Sentences with phrase «cultural objects across»

Using Storyscope's workspace and tools, museum professionals and visitors can research, develop, and present stories that connect cultural objects across diverse museum collections.

His interests are directed toward the effects of shifting cultural objects across different social and historical contexts, investigating the role that artists and other art specialists have in these processes of value - making.

Not exact matches

Everything Is Happening At Once includes new and recent work that cuts across conventional notions of the scale and status of the photographic object, opening up its potential to represent cultural, social and physical realities.

His monumental sculpture U.F.O. (2007) is comprised of brass water utensils fused together in the form of a shiny U.F.O. - like object, suggesting cultural dislocation and otherness, while pointing to vast disparities in wealth across the subcontinent.

He imbues new meaning into objects that resonate with a history of modernism, while reaching back across continents and centuries to cultural roots in Africa.

The immersive exhibition Carved, Cast, Crumpled investigates the essential qualities of three - dimensional art across historical and cultural contexts, questioning what it means to be in the presence of an object.

This immersive exhibition investigates the essential qualities of three - dimensional art across historical and cultural contexts, questioning what it means to be in the presence of an object.

Jillian Mayer: Slumpies a body of sculptures that function as utilitarian objects, presented on PAMM's outdoor terrace as well as in the Vattikuti Learning Theater on the museum's first floor Routes of Influence juxtaposes artworks in a manner that maps how aesthetic concepts move fluidly across traditional, national or cultural lines, how «influence» in art is understood today as multi-directional, rather than linear in character.

Writers, artists, and museums have long played a role in documenting the cultural impact of British colonialism, and yet, since the vast Imperial exhibitions of the early 20th century, there has been no comprehensive presentation of the objects made across the British Empire.

The two works on exhibit deal with the notion of objects, collective and private, as carriers of meaning across time and cultural boundaries.

The mayor of Paris, Anne Hidalgo, is planning on making the French capital a safe haven for cultural heritage objects from areas across the globe threatened by armed conflicts.

Across his work, Locke's ability to fuse existing material and historic sources with his own political or cultural concerns, whether via visual juxtapositions or through the re-working of a pre-existing object or photograph, leads to witty and innovative amalgamations of history and modernity.