Sentences with phrase «cultural movements from»

Presented in alignment with Art Design Chicago and the Terra Foundation for American Art, the program will trace select artistic and design legacies produced in the city, spanning from 1968 — 2018, as well as their impact on the larger social, aesthetic, and cultural movements from the twentieth - century to the present.

The works on view explore visual and cultural framing practices to re-contextualize European, African, and American aesthetic and cultural movements from Minimalism and Dada to Black Lives Matter.

Yet the artistic practice of mashup — where an artist fuses a found object with another to create something new — has a long history in the arts, its roots in a variety of prominent cultural movements from the last 100 years.

His work also references African - American political and cultural movements from the 1960s to today, including the Civil Rights, Black Power, and Black Arts Movements.

Not exact matches

Since the gospel is always received and appropriated in a specific cultural form, and since the church is established and functions as a social institution, the changes that are taking place in global societies have profound implications for churches (as profound, some have suggested, as our initial transition from a regional Jewish Jesus movement into a global Gentile church).

Every urban reform movement of the past 200 years — from England's Hygiene Acts to America's City Beautiful Movement to modern zoning laws to modernist architecture to the creation of public housing and the rise of environmentalism and historic preservation — has been a response to the social and cultural problems created by industrialism.

It is a living religion which has received and is still receiving its vitality from the people who confess it; it is a great movement which has passed through various stages of development over its long and complicated history, influencing and being influenced by the religious and cultural forces in its environment.

While the character of certain movements and groups is to a large extent defined by sociological criteria, such as the earlier so - called Frontier religion or now the Buchmean (Oxford group) Movement, which Allan Eister has recently analyzed in his book Drawing Room Conversion, we find that the more definitely a religious group is a religious group — as distinct from an economic, political, or cultural association — the more important, both for members of the group and students of it, will become its worship and its theology.

We do not know the cultural background and ethnic origins of the tribes that took part in the movement which we know best as Joshua's conquest of Palestine, yet the influence of the Arabian Desert was strong upon them, if we may judge from such information as we possess of their social life in the immediately following period.

Then more flexible people begin to understand, and they start to experiment with the new consensus so that cultural transformation, this movement from death to life of an entire people, begins to happen.

We might look first at the actual situation of our civil polities on the ground, at diagnoses of our global political situation coming from different cultural standpoints, and at the new social and political movements springing up to meet our social ills.

It dramatically portrays as never before that churches around the world have reached a critical point in the movement from being more or less homogenous in faith, worship and life to a situation of theological and liturgical heterogeneity, rooted in a profound commitment to express Christian faith and witness in terms of particular local cultural idioms.

In two recent works, The Uncertain Phoenix and Eros and Irony, David L. Hall presents a systematic and radical critique of the Western cultural and philosophical tradition, and (in The Uncertain Phoenix) a provocative vision of a future which might result front a movement away from certain aspects of that tradition.

And that organization, that movement, must be broad enough and deep enough to engage millions of Americans from a variety of cultural backgrounds at the deepest level of their personality.

What we have seen from his theory thus far is that he clearly saw cultural movement not simply conditioned by technology, but determined by it.

For we hold the bold belief, especially from humble experience in the Faith movement, that if it were our whole society would experience a new cultural springtime.

The history of the San Francisco Zen Center from the late «50s to the present shows a continuous movement from general intellectual and cultural interest in Zen to high and demanding standards of practice.

... The dynamic movement of society gives absolute value to the present, isolating it from the cultural legacy of the past, without attempting to trace a path for the future.

The communal movement of the past ten years has contained much cultural arrogance in its assumption that the small intentional community, withdrawn from the larger society, is the only worthy form of common life.

The alienation of the Western powers from their cultural and religious roots, and from their consequent sense of historical mission, also played a part in the decolonization movement following World War II.

In the expansion of Christianity around the world in the wake of European colonialism, new converts from the various indigenous peoples have not infrequently fastened on the apocalyptic component and blended it with their own cultural beliefs to create fresh millennial movements which offer their people hope of deliverance from imperialistic conquest and the arrival of a new age of bliss.

Indeed, enlightenment liberates one from all identification with historical or cultural movements.

Would either the suffragist movement of the last century or current feminism have emerged from another sort of cultural climate?

See also Steven Tipton's study of ethical configurations in a Christian sect, a Zen center, and a human potential movement, in Steven M. Tipton, Getting Saved from the Sixties: Moral Meaning in Conversion and Cultural Change (Berkeley and Los Angeles: Univ. of California Press, 1982), 244 - 77.

I probably would have agreed with you a year ago somewhat, but after having transparent conversations with people from different ethnic and cultural backgrounds, I have found that there is more truth to this social injustice movement than I would have liked to admit.

Kids from that era had the benefit of growing up during an extreme cultural paradigm shift (e.g. feminist movement, deconstruction, dawn of digital age, etc) which seemed to bring a fair amount of empowerment with it, so maybe they've just been socialized to think that there supposed to be doing MORE than what they saw their mothers do.

Professor McKenna advises «from an evolutionary and biological perspective, proximity to parental sounds, smells, gases, heat and movement during the night is precisely what the human infant «expects», and in our push for infant independence, we are forgetting that an infant's biology can not change quite as quickly as cultural child - care patterns.»

Tendencies that have come to define modern Western societies include the existence of political pluralism, prominent subcultures or countercultures (such as New Age movements), and increasing cultural syncretism — resulting from globalization and human migration.

So how could a cheap little movie that is in many ways, as our Todd Ramlow pointed out, a commercial for «what happens in Vegas stays in Vegas» debauchery, become one of 2009's biggest pop cultural movements (apart from Twilight of course)?

Zoolander and Hansel are veritable Rip Van Winkles, but — distinguishing the film from its Austin Powers template, as well as Zoolander 2's immediate predecessor — it's the cultural innovations they encounter that are held up to ridicule, such as phones that are bigger than Zoolander's (redeeming his microscopic cellphone from the original), hipster patois (although «hashtag» has for some reason penetrated Derek's vocabulary), and a gender - neutral model (Benedict Cumberbatch) whose name, All, and uncanniness mock the trans movement at a particularly precarious moment in our history.

Brazilian writer - director João Moreira Salles intercuts his mother's movies of a 1966 group tour in China during the inception of the most radical phase of the Cultural Revolution with archival footage from three other radical movements, all from 1968: The May uprisings in France; the brutal ending of the Prague Spring; and the brief rebellion in Brazil against the reigning military dictatorship.

They represent the culmination of a cultural change that began as the 1980s indie film movement shifted control of American film production away from the major studios to the entrepreneurship of individual (not necessarily «independent») outsiders.

This bundle contains 17 ready - to - use Renaissance worksheets that are perfect for students to learn about the period from the 14th to the 17th century, considered the bridge between the Middle Ages and Modern history which started a cultural movement in Italy in the Late Medieval period and later spread to the rest of Europe.

Research shows that the movement of these children from a low SES school to a higher SES school in Australia undermines the «quality» (cultural and social capital) of the remaining student body in the low SES school.

Teachout traces Ellington's deep influence on various cultural movements, from the Harlem Renaissance to the Duke's own renaissance at the 1956 Newport Jazz Festival.

In the article «From Production to Destruction to Recovery: Freeganism's Redefinition of Food Value and Circulation,» published in the University of Iowa's Iowa Journal of Cultural Studies in 2008, Michelle Coyne writes that freeganism grew out of anticapitalism, anticonsumerism, and the counterculture that includes the anarchist - punk movements of the 1970s.

This movement was extremely successful, and from 1970 to 2000 we saw a rapid cultural change.

Since 1877, the historic American Humane Association has been at the forefront of virtually every major policy movement, legislative effort, and shift in cultural attitudes aimed at improving the lives of children, and protecting pets and farm animals from abuse and neglect.

The European Renaissance, a cultural movement that lasted from the fourteenth to the seventeenth century is said to have originated in Florence.

Check out the latest from Mic, including our deep dive into how female Overwatch players are dealing with online harassment, an article about a fan movement advocating for more same - sex romance options in Mass Effect, a personal essay to JonTron from another Iranian - American and an article looking at cultural diversity in Overwatch.

Featuring a boyish animatronic figure reminiscent of literary and pop cultural characters such as Huckleberry Finn, Howdy Doody, and Alfred E. Neuman, the mascot of Mad magazine, the work is suspended with heavy chains from a large mechanized gantry, which is programmed to choreograph its movements.

Jack Whitten's narrative Abstract Expressionist works from the 1960s draw imagery from the Civil Rights movement, including ghosted images of Dr. Martin Luther King, Jr; Joan Semmel's figurative paintings question representation of female sexuality through the lens of self - portraiture; Gay liberation and the AIDS crisis are the cultural context for narrative paintings by the late Hugh Steers (1963 — 1995).

Showcasing works from the 1960s through 2013, the exhibition surveys political satire and cultural commentary through art movements ranging from capitalist realism to contemporary pop art.

From Neolithic hand axes, through William Morris, John Ruskin and the socialist movement, to David Bowie's 1972 Ziggy Stardust UK tour, 21st Century capitalism and the invasion of Iraq, the exhibition weaves a mythical narrative through moments and events from Britain's shared cultural memory, moving back and forth between the past, present and an imagined futFrom Neolithic hand axes, through William Morris, John Ruskin and the socialist movement, to David Bowie's 1972 Ziggy Stardust UK tour, 21st Century capitalism and the invasion of Iraq, the exhibition weaves a mythical narrative through moments and events from Britain's shared cultural memory, moving back and forth between the past, present and an imagined futfrom Britain's shared cultural memory, moving back and forth between the past, present and an imagined future.

By pulling from art movements, such as Pop Art, Conceptualism and Art Brut, Ortiz spontaneously blasts both humorous and dramatic Tex - Mex cultural realities.

The history of modern art, from dada onwards, is littered with movements whose subversive force has been emasculated by cultural acceptance, a fact of which the artists here are painfully aware.

Modernism is a philosophical movement that, along with cultural trends and changes, arose from wide - scale and far - reaching transformations in Western society during the late 19th and early 20th centuries.

The intervention artworks will speak to themes both present and absent from the exhibition, such as NASA's lunar landing, the legacy of iconic post-war artists like Joseph Beuys and Robert Morris, the rise of collaborative artistic practices, and the cultural and political affects of the Civil Rights movement.

The Short Century presents a cultural context in which the intense politics of African freedom movements are displayed: from the initial struggles for independence following the Second World War, to the collapse of apartheid in South Africa and the establishment of democratic governments in the nations of Africa.

From cultural interventions such as happenings and the Artists Against the Expressway movement, to legislative initiatives such as the AIR (Artists in Residence) re-zoning and historic district designation, the panel will consider how activism and community engagement impacted this neighborhood.