Sentences with phrase «cultural icons for»

While his unfussy, casual compositions share the pictorial flatness of AbEx, they are resolutely figurative; and while the cartoonish style foreshadowed Pop, Katz eschewed cultural icons for everyday folks, like his wife, Ada.

At the core of the retailer's public image and brand is its founder, a cultural icon for several generations of Quebecers.

The Barefoot Contessa has starred in cooking shows, written nine cookbooks (her latest, Make It Ahead, is out October 28), and is nothing short of a cultural icon for home cooks across the country — heck, she's captivating even to those who'd never set foot in a kitchen.

With over 30 video game titles released and hundreds of awards, the heroine Lara Croft has been a cultural icon for 20 years and has made an indelible mark on virtually every facet of entertainment.

Temporarily managed by the City of Alexandria's Office of the Arts, the Torpedo Factory Art Center continues to be a must - see cultural icon for Alexandria.

Not exact matches

The folks at Sanrio, the company behind kawaii cultural icon Hello Kitty, apparently had a soft spot for Jobs.

If there ever was a time for Canada to wrap its arms around its cultural icons and support them — to leverage them to help build a brand for a nation — it's now, and I mean right now.

I found your recipe because I have been searching for a moist egg bread to make Pan de Huevo which is a Mexican cultural icon.

Rated # 1 by Zagat and praised by the New York Times as «Art, not Soup,» it set the standard for innovation and excellence long before the famous «Seinfeld» episode made it a cultural icon.

While your child's cultural icons may not delight you, they offer great bonding material, common ground for forming friendships.

The announcement took place during a press conference in Flushing Meadows Corona Park at the Unisphere, the huge globe erected for the 1964 World's Fair that has since become a cultural icon known worldwide as a symbol of Queens.

The press conference will take place in Flushing Meadows Corona Park at the Unisphere, the huge globe erected for the 1964 World's Fair that has since become a cultural icon known worldwide as a symbol of Queens.

The second half of the 20th century, and the rise of television, introduced yet a new change in communication technology that was accompanied by the rise of a new cultural icon: the sports figure, who for the first time in history rose to the status of global celebrity.

Ultimately, the venerable cultural icon did fall on hard times, and was temporarily reduced to begging for tips until mounting a successful comeback in the 1990s.

Early in her career, Myers established herself as a great cultural and community resource for Native - content projects being produced by networks and studios including: Monsters of God (Plan B / TNT); Magnificent Seven (MGM / Columbia Pictures); Wind River (Weinstein Co.); The Lone Ranger (Walt Disney / Jerry Bruckheimer Films); And, Apocalypto (Icon Ent / Touchstone).

The writer / director, who's known for the epic samurai flick 13 Assassins among many other films, has pulled together a stellar Japanese cast, with talented youngster Hana Sugisaki starring alongside the action icon / cultural phenomenon Takuya Kimura.

Even if its splodgy icons of plump juicy veg and snot - green splats can seem rather reductive, Rotten Tomatoes has evolved into a valuable platform for dialogue between cultural gatekeepers and impassioned fans.

Oprah Winfrey as Gloria: Quickly canceling any inclination that this would be some of grandiose big screen comeback for the cultural icon, Winfrey plays a part that does little for the story, despite the amount of time spent on it.

The female serial killer is a hypothetical, of course, but the icon is useful for systematically revealing the deficiencies of a cultural movement founded on liberation or, more disturbingly, «empowerment.»

The Mini Cooper S gained accolades and recognition for winning the Monte Carlo Rally for several years in the 1960s, helping cement the car's status as a British cultural icon.

«It's a sports car for a new generation of enthusiasts that doesn't forget the heritage that helped make the original a cultural icon.

His image became synonymous with protest against the government and the oppressions of society after Alan Moore and David Lloyd had the lead character in V for Vendetta wear a Guy Fawkes mask; the mask was later picked up by the protest group Anonymous and has become a major cultural icon.

North Brooklyn Cats, a group of neighbors committed to finding homes for New York felines, frequently reimagines memes and cultural icons to encourage people to adopt its cats.

This short getaway combines renowned icons and gorges of the region with a unique Aboriginal cultural experience that will etch the Kimberley into your memory for years to come.

Items offered for sale aren't souvenirs, they are authentic cultural icons.

Melbourne is, of course, an exciting and world - class holiday destination that oozes with incredible attractions and exciting icons for the cultural, curious or sporting interests of any traveller and for any budget.

Recently reopened theatre The Rep has been bringing exciting drama to Birmingham for more than 100 years and it is now adjoined to the new cultural icon that is the Library of Birmingham, Europe's largest public library, offering live music and entertainment as well as a vast collection of books, films and publications to explore, including a breath - taking archive of Shakespeare works.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackfor the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackfor The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackFor The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackfor Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson

As such, the Artists for Obama portfolio attests to the historical significance of Obama's status as a political and cultural icon.

The blank stare of a giant Homer Simpson; a gurning Mickey Mouse; a half - erased Batman cowl: this is the vocabulary of Joyce Pensato (b1941), the born - and - bred Brooklyn artist who for the past 30 years has been creating eerie and explosive large - scale portraits of cartoon characters and cultural icons, marrying pop art sensibilities with abstract expressionist - inspired execution.

Kurt Kauper is a painter whose work had, for the past fifteen years, been images of familiar cultural icons — opera divas, Cary Grant, hockey players, and Barack and Michelle Obama — seen in a variety of unfamiliar ways.

Known for his self - portraits and use of pop culture icons (such as Billie Holiday and Michael Jackson), Harris teases the viewers» perceptions and expectations, resignifying cultural cursors, and recalibrating the familiar with the extraordinary.

Known for his self - portraits and use of pop culture icons (such as Billie Holiday and Michael Jackson), Harris teases viewers» perceptions and expectations, resignifying cultural cursors, and recalibrating the familiar with the extraordinary.

Altered and Irrational: Selections from the Permanent Collection, Whitney Museum of American Art, New York, NY Art, Design and Barbie: The Evolution of a Cultural Icon, Liberty Street Gallery the World Financial Center, New York, NY Recent Acquisitions, Bass Museum of Art, Miami Beach, FL Art & Architecture, Miami, COCA / Center for Contemporary Art, Miami, FL A New York Time: Selected Drawings of the Eighties, Bruce Museum, Greenwich, CT

Keith Haring: Journey of the Radiant Baby — Reading Public Museum, Reading, Pennsylvania, United StatesEditions on Paper — University of Valencia, Valencia, SpainKeith Haring: Art and Commerce — Tampa Museum of Art, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, Hungary

Artists, thinkers, and cultural icons are paired on stage with Jungian analysts or scholars and invited to respond to and interpret a folio from Jung's Red Book as a starting point for a wide - ranging conversation.

Dine's emotional, gestured style and recurrent subjects - his hearts, robes, Venuses, flowers, birds, and portraits - have yielded images that not only hold very personal significance for the artist, they have become cultural icons.

As a child, Saint Phalle searched for heroes and cultural icons to look up to and wanted to instill the same ideas into her biracial great - grandson.

But that will say more about a need for cultural icons than it will about the complexities of art.

Audrey Krumenacker, BID» 18, was selected earlier this year to design the award for Legends 2017, Pratt Institute's annual scholarship benefit supporting Pratt students and honoring creative icons whose works have helped shape the cultural...

The officially landmarked building is recognized as an American cultural icon and renowned for those who have lived and created there, including Sir Arthur Clarke, Bob Dylan, Stanley Kubrick, Arthur Miller, Joni Mitchell, Dee Dee Ramone, Larry Rivers, Dylan Thomas, Mark Twain, Tennessee Williams, Milos Forman, Janis Joplin, Donald Sutherland, Patti Smith, Philip Taaffe, Dennis Hopper, Andy Warhol, Edie Sedgwick, Eugene O'Neill, Jane Fonda, Larry Rivers, Leonard Cohen, Robert Mapplethorpe, Tom Waits, Courtney Love, Sam Shepard, Charles Bukowski, Julian Schnabel, Jasper Johns, Viva, Quentin Crisp, Jimi Hendrix and many others (some of whom will appear in this film).

Audrey Krumenacker, BID» 18, was selected earlier this year to design the award for Legends 2017, Pratt Institute's annual scholarship benefit supporting Pratt students and honoring creative icons whose works have helped shape the cultural landscape.

UPCOMING SHOW: Yokohama Triennale REGULAR GIG: Artist KNOWN FOR: In his theatrical photographs, Yasumasa Morimura dresses up as Western cultural icons, humorously commenting upon Japan's own complex historical absorption of American culture.

Earlier this year, Megan Lighty (B.I.D.» 17) was selected to design the award for Legends 2016, Pratt Institute's annual scholarship benefit honoring icons of art and design whose works have helped shape the cultural landscape...

The Hammer Museum's courtyard was transformed this evening for our 12th annual Gala in the Garden, honoring artist Mark Bradford and musician and cultural icon Joni Mitchell.

In projects for Burton's clientele (French Vogue, Cocky Boys, Tom Ford, Wrangler Europe, Vogue Hommes International, Naughty America, Colt Studio Group, Yves Saint Laurent, The New York Times, Hustler, Domus, Kris Van Assche, Vanity Fair, and Fantastic Man), he often acknowledges the cultural industries and their environments as a set (literally at times by shooting through its constructions as such), and his access to cultural producers and pop icons.

Chinese contemporary artist Ai Weiwei himself has risen as a cultural political pop icon due to the controversy surrounding his arrest by the Chinese government, in turn, artists around the world created politically charged pop artwork to demonstrate for his release, hence bearing witness to unforeseen polipop culture in the making.

Deep inside a maze of spaces in a scaffolded building at the city's southern embankment, Khaled Hafez of Cairo showed Mirror Sonata for a Temple, his colourful video of millennia of cultural icons in a parade on the screen — satirically muscled men, bulls from Mesopotamian history, elegantly decorated architecture.

For more than sixty years, the Los Angeles — based artist Betye Saar has steadily produced mixed - media works that recombine diverse cultural forms, spiritual traditions, and everyday icons.

Known for his self - portraits and use of pop culture icons (such as Billie Holiday and Michael Jackson), Harris teases the viewers» perceptions and expectations, signifying cultural cursors, and recalibrating the familiar with the extraordinary.