Sentences with phrase «cultural movements during»

The work of each artist is placed in the historical context of cultural movements during 1965 - 85.

With the rise of a new cultural movement during the eighteenth century, commonly known as the Enlightenment, a new critic of the church but one which was also a helper appeared on the scene.

Not exact matches

It's that his personal history — not only the two divorces, but also the repeated affairs and the way he behaved during the dissolution of his marriages — makes him the most compromised champion imaginable for a movement that's laboring to keep lifelong heterosexual monogamy on a legal and cultural pedestal.

(a) Philosophical preoccupation with the various types of cultural activities on an idealistic basis (Johann Gottfried Herder, G. W. F. Hegel, Johann Gustav Droysen, Hermann Steinthal, Wilhelm Wundt); (b) legal studies (Aemilius Ludwig, Richter, Rudolf Sohm, Otto Gierke); (c) philology and archeology, both stimulated by the romantic movement of the first decades of the nineteenth century; (d) economic theory and history (Karl Marx, Lorenz von Stein, Heinrich von Treitschke, Wilhelm Roscher, Adolf Wagner, Gustav Schmoller, Ferdinand Tonnies); (e) ethnological research (Friedrich Ratzel, Adolf Bastian, Rudolf Steinmetz, Johann Jakob Bachofen, Hermann Steinthal, Richard Thurnwald, Alfred Vierkandt, P. Wilhelm Schmidt), on the one hand; and historical and systematical work in theology (church history, canonical law — Kirchenrecht), systematic theology (Schleiermacher, Richard Rothe), and philosophy of religion, on the other, prepared the way during the nineteenth century for the following era to define the task of a sociology of religion and to organize the material gathered by these pursuits.7 The names of Max Weber, Ernst Troeltsch, Werner Sombart, and Georg Simmel — all students of the above - mentioned older scholars — stand out.

Kids from that era had the benefit of growing up during an extreme cultural paradigm shift (e.g. feminist movement, deconstruction, dawn of digital age, etc) which seemed to bring a fair amount of empowerment with it, so maybe they've just been socialized to think that there supposed to be doing MORE than what they saw their mothers do.

Professor McKenna advises «from an evolutionary and biological perspective, proximity to parental sounds, smells, gases, heat and movement during the night is precisely what the human infant «expects», and in our push for infant independence, we are forgetting that an infant's biology can not change quite as quickly as cultural child - care patterns.»

Brazilian writer - director João Moreira Salles intercuts his mother's movies of a 1966 group tour in China during the inception of the most radical phase of the Cultural Revolution with archival footage from three other radical movements, all from 1968: The May uprisings in France; the brutal ending of the Prague Spring; and the brief rebellion in Brazil against the reigning military dictatorship.

will feature artists including Melvin Edwards, Fred Eversley, David Hammons, Maren Hassinger, Senga Nengudi, John Outterbridge, Alonzo Davis, Dale Brockman Davis, Noah Purifoy, Betye Saar, and Charles White, connecting their work to larger movements, trends, and ideas that fueled the arts during this important era of creative, cultural, and political ferment.

Although both British and American pop art began during the 1950s, Marcel Duchamp and others in Europe like Francis Picabia and Man Ray predate the movement; in addition there were some earlier American proto - pop origins which utilized «as found» cultural objects.

Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide - scale and far - reaching transformations in Western society during the late 19th and early 20th centuries.

Pioneering conceptualist Jiro Takamatsu (1936 — 1998), a major influence on the artists of the Mono - ha movement, had a career that spanned forty - plus years, during which time his considerable influence as an artist, theorist, and teacher extended across the Japanese postwar cultural landscape.

At a time during the Civil Rights movement when African American artists were expected by many to create figurative work explicitly addressing racial subject matter, Gilliam persisted in pursuing the development of a new formal language that celebrated the cultivation and expression of the individual voice and the power of non-objective art to transcend cultural and political boundaries.

It focuses on works by primarily African - American artists often omitted from mainstream gallery and museum historical exhibitions who were working during the civil rights movement, the 1965 Watts riots and the era's general social and cultural upheaval: Ed Bereal, Wallace Berman, Nathaniel Bustion, Alonzo Davis, Dale Brockman Davis, Charles Dickson, Mel Edwards, David Hammons, Daniel La Rue Johnson, Ed Kienholz, Ron Miyashiro, Senga Nengudi, John Outterbridge, Noah Purifoy, Joe Ray, Betye Saar, Kenzi Shiokava and Timothy Washington.

During the first half of the 20th century, European artists viewed Paris as a cultural capital where a spirit of experimentation and innovation produced a succession of artistic movements including Fauvism, Cubism and Surrealism.

Every morning during an annual weeklong celebration, members of the Apsáalooke gather along the Little Bighorn River in Montana in a parade that expresses the deep - rooted cultural tradition of movement in Apsáalooke society.

During the Harlem Renaissance in the United States, a cultural movement in the 1920s and 1930s that brought the explosion of African - American literature, music and art, African - American artists aimed to re-conceptualize their identity and represent their heritage and tradition with a sense of cultural pride.

Conceptual art emerged as an international art form during a period of social and cultural upheaval in the 1960s and 1970s, which coincided with the era of Pop - Art and the Italian movement Arte Povera.

Graffiti Art (1970s onwards) Also referred to as «Writing», «Spraycan Art» and «Aerosol Art», Graffiti is a movement or style of art associated with hip - hop, a cultural movement which sprang up in various American cities, especially on New York subway trains, during the 1970s and 1980s.

In addition to addressing feminist concerns, her work tackled cultural perspectives that had been underrepresented during the feminist movements of the early 1970s.

Also known as «Street Art», «Spraycan Art» and «Aerosol Art», Graffiti art is a style of painting associated with hip - hop, a cultural movement which sprang up in various American cities, especially on New York subway trains, during the 1970s and 1980s.

Unlike the formal and material signifiers of gender that she introduced into her work during the women's movement period (i.e., hand dyeing, sewing, patchwork, domestic scale), the ostensible markers of Jewish cultural identity are harder to identify in the arena of painting.

[1] Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s where the hip hop, punk, and street art movements had coalesced.