Sentences with phrase «cultural forms through»

While explicitly addressing loss, his installation speaks to the persistence and resistance of cultural forms through time, and the potential for internally coherent spaces to exist within other, seemingly dominant spaces.

But at the same time, this idea intersects with postmodern thought (from the 1980s and 1990s) that began to understand cultural forms through linguistic frameworks.

Not exact matches

It will renew us all through the new forms of cultural life it is already creating.

The recent passing of the well - known Gospel singer Andraé Crouch offers an opportunity to reflect further on the way in which Christianity continues to shape culture through the creation of new cultural forms of music, art, etc..

Ironically, since the time Wiebe began his crusade the kind of intellectual agenda that worries him most — calling into question the very canons of objective science — has entered the academic scene not through theologians but through postmodern philosophy and radical forms of cultural criticism.

Specialization is regarded as a means for increasing the individual's qualitative excellence of achievement and for making possible higher forms of cultural life through the organization of differentiated skills.

Yet, there is considerable mystery in the way any personality is formed through various cultural experiences that include church, schools, and media, as well as family.

the preoccupation of the psychologist with purely human behavior, its description, and development; the preoccupation of the sociologist and cultural anthropologist with the forms and development of society, make these mental health professionals unable to define the function of the churchman, though their professions may well be of immense importance in providing information when the clergyman thinks through his unique and necessary role as pastor to persons.

And then there are the cultural forces that «bend» women's bodies through cosmetic surgery, clothing or obsessive forms of dieting.

As God has spoken his word in diverse cultural situations, the church is confident that he will continue to speak through the Scriptures in a changing world and in every form of human culture.

All the cultural forms — drama, art, music — became vehicles through which Christianity found expression.

Such cultural violence may take the form of cultural deprivation through the monopoly of cultural institutions by the power elite of a given civilization, or cultural repression through the arbitrary imposition of the values and norms of the powerful.

Religions have constituted the core of the lives and communities of the people; cultures have expressed and transmitted their values, forms, styles and tastes; and civilizations have formed through the long accumulations of the peoples» religio - cultural achievements and failures.

The form of argument in this presentation has emphasized several specific points: first, that the Asian values argument, as a challenge to the implementation of constitutional democracy, is exaggerated and fails to account for the richness of values discourse in the East Asian region - local values do not provide a justification for harsh authoritarian practices; second, that the cultural prerequisites arguments fail because they ignore the discursive processes for value development and they are tautological, excessively deterministic and ignore the importance of human agency it, therefore, makes little sense to take an entry test for constitutional democracy; third, the difficulties of importing Western communitarian ideas into an East Asian authoritarian environment without adequate liberal constitutional safeguards; fourth, the positive role of constitutionalism in constructing empowering conversations in modern democratic development and as a venue for values discourse; fifth, the importance, especially in a cross-cultural context, of indigenization of constitutionalism through local institutional embodiment; and sixth, the value of extending research focused on the positive engendering or enabling function of constitutionalism to the developmental context in general and East Asia in particular.

Australia also enjoys proximity to Asia in other forms, with strong cultural and economic ties through the transfer of people and established trade routes.

Infant Mental Health, sometimes referred to as Infant Brain Health, has been defined as the developing capacity of the child from birth through age five to: experience, regulate, and express emotions; form close, secure and interpersonal relationships; and explore his / her environment and learn - all within the context of family, community, and cultural expectations.

In a cultural context, kente is more important than just a cloth and it is a visual representation of history and also a form of written language through weaving.

The dating site and events make it easy to connect with date prospects and form a lasting bond through shared cultural values.

Through our open call for submissions, we hope to engage with filmmakers on the forefront of cinematic innovation and experimentation in both content and form, presenting access - driven stories with journalistic integrity that demand an engagement with our political and cultural environments.

This has much in common with Steve James's award - winning documentary Hoop Dreams as it pursues and records the moment - to - moment responses of young people struggling to improve their lot, and in doing so reveals a penetrating socio - cultural study of contemporary America through a competition described by one parent as «a form of child abuse».

Through interpreting and analysing authors» ideas and positions represented in traditional and contemporary texts in a range of media, in English or translated forms, students learn to question stated and unstated cultural beliefs and assumptions, and appreciate issues of intercultural meaning and sensitivity.

This sense of affirmation takes on many forms, whether it's through walking trips through the community, or welcoming family members into the school to share and demonstrate cultural traditions and customs with the students.

Through professional development, teacher leadership has formed a culturally relevant committee that meets each month and sends staff newsletters — which include scholarly readings and evidence - based practices and strategies — to support growth in cultural responsiveness.

Through its newsletter and quarterly journal as well as its annual conference, the FPEAA supports radical adult education in many forms from simplicity circles to participatory action research to other grassroots groups in cultural work, environmental work, economic work, and community leadership.

Through this model, students bring their distinct language and cultural knowledge to form new learning communities that gain from different linguistic and cultural assets.

ELLIS: I love folk art, especially when it's made by people who have developed their own way of working through hours and hours of practice without instruction and somewhat in cultural isolation: art that's made by skilled people who are amazing at a form of expression that they invented.

Presented through all of MUMA's recently designed galleries, the inaugural exhibition sees artists explore performative, media and event cultures, and the post-industrial architecture of the urban fringe, whilst others work with sound, light, sculpture, film, and painting in its diverse and expanded forms, offering a multi-sensory register of art and everyday life, from complex cultural perspectives.

Through their engagement with specific architectural forms, the works in the exhibition offer insights into distinct cultural contexts, histories and social struggles.

Fellowships recognize creative vision and commitment to excellence within a wide range of artistic disciplines, including artists who have been academically trained, self - taught artists, and artists whose art forms have been passed down through cultural heritage.

The self - portrait photographs on display in the upper gallery depict Al - Ghoussein's exploration of the physical, cultural, intellectual, and collective spaces through interactions with iconic locations that are the physical manifestation of efforts to form a modern nation - state.

13:00 — 14:30 Discussion: Writing into history How are independent practitioners performing critique within and on the margins of cultural centres through forms of «writing»?

Kobena Mercer has appropriately referred to this generation of «cinematic activists» as being engaged with the cultural struggle that takes place within the «domain of image - making» through self conscious cinematic strategies.6 In each instance, the individual filmmakers and voices that make up the collectives, workshops, and groups that formed in this tumultuous period in Britain's cultural history give shape to an image of race otherwise mediated by outside entities.

Through his work, Hlobo expresses an interest in the commingling of cultural dichotomies: traditional vs. colonial, rural vs. urban, child vs. adult, straight vs. queer, which are stitched together to form unexpected new tapestries.

Mixing allegory and abstraction within compositionally dense canvases, Vega sifts through various forms of cultural detritus to explore the vagaries of the human condition.

Group Island Press: Recent Prints, Mildred Lane Kemper Art Museum, St. Louis, MO, 2018 Thinking Through Art, Middlebury College Museum of Art, Middlebury, VT, 2018 Sunrise, Sunset, Emerson Dorsch Gallery, Miami, FL, 2017 The Unhomely, Denny Gallery, New York, NY, 2017 Women Painting, Miami Dade College, Kendall Gallery, Miami, FL, 2017 New Faces, Different Places, Central Features Contemporary Art, Albuquerque, NM 2017 The Home Show, form & concept, Santa Fe, NM, 2016 Girls Who Dance in Dissonance, Wayside, Los Angeles, CA, 2016 Surface Area: Selections from the Permanent Collection, Studio Museum in Harlem, New York, NY, 2016 Self - Proliferation, Girls» Club, curated by Micaela Giovannotti, Fort Lauderdale, FL, 2016 Faces and Vases, Royal NoneSuch Gallery, Oakland, CA, 2016 Visions Into Infinite Archives, SOMArts Cultural Center, curated by Black Salt Collective, San Francisco, CA, 2016 Summer Art Faculty Exhibition, Schick Art Gallery, Skidmore College, Saratoga Springs, NY, 2015 Paula Wilson & Jovencio de la Paz, Saugatuck Center for the Arts, Saugatuck, MI, 2015 Perception Isn't Always Reality, Kranzberg Arts Center, St. Louis, MO, 2015 DRAW: Mapping Madness, Inside — Out Art Museum, curated by Tomas Vu, Beijing, China, 2014 - 2015 Lake Effect, Saugatuck Center for the Arts, curated by Mike Andrews, Saugatuck, MI, 2014 I Am The Magic Hand, Sikkema Jenkins & Co, Organized by Josephine Halvorson, New York, NY, 2013 Sanctify, Vincent Price Museum, Los Angeles, CA, 2013 The Bearden Project, Studio Museum in Harlem, New York, NY, 2012 Configured, Benrimon Contemporary, Curated By Teka Selman, New York, NY 2012 Art by Choice, Mississippi Museum of Fine Art, Jackson, MS, 2011 The February Show, Ogilvy & Mather, New York, NY, 2011 Art on Paper: The 41st Exhibition, Weatherspoon Art Museum, Greensboro, NC, 2010 Defrosted: A Life of Walt Disney, Postmasters Gallery, New York, NY, 2010 41st Collectors Show, Arkansas Art Center, Little Rock, AK, 2009 - 2010 Carrizozo Artist's Show, Gallery 408, Carrizozo, NM, 2009 - 2010 While We Were Away, Sragow Gallery, New York, NY, 2009 A Decade of Contemporary American Printmaking: 1999 - 2009, Tsingha University, Beijing, China, 2009 Collected.

Exploring the construction of modern U.S. history as a form of cultural memory, Darryl Lauster: Glory is the Language of the Poet and Vincent Valdez: Till Then open with a reception from 7:30 to 9:30 p.m. on Wednesday, Sept. 16 and continue through Nov. 4 at Blaffer's satellite downtown Houston location, 110 Milam Street.

While these concerns may be universal, Saudi artists approach them through the lens of their country's unique history and forms of cultural expression.

Both pioneering interdisciplinary artists have continually worked to subvert our own assumptions of medium specificity through work that simultaneously celebrates sumptuous materiality and the possibilities for the social and cultural implications of form.

«The Arcades Project foreshadows our experience of modernity: we absorb an overwhelming mass of information and cultural activity, yet it comes to us in a fragmented form, often through social and digital media, without the orderly coherence that thinkers and artists once predicted for the future.

Through each of these mediums the artist finds contemporary currency, personal symbol and cultural meaning of longing, seduction, desire and romance, while also revealing a highly personal vision, fusing and transforming sentiment, wisdom and emotional experience into visual - art forms.

Arts in Marrakech works to form cultural bridges and dialogues creating a forum for debate, free thinking and the exchange of ideas through contemporary Visual Art, Literature and Film.

«Contemporary African art has been present on the global art scene long enough for imaginary forms stemming from creative minds to be apprehended first and foremost through the intrinsic nature and the intricate relations between form, medium and space, before being loaded with the burden of history and cultural specificity.»

The 13 participating artists and artist groups — contributing mixed - media installations, film, video, and archive - oriented art — join Tiravanija's global journey through a cultural gathering that privileges mobility and exchange as a form of research and a way to learn about the vagrancies of meanings attached to things.

Co-founder of mute mute, which emphasizes mutual discussion about society in order to expand the boundary of perception through art, cultural performances and social activities in different forms.

He depicts these notions through the use of found domestic and utilitarian objects and materials to form sculptures, drawings, and prints that generate visual puns and cultural overtones, while also aiming to highlight how these objects portray and mimic language, specifically Spanglish — the rhythmic convergence of two languages spoken in Latin - American homes.

In Cultural Shift, Whitten goes a step further, separating figure and ground by using acrylic elements formed through different techniques.

Gowda is interested in the power that objects and forms carry in capturing aspects of reality, with its social and cultural narratives, that are otherwise unseen by and unspeakable through other languages of representation and analysis.

Witte de With Center for Contemporary Art has distinguished itself with intrepid commentary on the shared cultural and political predicament through its curated exhibitions, which form the core of its program.

Funding will be awarded to eligible teams of master artists and apprentices committed to preserving, through one - on - one training, a traditional art form deeply rooted in their community and cultural heritage.

Through an examination of the history of Chocolate Cities, and an interrogation of current challenges such as economic segregation and gentrification as a form of cultural castration, this exhibition will open up a discourse on historical legacy as well as methods of sustainability in the face of a rapidly changing cultural and economic landscape.