Sentences with phrase «cultural legacies into»

This mid-career survey, the first extensive presentation devoted to the British - based, Ghanaian - born David Adjaye, «offers insight into the global architect's unique approach, highlighting the ways he weaves local geographies and cultural legacies into his celebrated designs.»

Not exact matches

«Like its neighborhood namesake, Five Points Trading Company will provide a nexus for new thoughts, perspectives and cultural exploration, while tapping into the legacy and import expertise of HEINEKEN USA,» stated Littlefield.

The discovery of some of the oldest human remains in North America got archaeologists excited but soon launched them into a fierce legal battle with local Native Americans seeking to protect their cultural legacy.

I, Tonya is about collective cultural abuse and how media - spun narratives can instantly blossom into infamous legacies.

In a lengthy new piece for The Atlantic, prominent cultural critic (and Black Panther scribe) Ta - Nehisi Coates digs into Barack Obama's presidential legacy as seen from the perspective of the Trump era.

England manages to cram an incredible historical, cultural and natural legacy into a compact geographical space.

Discover their enduring legacy on this 15 - day adventure into Morocco's rich cultural heritage.

Investigation into new platforms for preserving cultural legacy and archiving artists» work Artist Trust is in discussions with libraries, museums and other institutions about the best ways to gather, secure and share the legacies of Washington State artists, from original artwork to cloud - based archives.

Among the things that make Genzken relevant to this cultural moment are her move from fabricated sculptures into assemblage in the 1990s, her apprehension of the way that information and images circulate in our digital age, her heterogeneous approach to art - making and, above all, her interest in, and upending of, the formal and ideological legacies of modernism — a concern shared by younger artists from Wade Guyton to Carol Bove.

The work also arises out of Smith's research into the legacy of Sun Ra, who was himself a student of numerology and achieved a kind of cultural immortality the number 17 might be said to refer to.

Pepperstein's drawings combine elements of the Russian cultural legacy he was born into with present - day events and images.

Evans said, «[I wanted] to look into the sign system of the house and the era in which it originated; our bittersweet legacy of colonialism and cultural imperialism.

Using a research - based approach, Allied Works distills the elemental principles that drive each of their projects and transform these into material, shape, and structure — architectural designs that engage public imagination and amplify a city's cultural legacy.

The exhibition allies a range of highly varied works; Reza Aramesh's critical reconfiguration of postures of oppression taken from the documentary photographic record of the late 20th century within the context of high - cultural legacy of the Enlightenment, Jake & Dinos Chapman's attack of those same Enlightenment spawned delusions of cultural progress, Desiree Dolron's exquisite, dense, almost painterly rendering of light and shadow within the photographic medium, Terence Koh's white - on - white neon declaration of Eternal Love, Wayne Horse's lighter - lit display of sub-cultural, cul - de-sacs articulated in a trash aesthetic, Dawn Mellor's radical portraits of female film stars, re-contextualized from the objectifying gaze of cinematic light into the critical, imaginative space afforded by painting, Gino Saccone's loose but formal play of material, surface and light in his multi-media, sculptural assemblages, Peter Schuyff's abstract, shaded path from ambient light into a dark portal and finally Conrad Shawcross» beautiful and austere kinetic work that emanates an ever shifting pattern in shadow and light.

Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.

Standouts include Carrie Mae Weems» holographic narrative about race, sex, and politics portrayed by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate by New Orleans city council members during a 1991 vote to racially integrate the Mardi Gras krewes — changing her voice and expression as she dynamically alternated between speakers, both black and white.

Jackson is one of the most influential cultural figures to come out of the 20th century and his legacy continues into the 21st century.