Following the press release provided by Amazon Publishing, tipped by TeleRead, Jay Parini said, «It seems appropriate to launch a series of short, thought - provoking biographies with a figure who has dominated our collective imagination and
cultural iconography for over twenty centuries.»
Not exact matches
The west has dominated Christian
iconography for so long, I think we have assumed that the western
cultural version of Christ is the «true» version.
This exhibition seeks to correlate directly with How to Read El Pato Pascual: Disney's Latin America and Latin America's Disney at MAK Center
for Art and Architecture at the Schindler House and The Luckman Fine Arts Complex at Cal State L.A., through the idea of creating identity and using
iconography as political and
cultural tools to represent the experiences of the people who have most suffered from corporate imperialism.
His work
for Art Brussels pushes his oeuvre further in his use of
iconography to
cultural references including symbolism.
Paintings by Julian Schnabel, Thornton Dial, Rita Ackermann, Joe Bradley, and others largely abandon
iconography for material in their reshaping of
cultural clay (Laska does this too in her own work, hung in an earlier gallery).
Lalla Essaydi, the Morrocan - born artist uses
iconography from 19 - th century Orientalist paintings as an inspiration and a starting point
for the exploration of her own
cultural identity.
It has references to traditional
iconography to do with drapery, veiling and the myth of Orpheus, who was an inspirational
cultural figure
for the artist.
In these times of diversity and multicultural experience, the artist's image is both a cypher
for the human condition as well as the foundation
for complex
iconography in which the
cultural object stands to reflect the impact of societal norms on the individual.
Her work uproots political and religious
iconography to dismantle
cultural tropes; take,
for example, the animation SpiNN, 2003, which abstracts the hairstyles of gopis (female devotees of Krishna) into a flock of small black silhouettes that swirl around the screen like a murmuration of starlings.
Although there are notable influences from prior body art practice and both Eastern and Western
cultural and artistic
iconography — a large degree of indebtedness to Yoko Ono, Yves Klein and Carolee Schneemann,
for example — Rong's appropriation and assimilation of both
cultural narratives is what makes her work particularly interesting from a critical perspective but also as an illustration of the interconnected and mutating
cultural psyche's of an internationalist «millennial» practitioner.
Kristofferson San Pablo is a Los Angeles based artist whose work explores ideas about bootlegging and remixing of
cultural iconography & media imagery through art as a way to distort and transform the conditions
for which they were previously used.