The train is praised by tourists and connoisseurs of luxury travel from all around the world for its onboard facilities & tastefully crafted itineraries that include an array of
cultural interactions as well as insider experiences.
Not exact matches
In this article, the style of social
interaction known
as hygge is analyzed
as being related to
cultural values that idealize the notion of «inner space» and to other egalitarian norms of everyday life in Scandinavian societies.
By setting his, discussion in the context of a dialectic (externalization, objectification, internalization), he has in effect stressed the importance of social
interaction for the production and maintenance of religion but at the same time he has recognized the independent capacity of religion to exist
as a
cultural system and to shape individual thoughts and attitudes.
What is most unlikely to change is the underlying structure of these
cultural interactions: the ideologies and agendas of the churches all originate outside them; the churches play a basically passive role in the
cultural drama,
as receptors and disseminators rather than
as initiators; they «read the signs of the times.»
They point to other destructive aspects of television that have been stressed by television researchers and theorists; the privatization of experience at the expense of family and social
interaction and rela - tionships; (33) the promotion of fear
as the appropriate attitude to life: (34) television's
cultural levelling effects which blur local, regional, and national differences and impose a distorted and primarily free - enterprise, competitive and capitalistic picture of events and their significance; (35) television's suppression of social dialogue; (36) its distorted and exploitative presentation of certain social groups: (37) the increasing alienation felt by most viewers in relation to this central means of social communication; (38) and its negative effects on the development of the full range of human potential.
Because of the complex
interaction of religious broadcasting with other social characteristics such
as broader religious and
cultural movements, changing social uses of mass media, and changing historical circumstances, it is unlikely that a simple cause - effect relationship between the viewing of religious programs on television and individual faith and church
interaction could ever be isolated.
Nonetheless, music,
as literary and
cultural critic George Steiner insists, «is brimful of meanings which will not translate into logical structures or verbal expression... Music is at once cerebral in the highest degree — I repeat that the energies and form - relations in the playing of a quartet, in the
interactions of voice and instrument are among the most complex events known to man — and it is at the same time somatic, carnal and a searching out of resonances in our bodies at levels deeper than will or consciousness.»
«Here we have a really exciting opportunity to investigate the
interactions between these people, and other
cultural groups in the area such
as Indo - European and Austro - Asiatic on one of the great crossroads of human prehistory,» states author Simon Greenhill of the Max Planck Institute for the Science of Human History.
«Our research points to the fact that changes in long - distance contact, socio -
cultural interactions and population movements may be just
as important, or more important, for innovation
as environmental drivers,» says van Niekerk.
In order to assess global events such
as the war in Iraq, they need to understand global politics; in order to have an informed perspective about global warming, they need to understand global economics, environmental sciences, and geography; and in order to communicate successfully with their neighbors from other cultures, they need to appreciate
cultural differences and have skills that allow effective and respectful cross-
cultural interactions.
Learning and literacy are viewed partly
as cultural activities, not just because they are acquired through social
interactions but also because they are an indication of how a specific
cultural group or discourse community interprets the world and transmits information.
The elements include the recognition and use of heritage languages; pedagogy that stresses traditional
cultural characteristics and adult - child
interactions; pedagogy in which teaching strategies are congruent with the traditional culture,
as well
as contemporary ways of knowing and learning; curriculum based on traditional culture that places the education of young children in a contemporary context; strong Native community participation in the planning and operation of school activities; and knowledge and use of the social and political mores of the community.
A pedagogical objective of this assignment was to increase the
interaction among preservice teachers for the purpose of improving the following: (a) their understanding of musical vernacular, genres, and cultures; (b) their appreciation of the relationships among personal, social, and
cultural identities; and (c) an introduction to digital learning technologies
as a platform for community building.
These
cultural features are footholds in Marie's work,
as reflected in her concern for the «economic use of a child's learning time» and the central role that collegial
interactions play in professional development.
The experiences of both teachers and students with individuals of differing social, ethnic,
cultural, and geographic backgrounds can serve
as a lens through which future
interactions can be viewed.
A Freirian form of critical awareness was evidenced in student journals
as they reflected upon diverse classrooms where students» various
cultural styles and intellects translated into the need for different methods of instruction, communication,
interaction, and self - presentation.
Instead, it builds upon the belief that when virtual experiences are designed around the «play of
interactions,» preservice teachers will discover the
cultural styles and intellects — the horizons — of those often thought of
as «other people's children» when they are thought of at all.
Pedagogy that stresses traditional
cultural characteristics and adult - child
interactions as the starting place for education (mores that are currently practiced in the community and that may differ from community to community)
Shooting
cultural portraits is something I've become fascinated with recently
as a process of
interaction and inherently learning more about myself
as well
as others.
Feeding sharks in Hawaii (except for traditional Hawaiian
cultural or religious practices) is illegal, [44][45] and
interaction with them, such
as cage diving, is discouraged.
Hot - air balloon flights come highly recommended
as well
as an opportunity to experience
cultural interaction with authentic Maasai people in the area.
Such a particular concept is in fact evidence of Balinese creative genius and unique
cultural tradition
as a result of a long human
interaction, especially between the Balinese and Indian.
Building up a richer understanding of
cultural difference
as a dynamic feature of 20th - century art, this acclaimed series is essential reading for students, practitioners, and anyone curious about cross-
cultural interaction in the visual arts.
As artists respond to the possibility of global environmental chaos, Mark Rappolt examines Tomás Saraceno's Aerocene project, one of the artist's most ambitious imaginings yet The Truth about «
Cultural Appropriation» With controversies over cultural appropriation regularly in the headlines, Kenan Malikargues that trying to control what culture artists can and can not use is bad news for political interaction and artistic imagination Power in Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places»
Cultural Appropriation» With controversies over
cultural appropriation regularly in the headlines, Kenan Malikargues that trying to control what culture artists can and can not use is bad news for political interaction and artistic imagination Power in Black and White In an America where the dividing line of race is now a cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places»
cultural appropriation regularly in the headlines, Kenan Malikargues that trying to control what culture artists can and can not use is bad news for political
interaction and artistic imagination Power in Black and White In an America where the dividing line of race is now a
cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places»
cultural and artistic flashpoint, Jonathan T.D. Neil searches for a path beyond both pluralism and white privilege Carol Rhodes «Rhodes's landscapes are unlocatable because they are fantastical... They are «nowhere places».»
Drawing on his father's recollections of living through China's
Cultural Revolution, his own experiences
as a modern Chinese citizen and his
interactions with people during the show, Sun Xun hopes visitors to the exhibition will discover a different point of view regarding China's complex history.
Tom Finkelpearl, former executive director of the Queens Museum and current New York City
cultural commissioner defines social practice
as «art that's socially engaged, where the social
interaction is at some level the art.»
If such perception - events are more about ideas and concepts — our own, or those we glean through
interactions with different communities or society at large — to what extent would notions such
as popular visual tropes, specific
cultural references, or language itself tend to be associated with physical sensations?
Fullerton is particularly interested in architectural semiotics and how a building's materials can express social or
cultural codes
as well
as our
interaction to the built environment.
Artist Statement
As a culturally displaced artist myself, I have been drawn to the theme of
cultural displacement and identity and to social psychological and cross-
cultural studies that are heavily influenced by immigrant experiences and by the
interaction between people and space.
Starting from the idea that abstracted knowledge is stored in
cultural goods and artefacts, Vulsma's works reflect the
interaction of historical relationships - such
as India's leading role in the history of textile production, the rapid development of a European market and the desire to copy the Indian form language for Europe's own production - and the contemporary hierarchies in an unequal global distribution of labour.
The works in the main gallery exhibition, «Transactions of the Eye,» act
as a bridge between featured artist Harold Coego's two home countries: Cuba, where historical and
cultural heroes surrounded him, and Canada, where new characters and new human
interactions shape a different life.
Huang and Chen are fascinated with the myth of New York
as an ethnic mosaic and its reality
as one of the world's most intense concentrations of wealth and poverty, materialism and spirituality,
cultural interaction and ideological strife, immigration and racism...» - Huang Yong Ping, Chen Zhen, and France Morin, exhibition brochure.
I regard «morality» somewhat
as I regard language: a
cultural artifact that emerges from the
interaction of nature and nurture.
(1) the temperament and developmental needs of the child; (2) the capacity and the disposition of the parents to understand and meet the needs of the child; (3) the preferences of each child; (4) the wishes of the parents
as to custody; (5) the past and current
interaction and relationship of the child with each parent, the child's siblings, and any other person, including a grandparent, who may significantly affect the best interest of the child; (6) the actions of each parent to encourage the continuing parent child relationship between the child and the other parent,
as is appropriate, including compliance with court orders; (7) the manipulation by or coercive behavior of the parents in an effort to involve the child in the parents» dispute; (8) any effort by one parent to disparage the other parent in front of the child; (9) the ability of each parent to be actively involved in the life of the child; (10) the child's adjustment to his or her home, school, and community environments; (11) the stability of the child's existing and proposed residences; (12) the mental and physical health of all individuals involved, except that a disability of a proposed custodial parent or other party, in and of itself, must not be determinative of custody unless the proposed custodial arrangement is not in the best interest of the child; (13) the child's
cultural and spiritual background; (14) whether the child or a sibling of the child has been abused or neglected; (15) whether one parent has perpetrated domestic violence or child abuse or the effect on the child of the actions of an abuser if any domestic violence has occurred between the parents or between a parent and another individual or between the parent and the child; (16) whether one parent has relocated more than one hundred miles from the child's primary residence in the past year, unless the parent relocated for safety reasons; and (17) other factors
as the court considers necessary.
As noted on the enclosed resume, I have worked as a Teaching Assistant with The Northwest School of Innovative Learning during which I came in direct interaction with children that were not only from diverse cultural backgrounds but also possessed linguistic diversit
As noted on the enclosed resume, I have worked
as a Teaching Assistant with The Northwest School of Innovative Learning during which I came in direct interaction with children that were not only from diverse cultural backgrounds but also possessed linguistic diversit
as a Teaching Assistant with The Northwest School of Innovative Learning during which I came in direct
interaction with children that were not only from diverse
cultural backgrounds but also possessed linguistic diversity.
For example, it is common in western industrialised societies like Australia for parents and carers to value children's independence, such
as personal responsibility for
interactions, whereas parents and carers from non-western
cultural backgrounds frequently give more emphasis to joint family responsibilities and togetherness.
The
cultural contexts at play here are personal for both Mr. Lorenzo and Ms. Flores; professional child care provider for Mrs. Flores; and possible community context for Mr. Lorenzo (e.g. acceptable activities for boys and how others view him),
as well
as the child care setting and expectations of parent / teacher
interaction for both.
They describe skilled dialogue
as: «An evidence - based approach for transforming difficult conversations; a tool for establishing respectful, reciprocal and responsive
interactions between people holding diverse perspectives, whether due to
cultural backgrounds, gender, experience, beliefs or other factors, and a framework for breaking out of dualistic either - or thinking and generating more inclusive «third» options.»
It continues to allocate rights and interests in country, dictate the nature of social
interactions and acts
as the basis of Indigenous social,
cultural and political identity.
This could explain in part, the incongruence of feeling and acting of the rational animal hindered by external factors, such
as, biological, behavioral and
cultural indoctrination, that puts him in an abyss of contrasts that affect directly its behavior and its social
interaction as well.
(1) the temperament and developmental needs of the child; (2) the capacity and the disposition of the parents to understand and meet the needs of the child; (3) the preferences of each child; (4) the wishes of the parents
as to custody; (5) the past and current
interaction and relationship of the child with each parent, the child's siblings, and any other person, including a grandparent, who may significantly affect the best interest of the child; (6) the actions of each parent to encourage the continuing parent child relationship between the child and the other parent,
as is appropriate, including compliance with court orders; (7) the manipulation by or coercive behavior of the parents in an effort to involve the child in the parents» dispute; (8) any effort by one parent to disparage the other parent in front of the child; (9) the ability of each parent to be actively involved in the life of the child; (10) the child's adjustment to his or her home, school, and community environments; (11) the stability of the child's existing and proposed residences; (12) the mental and physical health of all individuals involved, except that a disability of a proposed custodial parent or other party, in and of itself, must not be determinative of custody unless the proposed custodial arrangement is not in the best interest of the child; (13) the child's
cultural and spiritual background; (14) whether the child or a sibling of the child has been abused or neglected; (15) whether one parent has perpetrated domestic violence or child abuse or the effect on the child of the actions of an abuser if any domestic violence has occurred between the parents or between a parent and another individual or between the parent and the child; (16) whether one parent has relocated more than one hundred miles from the child's primary residence in the past year, unless the parent relocated for safety reasons; and (17) other factors
as the court considers necessary
From a socio -
cultural viewpoint, cognitively responsive behaviours (e.g. maintaining versus redirecting interests, rich verbal input) are thought to facilitate higher levels of learning because they provide a structure or scaffold for the young child's immature skills, such
as developing attentional and cognitive capacities.9 Responsive behaviours in this framework promote joint engagement and reciprocity in the parent - child
interaction and help a child learn to assume a more active and ultimately independent role in the learning process.10 Responsive support for the child to become actively engaged in solving problems is often referred to
as parental scaffolding, and is also thought to be key for facilitating children's development of self - regulation and executive function skills, behaviours that allow the child to ultimately assume responsibility for their well - being.11, 12