Simon Denny (1982, Auckland, NZ) is a Berlin based artist who explores the aesthetics, rhetoric and
cultural impact of technology and technologists, both in the public and the private sector.
Not exact matches
Nevertheless, it takes seriously the developments in critical Bible studies, the new insights gained from the social sciences
of cultural anthropology and sociology, the
impact of technology and political theory in rapid
cultural change and the issues raised by cross-
cultural communication on a global scale.
The
impact of technology on culture — accelerating
cultural change at a dizzying pace — clearly demonstrates that we would be far wiser to guide the powerful forces
of change, than to try to legislate, or hold them hostage.
She also is founder
of the
technology consulting firm, The Jemison Group, Inc. that integrates the critical
impact of socio -
cultural issues when designing and implementing
technologies, such as their projects on using satellite
technology for health care delivery in West Africa and solar dish Stirling engines for electricity generation in developing countries.
Critical student needs: How
technology can support math learning Based on conversations with with a diverse group
of educators and edtech decision - makers, we believe that
technology is especially well poised to create an
impact on middle and high school math by making learning accessible to students
of all abilities and
cultural backgrounds, providing age - appropriate scaffolding for underdeveloped foundational concepts, enabling rich social interactions with peers and teachers, encouraging growth mindset, metacognition and agency, and creating opportunities to apply knowledge to real - world challenges.
The exhibition Open Source looks at a selection
of artists, most
of them working since 1990, who have utilized new
technologies, embraced a reimagined future, confronted ecological issues, sifted through cyborgs and post humanism, commented on the economy, and mined the overall psychological
impact and flux
of our
cultural moment.
looks at a selection
of artists, most
of them working since 1990, who have utilized new
technologies, embraced a re-imagined future, confronted ecological issues, sifted through cyborgs and post humanism, commented on the economy, and mined the overall psychological
impact and flux
of our
cultural moment.
Mirroring the vision
of the Ballroom itself, a non-profit
cultural space founded on the belief that art can
impact the human spirit positively, OPTIMO brings together nine artists whose work celebrates life, incorporating visual pleasure, humor, interactivity, color,
technology, industrial design, politics, landscape, spirituality, and popular culture.
We will consider how older media have been adapted to incorporate new media
technologies and strategies, how video games and the Internet have changed our expectations
of media experiences, the
impact of new media on artistic practice, the important
of new media in contemporary
cultural economy, and related topics.
The book finds parallels between the works
of luminaries such as Jean - Luc Godard, Joseph Cornell, Elizabeth Price, Joyce Wieland and Jeff Wall, tracing the lasting
impact of such seemingly disparate
cultural phenomena as voguing, hacking and the use
of audio and film as a kind
of a globally available, open source language in art that deals with the mass proliferation and dissemination
of images and knowledge brought on by digital
technologies.