Sentences with phrase «cultural imprint»

Schools report into local municipalities, who supplement resources; the traditional culture, including a deep Lutheran cultural imprint, underlines a pragmatic and prudent design disposition; universities assure a reliable professional base, imprinting research centrally within teacher development; and the business community voice assures vocational linkages, with the national government setting a generalized core curricular frame, the main plaza in which each sector interacts.

For those who didn't watch the show, its cultural imprint might seem outdated or irrelevant.

Joan Semmel (b. 1932) has centered her painting practice around issues of the body, from desire to aging, as well as those of identity and cultural imprinting.

Joan Semmel (b. New York, 1932) is a painter who has centered her practice around issues of the body, from desire to aging, as well as those of identity and cultural imprinting.

However, most often a parent's way of parenting is not a conscious choice but rather a random result of cultural imprints, personal temperament and own childhood history, just to mention a few influential factors (see 12 different styles of parenting here).

Not exact matches

To that end, African - American women are leaving an indelible imprint on America's economy, social consciousness and cultural landscape, and they're showing no signs of slowing as they become more and more aware of that influence.

This is the result of the power of cultural myth, family dynamics and imprinting, and excellent marketing of products including books and magazines that have only profit — not child welfare — as their goal.

Pigskin Rapture: Four Days in the Life of Texas Football by Mac Engel and Ron Jenkins is a first - ever, one - of - a-kind, 360 degree look at the athletic and cultural phenomenon that is Texas football, and launched the new Lone Star Books imprint this fall.

I am also saying that when a mom is imprinted by cultural or caregiver mores or prevented from accessing her instinctual wisdom, her experience of birth may be unbearable, agonizing, out of control, humiliating and shameful.

Currently there are two books scheduled to kick off this new imprint which will be «focusing on manga straddling Japanese and American cultural influences»:

Unicorn, the visual arts and cultural history imprint of Unicorn Publishing Group LLP, is pleased...

The premier publisher of multicultural fiction and nonfiction, this renowned imprint showcases award - winning novelists, celebrated cultural figures, and esteemed critics and scholars.

Other notable authors and cultural figures brought to the imprint's list during Mr. Karp's tenure include Tom Brady, Stephen Colbert, Ray Dalio, Clive Davis, Nelson DeMille, Ruth Bader Ginsburg, Brian Grazer, John Irving, Sam Lipsyte, Gucci Mane, Chris Matthews, Bruce Springsteen and Andrew Sullivan.

The show features paintings by Helen Frankenthaler, Alfred Leslie, Trevor Winkfield, Nell Blaine, Joe Brainard, Grace Hartigan, Joan Mitchell, Jane Freilicher and Fairfield Porter; poetry collections published by the gallery's imprint, Tibor de Nagy Editions, and featuring work by Frank O'Hara, Kenneth Koch, James Schuyler, John Ashbery, Barbara Guest and others, with illustrations by Tibor de Nagy artists; photographs and films by Rudy Burckhardt; letters, announcement cards and other ephemera; and archival photographs of leading cultural figures of the day by John Gruen and Fred McDarrah.

New York City is clearly imprinted on our collective cultural psyche.

Through editions, conferences, workshops, discussions, screenings and collaborations, the York - based independent publishing imprint will create a space for a poetic and critical engagement with issues such as «undesigning», anti-expressionism and cultural piracy.

«Creative Time Global Residency: Reports From the Field», New York, NY, December 3, 2013 «Urban Imprint: The Art and Science Shaping Our Cities,» hosted by The University of Chicago, Jazz at Lincoln Center's Frederick P. Rose Hall, New York, NY, November 14, 2013 «Cultural Investment: Creating a Civic Identity Through the Arts,» CityLab: Urban Solutions for Global Challenges, NYU Skirball Center for the Performing Arts, New York, NY, October 7, 2013 «One State Together in the Arts» One State Illinois Conference, Quad Cities, IL, June 24, 2013 «Theaster Gates in Conversation with Romi Crawford,» Black Collectivities, Museum of Contemporary Art, Chicago, Chicago, IL, May 4, 2013 «LINC Legacy and Advancements in the Field,» hosted by the Ford Foundation, May 2013 «Constituency Engagement — Culture - Initiated Redevelopment: Strategies in Innovative Constituent Engagement,» Association of Black Foundation Executives, Palmer House Hilton Hotel, Chicago, IL, April 6, 2013 «Creating Heat - The Artist as Catalyst: Theaster Gates at TEDxUNC,» University of North Carolina at Chapel Hill, Chapel Hill, NC, February 9, 2013 «Building CapaCity Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 26, 2013 «Creative Resilience Session,» World Economic Forum Annual Meeting, Davos, Switzerland, January 25, 2013 «Transformative Art: Theaster Gates,» World Economic Forum Annual Meeting, Davos, Switzerland, January 23, 2013

Dr. Campbell, president of Spelman College, has made an indelible imprint on the cultural life of New York City and beyond as an innovative leader in education and the arts.

Dr. Mary Schmidt Campbell, president of Spelman College, has made an indelible imprint on the cultural life of New York City and beyond as an innovative leader in education and the arts.

Considering the possibilities of genetic imprints, cultural identification, innate and intuitive beliefs and a conscious seeking of links that reveal continuities that are hidden or largely unsuspected by the mainstream, Benzant imagines himself as an Urban Shaman.

Exhibition: EDUCATION 1995 - 2011 Bachelor's degree in photography, Azad University (Tehran, Iran) Bachelor's Degree in Cinema and Audio - Visual Arts, Marc Bloch University (Strasbourg, France) Diploma in Professional Photography, Spéos Paris Photographic Institute (Paris, France) Master's Degree in Visual Arts, Marc Bloch University (Strasbourg, France) Photoshop training, Ecole Gobelins, (Paris, France) EXHIBITIONS Solo Exhibition AIPAD (Ney York, 2018) About Art, Vieja Carcel de Lugo (Lugo, Spain, 2018) AIPAD (New York, USA, 2017) The Solo Project (Basel, Switzerland, 2016) ART16, (London, United Kingdom, 2016) ART PARIS (Paris, France, 2016) FOTOFEVER (Paris, France, 2015) ART PARIS (Paris, France, 2015) Rétrospective 1998 - 2013 Galerie 55Bellechasse (Paris, France, 2015) «The Imprint», Cuadro Gallery (Dubai, UAE, 2012) «Here..., There...», Etemad Gallery (Tehran, Iran, 2012) Imprint, Gallery Spéos (Paris, France, 2010) Tribute to Madeleine Riboulet «Madame Banisadr» NegPos Gallery (Nimes, France, 2007) «Dress and Naiad» (dress and nudity) Stimultania Gallery (Strasbourg, France, 2003) «History of the Polish Chair», Assar Art Gallery (Tehran, Iran, 2001) Group Exhibition: The invisible woman (Doral, USA, 2018) Collective Exhibition in Museum Van Gogh, Mesdag collective Den Haag, (Haag, Netherlands, 2015) Valerie Saundan's Gallery (Megeve, France, 2013) Tessellation Make Up (Istanbul, Turkey, 2012) «The Imprint», NegPos Gallery (Nimes, France, 2012) As a part of the Iranian cultural fortnight (Strasbourg, France, 2011) Rencontre Arles, Photo Folio Review (Arles, France, 2009) «Voice of vision», Gallery Spéos (Paris, France, 2009) Buenos Aires photo 07 (Buenos Aires, Argentina, 2007) Arténim, (Nimes, France, 2007) Stimultania Gallery Workshop (Strasbourg, France, 2003) Exhibition Festival at P. University (Strasbourg, France, 2003) City Photography Museum (Tehran, Iran, 2002) «Contemporary Photographers» Assar Art Gallery (Tehran, Iran, 2001)

This is the result of the power of cultural myth, family dynamics and imprinting, and excellent marketing of products including books and magazines that have only profit — not child welfare — as their goal.