This group of artists is known for drawing on existing art and
cultural imagery in their works, commenting on Modernist notions of originality, the autonomy of the art object and its status as a commodity.
Not exact matches
But are classes like «The Material Culture
in the Victorian Novel» or «The Power of Ornament: Roman Imperial
Imagery and Its Reception» really more practical than studying gender politics through our
cultural reaction to the VMAs?
The
imagery that is used
in Genesis 1 — 2 and
in Genesis 6 - 8 finds many parallels
in Mesopotamian and Egyptian cosmology, and if we don't understand these
cultural contexts, we will almost certainly not understand these opening chapters of Genesis either.
Through such a change
in the
cultural imagery, we could «choose our own salvation as a political as well as spiritual act» (p. 910)
Where I «find» them is
in the
imagery and the
cultural archetypes that hold our collective imagination.
Religious leaders, I think, face alternatives not easily reconciled: to try to form communities
in which biblical
imagery and ideas provide an alternative vision to our
cultural ones, or to engage
in a process of mutual critique, edification, correction and revision of frameworks that are informed both by our religious traditions and by the sciences and culture.
It's when people connect on this experiential level that ideas (
in this case, «bad things shouldn't happen to good people») gain
cultural traction and eventually make their way into religious
imagery.
Television already has succeeded
in transforming most
cultural institutions and activities to meet its own needs and to fit its own
imagery.
We live
in a
cultural moment (and have been for some time) where worship songs appropriate destructive
imagery and negative language to talk about God.
Reports: Iraq: Mosul, Iraq: Destruction of Nebi Yunis (Tomb of the Prophet Jonah) Syria: Ancient History, Modern Destruction: Assessing the Current Status of Syria's World Heritage Sites Using High - Resolution Satellite
Imagery Report Report (PDF) Ancient History, Modern Destruction: Assessing the Current Status of Syria's Tentative World Heritage Sites Using High - Resolution Satellite
Imagery Report Report (PDF) Azerbaijan: High - Resolution Satellite
Imagery and the Destruction of
Cultural Artifacts
in Nakhchivan, Azerbaijan Report
It's a
cultural touchstone with
imagery that instantly became iconic, a deeply layered satire, and an exploration of race and relationships that has made an indelible impact on the world
in the year since it debuted.
by Walter Chaw Tom Green's Freddy Got Fingered is the most startling debut since Luis Buñuel's Un chien andalou, with which it has a few things
in common: both are constructed with a wilful disdain towards narrative; both are aimed at the outer limits of shocking
imagery; both display an open hostility for the
cultural status quo; and both joke on their audience's entrenched preconceptions of film form.
Except to say when considering Western history and the current
cultural and political climate, there is
imagery in this trailer that I find to be stunning, indeed powerful, and quite moving.
- you can manually maneuver your characters around the battlefield - if you have an energy wave that shoots forward
in a straight line, you can now move into the best place to strike - environments you visit
in The Lost Sphear will offer more diversity when compared to I Am Setsuna - the world is composed of different
cultural regions - one is based on machinery, while another is focused on magic - the
imagery of the moon is still a consistent visual theme tying the game together - the team is aware I Am Setsuna's skill system created problems for some players, and it is working to tweak it here - the game will have inns where you can rest to restore your health and magic - there are more unannounced features to be revealed
In Encampment — a multi-part 30,000 square foot installation occupying MASS MoCA's largest gallery — Clemente's transitory experience of changing geographies, diverse
cultural climates, and indeed consciousness itself infuses his
imagery and art with a particularly rich range of references and meaning.
Brischler's source material is culled from a wide swath of
cultural references including book covers, vintage film posters, ephemera from long - out - of - print queer publications, and digital
imagery in the age of social media.
< EXHIBITION Paying homage to Ebony and Jet magazines —
cultural barometers, vital news resources and bibles of aspirational
imagery in the African American community for more than half a century — the Studio Museum
in Harlem mounts «Speaking of People: Ebony, Jet and Contemporary Art» on Nov. 13.
Fein's visual language frequently incorporates appropriated
imagery and simple graphics taken from the mainstream or sub-cultures,
in order to spark curiosity
in the viewer about his historical and
cultural discoveries.
Today, he continues to probe
cultural mythologies and archetypes
in various media, appropriating
imagery from animated films, mail - order catalogues, modernist abstraction, and street graffiti to create an artistic lexicon that insistently collapses the boundaries between high and low.
One of the key figures
in the Pop Art movement, his complex narratives of recognizable
imagery are firmly situated
in the
cultural and political contexts
in which they are made.
avaf works
in a vast array of media, including painting, drawing, installations, video, sculpture, neons, wallpaper, decals, and often confronts gender, politics, and embedded
cultural codes through pop
imagery and neon colors.
Through its collage of images, creating, according to Rosenquist, «a kind of motion
in the mind», America's mainstream
cultural values were being questioned by its own popular advertising
imagery.
Chiefly recognized for his grand - scale meticulously blurred chalk drawings of referential and symbolic
cultural motifs, the Wall Street Journal reports on Gary Simmons «s new presentations of boxing
imagery in Miami and New York, as well as his participation
in Prospect New Orleans.
avaf works
in a vast array of media, including painting, drawing, installations, video, sculpture, neon, wallpaper, decals, and often confronts gender, politics, and embedded
cultural codes through pop
imagery and neon colors.
Bradford's monumental painting My Grandmother Felt the Color, 2016, is currently on view at the BMA
in a gallery dedicated to social abstraction, alongside other artists who have turned to abstract
imagery to convey the humanity, complexity, and ongoing impact of specific
cultural experiences, such as Jack Whitten and Ross Bleckner.
Through symbolic gestures and
imagery Biggers creates an experience that highlights often overlooked
cultural and political narratives
in American History.
The theoretical complexity underpinning Lloyd's practice finds its material and processual counterpoint
in the synthesis of past and future - combining high and low
cultural perspectives, digital and analogue techniques, and traditional and non-traditional artistic
imagery and processes.
Yoshida, who encouraged the use of commercial and popular
cultural imagery, led a group of artists who came to be known as the Imagists who distinguished themselves from the art scenes
in New York and Europe with high color figurative paintings and drawings.
Integrating new scholarship, documentary
imagery and archival materials, Robert Rauschenberg is the first comprehensive catalogue of the artist's career
in 20 years, an important contribution to American
cultural and intellectual history and a necessary volume for anyone interested
in contemporary art.
In a culture that is stuffed full of imagery, icons, argument, products, brands and just plain junk, can we invent something new by mining, reframing, re-contextualizing, and re-conceiving some of the ideas and objects that make up the cultural moment in which we liv
In a culture that is stuffed full of
imagery, icons, argument, products, brands and just plain junk, can we invent something new by mining, reframing, re-contextualizing, and re-conceiving some of the ideas and objects that make up the
cultural moment
in which we liv
in which we live?
Curators Stephanie Plunkett and Joyce K. Schiller have the pleasure of teaching a MICA course exploring the artistic and
cultural underpinnings of published
imagery through history, and we are pleased to present the findings of our talented students
in this weekly blog.
Norman Rockwell Museum Curators Stephanie Plunkett and Joyce K. Schiller have the pleasure of teaching a MICA course exploring the artistic and
cultural underpinnings of published
imagery through history, and we are pleased to present the findings of our talented students
in this weekly blog.
By presenting bold and striking African American women
in historical compositions, Thomas offers an alternative to mass media
imagery and simultaneously makes thoughtful allusion to pop
cultural references like Blaxploitation and suburban kitsch.
Integrating new scholarship, documentary
imagery and archival materials, Robert Rauschenberg is the first comprehensive catalogue of the artist's career
in 20 years, an important contribution to American
cultural and intellectual history across disciplines and a necessary volume for anyone interested
in art of the present day.
Through a range of image sources and her stage - like environments, such as gallery walls painted with Chroma Key blue paint used
in film or TV studios, Hamilton explores our associations to surreal and seductive
cultural imagery while examining the histories of art, film, and performance.
Seamlessly blending pop
cultural imagery, color theory, and psychology, Yuskavage draws on classical and modern painterly techniques and,
in particular, marshals color as a conduit for complex psychological constructs.
But Stezaker was a student too at a time when a wholesale critique of the pop -
cultural image was being launched by such thinkers as Guy Debord; the Situtationists» scurrilous repurposing of media
imagery became an exemplary strategy for him, alongside his abiding, and then unfashionable, interest
in surrealism.
In his work, Guzman uses abstract and representational
imagery to explore
cultural and historical references that encompass colonialism, indigenous folklore traditions and European and American modernism.
Employing appropriation as a strategy of production, they incorporate prefabricated objects and
imagery into their art, repositioning them
in ways that expand our perceptions of history, representation, class, violence, resistance, and
cultural practice.
Also informed by studies
in visual literacy at New York University and
cultural anthropology at the University of Chicago, the simultaneous viewpoints presented
in his grids of photo
imagery - sourced from the environment, movies, Internet and print media - point to insights beyond any given framing device.
Lê uses these new collages to illustrate a
cultural shift
in Vietnam
in recent years, as corporate logos and insignias gradually replace the war
imagery that has long dominated the country's visual lexicon.
Featuring over 120 works, this mid-career survey spans 1991 to 2015 and is arranged to highlight recurring themes,
imagery and
cultural references that are found
in the artist's deeply autobiographical practice.
Thomas has stated that his interest
in non-representational
imagery is due to his concern with bringing about reactions of pure emotion
in his audience, devoid of
cultural references and cues.
The panoramic view of inventive female
imagery in the film and the selection of the music reveal the irony reflected
in political and
cultural norms between Eastern and Western societies.
Reski enacts his own succumbing to the onslaught of contemporary pop -
cultural imagery as a theatrical backdrop
in which to plant images that distil desperation into metaphors for desperation.
Buck is an artist who is fascinated by the
cultural imagery surrounding his two homes (one
in Bozeman, Montana, and the other on the Big Island of Hawaii), current events, popular culture, and the irony inherent
in world history.
In artworks like I Am A White Agitator and Amelia Falling (2016) Willis Thomas employs language and familiar
imagery from the Civil Rights era, appropriating historical visual media and stripping it of its context to open up questions of
cultural stereotypes, and the way the media perpetuates them.
With our empathic
cultural ethics now under greater threat than ever before, the show provides an opportunity,
in featuring artists who take apart ideologies through the
imagery, narrative, and placement of their work, to step into direct relations with the
cultural imaginary of what it means to strive toward becoming American.
There are many references to art and popular
cultural imagery that have permeated the Chinese creative subconscious, be it an iconic Andy Warhol portrait and images of the twin towers with smoke pouring from them culled from print media, or the enduring allure of Hollywood and cinema's role
in both reflecting and shaping the image of America
in the minds of people outside it.
In «Encampment» — a multi-part 30,000 square foot installation in MASS MoCA's largest gallery — Francesco Clemente's experience of changing geographies, diverse cultural climates, and consciousness itself infuses his imagery and art with a rich range of references and meanin
In «Encampment» — a multi-part 30,000 square foot installation
in MASS MoCA's largest gallery — Francesco Clemente's experience of changing geographies, diverse cultural climates, and consciousness itself infuses his imagery and art with a rich range of references and meanin
in MASS MoCA's largest gallery — Francesco Clemente's experience of changing geographies, diverse
cultural climates, and consciousness itself infuses his
imagery and art with a rich range of references and meaning.