The nature of filtering
cultural iconography through personal sensibilities and experiences makes the exhibition difficult to pin down.
Not exact matches
This exhibition seeks to correlate directly with How to Read El Pato Pascual: Disney's Latin America and Latin America's Disney at MAK Center for Art and Architecture at the Schindler House and The Luckman Fine Arts Complex at Cal State L.A.,
through the idea of creating identity and using
iconography as political and
cultural tools to represent the experiences of the people who have most suffered from corporate imperialism.
The series journeys
through history exploring
iconography and idealism across a
cultural spectrum, from model planes and boats inspired by Communist China's food coupons of the 1950s and 1960s to portraits of fallen dictators.
Through the use of high and low
cultural iconography and art historical references I create a working space between both
cultural identities in which samples could be -LSB-...]
The paintings meander
through various systems of knowledge and representation such as Tantric
iconography, a landscape in the isolated dictatorship of North Korea, illustrations of cellular generation and radical
cultural histories seen
through the lenses of fellow artists Emily Roysdon and Cameron Rowland.
Kristofferson San Pablo is a Los Angeles based artist whose work explores ideas about bootlegging and remixing of
cultural iconography & media imagery
through art as a way to distort and transform the conditions for which they were previously used.