Consequently when in the life of the church
cultural forms triumph over religious content and faith disappears, and when in the course of time men begin to wonder what content these forms were originally intended to symbolize, the historic explanations which they will advance will be given in terms of national or racial destiny rather than in terms of a rediscovered religious truth.
Unlike, let's say, the wider historical account, which includes the whole bohemian world that is inseparable from its political and social surroundings in Dore Ashton's essential volume New York School: A
Cultural Reckoning, or Irving Sandler's landmark
Triumph of American Painting: A History of Abstract Expressionism, your observation that the beginning of pluralist taste in art begins with Cahill and continues onward to the works of Allen Ruppersberg and more recently, deliberately
formed art collectives like Bernadette Corporation and the Bruce High Quality Foundation.