eight cultural forces present in every group learning situation — language, time, environment, opportunities, routines, modeling, interactions, and expectations — and how they shape the group's cultural dynamic.

Not exact matches

This moral discipline informs Fredriksen's effort to present her subjects as persons who loved, aspired, and suffered, rather than as mere ciphers moved by abstract historical or cultural forces.
If I was alone on a desert island with nothing but the Bible, and no research tools to help me understand the background and history of who Jesus was and what He taught, and the cultural and theological forces He was facing, I doubt I ever would have understood Him in the way that Wright presents here.
What they can do is to interpret it in the light of the present forces impinging on their lives so that the new pattern of life may be continuous with their cultural tradition.
What I propose in the present analysis is to emphasize three major sets of forces to which the leadership of emerging universities and their constituencies were responding: first, those having to do with the demands of technological society; second, those having to do with ideological conflicts; and third, those having to do with pluralism and related cultural change.
The Clark Art Institute and the Aspen Institute presented a panel discussion exploring the emerging role of artist - endowed foundations as a force in cultural philanthropy and in the stewardship of America's artistic heritage.
** Marina Abramovic» ** s 2010 mid-career MoMA retrospective, The Artist Is Present, propelled the Belgrade - born artist, an art world force since the seventies, into the cultural mainstream.
China Cultural Centre in Sydney will join forces with the Art Gallery of New South Wales, the National Portrait Gallery, Museums & Galleries of NSW, UNSW Art & Design, Macquarie Group, Gene & Brain Sherman Collection and Nicholas Jose & Claire Roberts in presenting an exhibition titled A Retrospective of Chinese Archibald Finalists, on view -LSB-...]
A Force Proportional To Their Masses is a permanent installation honoring African Americans in aviation past, present and future at The Fulton County Aviation Community Cultural Center in Atlanta, GA..
Of my writings published online on this blog and The Huffington Post since last April 2010, the ones that have in any small way gone viral, very relatively speaking, were those in which I wrote fast enough about current hot news items or ones relating or engaging with artworld celebrities: as one example, «My Whole Street is A Mosque,» written within 24 hours of the news cycle surrounding the proposal for a Islamic cultural center near Ground Zero, was picked up by various web aggregators; «Looking for Art to Love, MoMA: A Tale of Two Egos» also did very well because of my speculation about how or whether Marina Abramovic peed during her performance «The Artist is Present» at MoMA, a subject of much prurient curiosity (interesting speculation was illustrated online at New York Magazine and resolution of the mystery came in the Wall Street Journal's blog, «Speakeasy»); «Anselm Kiefer@Larry Gagosian: Last Century in Berlin,» where I tucked a critical response to Kiefer's recent show into a bit of reporting about how Gagosian Gallery was using the NYPD as its private police force, also created a spike on my Google analytics; more recently I could perceive a noticeable uptick in my readership as well as in the number and enthusiasm of my Facebook friends» comments for «Should we trust anyone under 30?
Norte Maar for Collaborative Projects in the Arts is a 501 (c) 3 non-profit arts organization founded in 2004 by curator Jason Andrew and choreographer Julia K. Gleich with a founding mission to create, promote, and present collaborations among the visual, literary and performing arts to connect emerging artistic communities and unite cultural forces to foster artistic expression and raise the imaginative energy in us all.
Physically present in Beijing, I: project space offers a hybrid practice in creating a new network of art practice and discourse, challenging preexisting notions of social, cultural and political forces in art.
Norte Maar for Collaborative Projects in the Arts: creating, promoting and presenting collaborations among the visual, literary and performing arts, connecting emerging artistic communities, and uniting cultural forces to foster artistic expression and raise the imaginative energy in us all.
Stay tuned we have 4 more articles to present... FORCE OF FAILURE: DailyServing's latest week - long series There are two main artist archetypes popular in our cultural ether.
Mr. Algus has since joined forces with Amy Greenspon, and they are presenting eight canvases from a 1996 - 98 series; the paintings show Mr. Young as involved as ever with self - evident techniques, stylish nonchalance and mixed optical and cultural messages.
is presented as part of Pacific Standard Time, a collaboration of more than sixty cultural institutions across Southern California, coming together for six months beginning in October 2011 to tell the story of the birth of the Los Angeles art scene and how it became a new force in the art world.
Norte Maar for Collaborative Projects in the Arts is a Brooklyn based 501 (c) 3 non-profit arts organization founded in 2004 by curator Jason Andrew and choreographer Julia K. Gleich to create, promote and present collaborations in the visual, literary and performing arts to connect emerging artistic communities and unite cultural forces to foster artistic expression and raise the imaginative energy in us all.
From multiple viewpoints, they examine the forces beneath the layered complexities of their political, social, economic and cultural territories, demonstrating a capacity to converse creatively with the present, responding to the distinct forces at work in their cultures.
A task force of over 30 arts leaders developed a 13 actionable strategies — taking into consideration data from a survey conducted across local arts organizations and input from 650 community members who attended town hall meetings organized by the Arts Commission around the issues of cultural inclusion and equity in the arts — that were incorporated into a report presented to the supervisors.
Ms. Jampol moved forward to become the driving force in a myriad of cultural and educational initiatives including: Jajo Art Gallery (08 - 09); Glocally Newark (2010); The 239 Collective (2010); Rutgers Future Scholars «I am» Program; The NeWWalls Newark Public Art Conference (2014), The Gateway Project Public Art Initiative (2014 / present), Portals, Newark, (2016 / Present) and most recently, The Newark Downtown District's Entryway Program «Gateways to Newark» present), Portals, Newark, (2016 / Present) and most recently, The Newark Downtown District's Entryway Program «Gateways to Newark» Present) and most recently, The Newark Downtown District's Entryway Program «Gateways to Newark» (2016).
Conjuring the cultural influences that construct identity, Pruitt presents feminine strength from the inside colliding with external forces to create a captivating and fantastical portrait.
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