Sentences with phrase «cultural impact of technology»

Simon Denny (1982, Auckland, NZ) is a Berlin based artist who explores the aesthetics, rhetoric and cultural impact of technology and technologists, both in the public and the private sector.

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Nevertheless, it takes seriously the developments in critical Bible studies, the new insights gained from the social sciences of cultural anthropology and sociology, the impact of technology and political theory in rapid cultural change and the issues raised by cross-cultural communication on a global scale.
The impact of technology on culture — accelerating cultural change at a dizzying pace — clearly demonstrates that we would be far wiser to guide the powerful forces of change, than to try to legislate, or hold them hostage.
She also is founder of the technology consulting firm, The Jemison Group, Inc. that integrates the critical impact of socio - cultural issues when designing and implementing technologies, such as their projects on using satellite technology for health care delivery in West Africa and solar dish Stirling engines for electricity generation in developing countries.
Critical student needs: How technology can support math learning Based on conversations with with a diverse group of educators and edtech decision - makers, we believe that technology is especially well poised to create an impact on middle and high school math by making learning accessible to students of all abilities and cultural backgrounds, providing age - appropriate scaffolding for underdeveloped foundational concepts, enabling rich social interactions with peers and teachers, encouraging growth mindset, metacognition and agency, and creating opportunities to apply knowledge to real - world challenges.
The exhibition Open Source looks at a selection of artists, most of them working since 1990, who have utilized new technologies, embraced a reimagined future, confronted ecological issues, sifted through cyborgs and post humanism, commented on the economy, and mined the overall psychological impact and flux of our cultural moment.
looks at a selection of artists, most of them working since 1990, who have utilized new technologies, embraced a re-imagined future, confronted ecological issues, sifted through cyborgs and post humanism, commented on the economy, and mined the overall psychological impact and flux of our cultural moment.
Mirroring the vision of the Ballroom itself, a non-profit cultural space founded on the belief that art can impact the human spirit positively, OPTIMO brings together nine artists whose work celebrates life, incorporating visual pleasure, humor, interactivity, color, technology, industrial design, politics, landscape, spirituality, and popular culture.
We will consider how older media have been adapted to incorporate new media technologies and strategies, how video games and the Internet have changed our expectations of media experiences, the impact of new media on artistic practice, the important of new media in contemporary cultural economy, and related topics.
The book finds parallels between the works of luminaries such as Jean - Luc Godard, Joseph Cornell, Elizabeth Price, Joyce Wieland and Jeff Wall, tracing the lasting impact of such seemingly disparate cultural phenomena as voguing, hacking and the use of audio and film as a kind of a globally available, open source language in art that deals with the mass proliferation and dissemination of images and knowledge brought on by digital technologies.
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