Not exact matches
In the end, it's a very well crafted more of the same, where the
change in the setting delivers some interesting landscapes and
cultural aspects in the
narrative.
As she charts the dilemmas and gestures of an European trader Almayer (Stanislas Mehar) and his «mixed - blood» daughter, Nina (Aurora Marion), Akerman's decision to take Conrad's 19th - century, Malaysia - set story to modern - day Cambodia without acknowledging the
changes comes to strike less as an eccentric gesture than as a purposeful extension of the
narrative's inquiries into
cultural identity and colonial uprooting.
He asserts that while «Great books»
change or decline in
cultural relevancy over time, «the joy and benefit of a sustained
narrative — rendering a virtual world in your mind — won't go away.»
As a dynamic media force, GLAAD tackles tough issues to shape the
narrative and provoke dialogue that leads to
cultural change.
Thomas Crow's paradigm -
changing book, The Long March of Pop: Art, Music, and Design, 1930 — 1995, challenges existing
narratives about the rise of Pop Art by situating it within larger
cultural tides.
Working primarily in performance, moving image, and printed matter, Howden - Chapman's work analyzes language and images as means to investigate the confluence of social conventions and personal
narratives that underlie economic, ecological, and
cultural change.
Standouts include Carrie Mae Weems» holographic
narrative about race, sex, and politics portrayed by ghostly characters on a burlesque stage; The Propeller Group's video that draws parallels between funeral practices in Vietnam and New Orleans, along with the collective's sculptures of tricked - out musical instruments, which were also photographed with members of Louisiana marching bands; Glenn Kaino's installation of water tanks that turn military machines into coral reefs; Jean - Michel Basquiat's paintings and works on paper that reference the
cultural legacy of the Mississippi Delta and the South; Camille Henrot's video exploration of the universe by way of the storage rooms of the Smithsonian Institution; Tavares Strachan's 100 - foot long neon sign declaring «You belong here» from a barge on the Mississippi River; and Andrea Fraser's monologue, in which she recreated a heated debate by New Orleans city council members during a 1991 vote to racially integrate the Mardi Gras krewes —
changing her voice and expression as she dynamically alternated between speakers, both black and white.
As I explained, geoengineering stands the
cultural narrative associated with climate
change on its head.
They all challenge directly or indirectly the certainty of calamity, because true to it's name the climate
change consensus is detectable as
cultural, i.e. it is a socially enforced consensus, with the certainty of calamity as it's core
narrative.
Even if individuals are not deeply knowledgeable about climate
change, they can be motivated and engaged through
cultural narratives.
A guide to retelling your personal, family, and
cultural stories to transform your life, your relationships, and the world • Applies the latest neuroscience research on memory, brain mapping, and brain plasticity to the field of
narrative therapy • Details mind - mapping and
narrative therapy techniques that use story to
change behavior patterns in ourselves, our relationships, and our communities