The effects upon England of Original Sin, the 16th century Reformation's denial of Christ's bestowal of authority upon the Pope, and the 1960's reduction of the
meaning of sex, have been
cultural «atomic explosions» with massive
fall out.
It deals with a generation that is facing
falling expectations for individual and collective well - being, while at the same time being confronted in the professional sphere with a panorama in which academic,
cultural and commercial interests overlap with each other, confusing the real value of artistic practice: namely, giving shape to visions that are capable of bestowing a different
meaning on their historical circumstances.