Not exact matches
It coincides with the Armory Show and the Whitney Museum of American Art Biennial and will be accompanied by a fully illustrated catalogue, complete with original texts by the writer and
cultural critic Wayne Koestenbaum and the art
historian and Dean of the Yale University School of Art
Robert Storr.
The catalogue includes essays by MoMA curator Ann Temkin,
cultural critic Michael Bracewell and art
historian Robert Pincus - Witten, along with a conversation between Hirst, Ed Ruscha and John Baldessari.
Every spot painting Hirst has produced is included in this substantial publication with over 99 % of them illustrated.The Complete Spot Paintings includes essays by Museum of Modern Art curator Ann Tempkin,
cultural critic Michael Bracewell and art
historian Robert Pincus - Witten as well as a conversation between Damien Hirst, Ed Ruscha and John Baldessari.
As art
historian Robert Storr points out, «Richter insists on the term «Abstract Pictures» in order to keep the
cultural legacy of referential painting in the forefront» (R. Storr, The Cage Paintings, London, 2009, p. 63).