The avant - garde impulse in art to analyze and counter dominant
cultural models suited Kelley nicely, but, when he actually went to art school, he found less the spirit of the avant - garde than institutionally certified, what he called «corporate,» Minimalism and Pop, which had started as a reaction to Abstract Expressionism and had become, in a little over a decade, nothing more than mannerism.
The new Bolivia is engaging in a process of in - depth institutional reforms, challenging mainstream narratives and political structures and reinventing a
model of the state and creating notions of citizenship better
suited to highly diverse ethnic and
cultural landscapes.