But the season of sewing is ending, and we need to separate that which is Christian from
cultural forms taken over and reshaped for post-Christian purposes.
Not exact matches
The «Chicago school» has
taken a variety of
forms: socio - historical, radical empiricist, rationalist, and
cultural.
Rather, what Crouch did was to continue the tradition of creating new
cultural forms from within the folk culture he inhabited and
taking such artifacts into a broader public space.
Since the gospel is always received and appropriated in a specific
cultural form, and since the church is established and functions as a social institution, the changes that are
taking place in global societies have profound implications for churches (as profound, some have suggested, as our initial transition from a regional Jewish Jesus movement into a global Gentile church).
Awareness that there are particular
cultural situations rather than a universal culture within which the gospel
takes form raises, of course, the obvious question: what is the gospel?
In paintings of Asian Christian communities Christ
took Asian
cultural forms in a most vivid way.
Does the discussion in Christ Without Myth
take adequate account of the nature and status of myth as a
cultural form, and thus as an indispensable ingredient of history?
In the economically developed capitalist countries, he explains, secularization tends to
take a
cultural form.
Some of the evidence here lies in what the themes of the Incarnation, the Cross, and the Resurrection of the Christ who
took upon himself the
form of a servant have done to release
cultural energies in Western civilization.
Just as the
cultural change of the Axial Period occurred more or less simultaneously and independently at several points on the earth's surface, so the new global
form of spirituality may well germinate at many different points and then
take more visible
form as those points
form a network.
What
cultural and religious
forms this unification might
take, we can not predict.
But the crucial question for evangelistic mission today is how in a changed post-colonial situation the
forms of the church and its evangelistic proclamation and the call to conversion and the invitation to join the fellowship of the church may
take place within the context of the recognition of religious and
cultural plurality and common participation in building a new just society and state.
Ultimately the people's resistance
takes the
form of new religious /
cultural movements, counter and alternative to the dominant cultures and civilizations.
Such
cultural violence may
take the
form of
cultural deprivation through the monopoly of
cultural institutions by the power elite of a given civilization, or
cultural repression through the arbitrary imposition of the values and norms of the powerful.
The
form of argument in this presentation has emphasized several specific points: first, that the Asian values argument, as a challenge to the implementation of constitutional democracy, is exaggerated and fails to account for the richness of values discourse in the East Asian region - local values do not provide a justification for harsh authoritarian practices; second, that the
cultural prerequisites arguments fail because they ignore the discursive processes for value development and they are tautological, excessively deterministic and ignore the importance of human agency it, therefore, makes little sense to
take an entry test for constitutional democracy; third, the difficulties of importing Western communitarian ideas into an East Asian authoritarian environment without adequate liberal constitutional safeguards; fourth, the positive role of constitutionalism in constructing empowering conversations in modern democratic development and as a venue for values discourse; fifth, the importance, especially in a cross-
cultural context, of indigenization of constitutionalism through local institutional embodiment; and sixth, the value of extending research focused on the positive engendering or enabling function of constitutionalism to the developmental context in general and East Asia in particular.
But members must disclose such trips
taken under the Mutual Educational and
Cultural Exchange Act on their annual financial disclosure
forms.
The former state senator and retired NYPD cop, who
took the borough's reins in January, had his staff distribute fliers and «Partner / Sponsor» application
forms — copies of which were obtained by The Post — claiming the money would go to his «affiliated nonprofit,» called One Brooklyn, to fund various
cultural events throughout the year.
Scientists everywhere work in teams, but teamwork
takes different
forms in different
cultural and institutional contexts.
If
taken as a
form of
cultural anthropology you can strip film of all of the burdens of objective merits that impose expectations that prevent us from losing ourselves in the experience.
This is the heart of Weerasethakul's work;
taking old
forms that have been suppressed or forgotten (as in the animist folk tales of Thailand) and re-forming them into narratives that speak with renewed urgency to the contemporary
cultural climate.
Eggsy's
cultural dislocation is still a feature of The Golden Circle, but it's
taken a new
form.
29] The manifestation of mass opinions, obsessions, and objectives
takes various
forms depending on certain inherent attributes, imbibed
cultural attitudes or instructed methods of operation.
Violence against children
takes a variety of
forms and is influenced by a wide range of factors, from the personal characteristics of the victim and perpetrator to their
cultural and physical environments.
This sense of affirmation
takes on many
forms, whether it's through walking trips through the community, or welcoming family members into the school to share and demonstrate
cultural traditions and customs with the students.
These confrontations may
take the
form of difficult one - on - one conversations, open discussions and forums at faculty meetings, and using the teacher appraisal system to help teachers see the importance of
cultural competency.
Literacy
takes many
forms (EX: digital, information,
cultural, etc.) that all rely on the foundational literacy of reading.
Racism in America can
take the
form of so much more than the «N» word, and here Oluo astutely dismantles issues such as police brutality,
cultural appropriation and microaggressions, and the pervasive, poisonous power of racism and white supremacy.
Kuranda has several dining options from outdoor garden restaurants with balconies overlooking the valley, quaint coffee shops with chairs carved out of bits of natural
formed timber, healthy organic bakery and
take away stores and of course the multi
cultural wok foods available in the Kuranda markets.
This Uluwatu Tours package will start to visit Garuda Wisnu Kencana
Cultural Park planned to be established a landmark or Bali mascot, in the
form of a giant statue, that is a statue of Lord Vishnu riding a Garuda bird, then continue the tour to visit the Beautiful Padang - Padang Beach is one of the best white sand beaches, then we continue to visit the main site is Uluwatu Temple is amazing temple sits on 70 meter protuding cliff with some group monkey nearby, then the tour will continue to watching Kecak and Fire Dance Performance near the uluwatu temple, is a Balinese dance
takes story from fragment Ramayana, and then the last site during Uluwatu tours is visit Jimbaran beach to enjoy the delicious seafood dinner on the beach at local restaurant.
It is such that now, rather than trying to split the
cultural distinctions of art
forms from different countries, game makers can travel across the world
taking bits and pieces of things they learn and enjoy, and then glue them together in their work to expand their creative possibilities beyond the confines of their native culture.
First, we need to
take a step back and look at all of the different
forms of artistic media, and their own journeys toward
cultural adoption and relevance.
Apple rescinds statement about political games: It'd be great to see Paper's Please up on the App Store and then maybe they'll
take that dumb line back about books and movies being the only
form of art suited for
cultural criticism.
To enter this prison, which
takes the alluring
form of museums, art history textbooks, galleries, and magazines, an individual must suppress his
cultural differences and become a colorless ghost.
Their activities have
taken many
forms, including an exhibition space in Düsseldorf, Germany, various publishing projects, sustained collaborations with other artists, as well as exhibitions, realized both individually and together with a loose network of artists and
cultural producers.
Poledna's art most commonly
takes the
form of highly concentrated film works that unfold a complex tension between the visuals and their critical and
cultural implications.
Unlike most other fairs, Frieze
takes place at the heart of its host city,
forming part of London's vibrant
cultural fabric and international art scene.
Kobena Mercer has appropriately referred to this generation of «cinematic activists» as being engaged with the
cultural struggle that
takes place within the «domain of image - making» through self conscious cinematic strategies.6 In each instance, the individual filmmakers and voices that make up the collectives, workshops, and groups that
formed in this tumultuous period in Britain's
cultural history give shape to an image of race otherwise mediated by outside entities.
Art on the Tracks — Los Angeles - based artist Doug Aitken has arranged for a motley band of artists, writers, chefs, and musicians, ranging from Urs Fischer, Dave Hickey, and Charlotte Gainsbourg, to join him on a three - week - long Levi's - supported train ride from New York to San Francisco that will
take the participants to ten cities along the way, in an effort to desegregate art
forms and raise money for
cultural institutions.
Taking over all four floors of the Vancouver Art Gallery, this groundbreaking exhibition will offer an international survey of mashup culture, documenting the emergence and evolution of a mode of creativity that has grown to become the dominant
form of
cultural production in the early 21st century.
Her work looks at places and moments where social, political, and
cultural structures
take on visible
forms.
Interested more generally in pop culture and pop culture nostalgia, Arcangel has
taken as his subject other new media
forms, including YouTube and blogs, using them to create works that explore their role in our
cultural landscape.
Personal narratives also permeate JAŠA's work, often
taking on
cultural or folkloric
forms and recapitulating feelings of euphoria and beauty found within them.
Their work investigates
cultural forms and their connection to the environment and nature often
taking form of interactive installation, or DIY projects.
The Saw Tooth Wave continues the artist's interest in the ways that technologies and
cultural zeitgeists imbue our experience of the world,
taking its title from a type of audio wave
form common to the sounds produced by synthesisers from the 1960s onwards.
That exhibition
took its name from Jorge Luis Borges» text The Library of Babel, bringing together works whose premises are predicated on the book as a conceptual, psychological, and
cultural form.
Much of her work
takes the
form of either postmodern conceptualism or large installation pieces, and is often inspired by
cultural and personal fear.
These works don't set out to make specific
cultural references explicit but the materials I use and the
forms they
take do of course carry with them their own set of references and identities.
Our seventieth issue is a snapshot of the
forms those conversations have
taken, beginning with some of the outstanding interviews that have invited artists and
cultural producers to speak frankly about their practices.
True to
form, he accepted the position with an allusion to his wide - ranging, inclusive tastes in art: «I can't get Sun Ra's Fate in a Pleasant Mood out of my mind,» he explained, comparing his excitement to
take on the new role to afrofuturist Sun Ra's jazz album — one that, like much of the art that Walker champions, deserves a more pronounced place in our
cultural history.
Two concurrent exhibitions in New York this fall refer to natural and
cultural forms in poetic installations with entirely different, conceptually framed
takes.