Sentences with phrase «cultural objects from»

This solo exhibition will include Joel Carreiro's close reading and transformation of cultural objects from the past; Renaissance paintings, European drawings and decorative objects and Medieval manuscripts.
Its permanent collection includes some 8 million cultural objects from Prehistoric art onwards.
By investigating cultural objects from around the world that have been «transplanted» or «immigrated» to another continent, a similarity, almost a metaphor, arises between these objects and peoples.

Not exact matches

Both these cultural complexes have yielded over 5000 copper - bronze objects (Hooja and Kumar, 1995) ranging from 4th to 1st millennium BC.
In a global world, where physical and virtual limits collapse, we are flooded with information and cultural references, data and objects that come from everywhere.
Through engaging with artworks from diverse cultural sources, students are challenged to consider accepted roles, images, objects, sounds, beliefs and practices in new ways.
Although most of the cultural treasures from that era have either been destroyed or have disappeared from the country, some have been recovered, including a cache of 20,000 golden objects which were thought to have been lost.
At the latter, the Great Story of a small Island - Nation through 100 Objects revealed a Greek theatrical mask and an Islamic book showing cultural influences from various invaders, simple peasant clothing from Gozo that the locals wore while the main island of Malta was going through a cultural revolution and a she - wolf statue feeding the twin Romanesque characters of Romulus and Remus.
Casa del Herrero is steeped in cultural heritage, which is seen in both the George Washington Smith designed house and the collection of fifteenth and sixteenth - century art objects from Spain.
I think some of the above is a complete review to guide you in finding objects or Place of Interest in Lombok Island ranging from natural attractions, culinary to cultural tourism.
The typography was refracted by objects from London architecture: «We took models of the main architectural and cultural symbols of the city which echo the idea of Future London Academy — knowledge through the lens of London,» ONY explains.
Set against minimal backgrounds, the objects are divorced from any visible cultural context.
Part 6 of the Tribunals, Courts and Enforcements Act 2007 provides immunity from seizure for cultural objects which are loaned from overseas to temporary public exhibitions in approved museums or galleries in the UK where conditions are met when the object enters the UK.
His referential and detritus - like objects derive their meaning from a discourse based on everyday objects and the urban environment and the meanings they acquire inside a number of socio - cultural contexts that the artist explores.
The work's stemmed violence also probes the unsettling gap between real and surrogate, a common cultural obsession from the fetish objects of West Africa to the dismembered mannequins of Hans Bellmer and Cindy Sherman, and Maurizio Cattelan's melancholy take on the Bremen Town Musicians.
Early on, the process evolved from a mimesis of natural and cultural interventions on the object to an enactment of subjective interventions.
Keith Haring: Journey of the Radiant Baby — Reading Public Museum, Reading, Pennsylvania, United StatesEditions on Paper — University of Valencia, Valencia, SpainKeith Haring: Art and Commerce — Tampa Museum of Art, Tampa, Florida, United StatesKeith Haring: Paintings, Sculpture, Objects and Drawings — Tony Shafrazi Gallery, New York, New York, United StatesAgainst All Odds — Rubell Family Collection, Miami, Florida, United StatesKeith Haring: POP Haring — Symbols and Icons Editions on paper from the Estate of Keith Haring — Singapore Tyler Print Institute, SingaporeComplete Editions on Paper — Centro Cultural Montehermoso Depsito de Aguas, Vitoria, Spain — Fundacion Caixa Galicia, Ferrol, SpainKeith Haring: Monumental Sculptures — Poppy & Pierre Salinger Foundation, Le Thor, FranceKeith Haring Drawings — Alona Kagan Gallery, New York, New York, United StatesKeith Haring — Early Drawings — Baltic Centre for Contemporary Art, Gateshead, United KingdomKeith Haring — Galerie Jerome de Noirmont, Paris, FranceKeith Haring Prints — Memo - art Galeria, Budapest, Hungary
He derives inspiration from his immediate environment, incorporating found objects gathered in and around urban neighborhoods and embracing varied cultural references.
He often brings together evolving traditions with present - day concerns through a mix of cultural references and materials, from robotic constructions and found objects (work boots and sewing machines) to organic materials (seeds, soil, and feathers).
On view at the UB Anderson Gallery of UB Art Galleries from April 22 through July 30, 2017, this exhibition showcases artists who appropriate cultural objects in their practice.
Only a spoil sport would object that the cultural center lay a mile's walk from a residential center — in a borough whiter at the time than a Robert Ryman painting.
2015 Another Part of the New World, Moscow Museum of Modern Art, Moscow, Russia United States of Latin America, Museum of Contemporary Art, Detroit, Michigan, USA Twentieth Anniversary Exhibition, Stephen Friedman Gallery, London, England Galerie de L'Epoque, Stephen Friedman Gallery, London, England From the Object to the World - Inhotim Collection, Itaú Cultural, São Paulo, Brazil
This exhibition explores the social and cultural impact of these vessels and showcases over 250 objects, including paintings, sculpture, and ship models, alongside objects from shipyards, wall panels, furniture, fashion, textiles, photographs, posters and film.
The second form of intervention is a freezing of the object's (d) evolution as cultural artifacts: they become frozen indifferent states of object - hood, from recognizable to wholly mutated.
Her drawings, objects, and installations conflate references to nature and culture, each work embodying a single instance of their collision, taking inspiration from the artist's personal experience, cultural memory, or historical events.
These are the only cultural objects that mounir fatmi remembers from his childhood home in 1970s Tangier — all of which he was forbidden to touch or were positioned out of reach, but which vividly captured his imagination.
Explore the cultural diversity and rich history of Africa's people through works made from ancient stone, clay, wood, and metal, as well as utilitarian objects, musical instruments, ceremonial costumes and contemporary paintings.
Governor Bob McDonnell today signed an historic cultural exchange agreement to bring «Treasures from the Forbidden City,» a showcase of approximately 200 objects, from Beijing's Palace Museum to Virginia in the summer of 2014.
How does art differ from other events or cultural objects?
2011 El Placer es mas Importante que la Victoria, curated by Miguel Lopez, Tasneem Gallery, Barcelona Community Without Propinquity, curated by Inheritance Projects, Milton Keynes Gallery, Milton Keynes, UK The Peripatetic School: Itinerant drawing from Latin America, curated by Tanya Barson, The Drawing Room, London Dublin Contemporary, curated by Jota Castro and Christian Viveros Faune, Dublin Contain, Maintain, Sustain, curated by Welmoed Laanstra, Sara Reisman, and Ernesto Santalla, Washington Project for the Arts, Artisphere, Washington Voglio Soltanto Essere Amato, Maga Museum of Art, Gallarte, Italy Anonymous Presence, curated by Yoab Vera, Y Gallery, New Cork Fronteras en Mutacion, curated by Sigismond de Vajay, Centro Cultural de España, Buenos Aires Bruma, organized by Alexander Dellal and Revolver Gallery, 20 Hoxton Square Projects, London S - Files Bienal, curated by Elvis Fuentes, Trinidad Carillo, and Rocio Arranda, Museo del Barrio, New York Heterogénea, Centro Cultural Juan Parra del Riego, Lima Tracing the Unseen Border, curated by Omar Lopez - Chahoud and Ian L. Cofré, La MaMa la Galeria, New York Objects of Devotion and Desire: Medieval Relic to Contemporary Art, curated by Cynthia Hahn, Bertha and Karl Leubsdorf Art Gallery, Hunter College, New York Glossolalia 5.0, film screening curated by Cauleen Smith, The Kitchen, New York
By his skillful re-creation of these ignored but necessary objects Loesberg extracts beauty from the mundane and asks us to contemplate our cultural assumptions and re-evaluate what we assume.
Curated by renowned museum director Prof. Dr. Martin Roth before his passing, it features numerous design objects loaned from some of Germany's most significant cultural institutions such as the Vitra Design Museum, Neue Sammlung,
Kevin Beasley (b. Lynchburg, Virginia, 1985) creates sculptures and performances out of found objects of cultural and personal significance — anything from housedresses and do - rags to Air Jordan sneakers and football helmets.
Nevin Aladağ (b. 1972), Kimsooja (b. 1957), and Nari Ward (b. 1963) combine and transmute specific objects, designs, and symbols from divergent cultural contexts in their video and sculptural installations.
The debut of his new project, Projects / Projects, marks a departure from a labored, self - referential, concrete - object - making practice toward a more conceptual, outsourced approach that engages broad cultural themes.
Tracing her artistic career from her acclaimed RUN clothing label of 1995 - 2001 through her later films and her recent multimedia archival «kits» featuring found objects, Mauss writes that Cianciolo's innovative creations have «explored and activated the dissolution of cultural categories.»
This unruly object was complemented by a photocopied publication, which featured interviews (conducted by Cruzvillegas) with knitters, community gardeners, slam poets and other figures who issued from a cultural space that was alien to clichés of Parisian identity.
Cultural references abound — from Marcel Duchamp's engagement with everyday objects to filmmaker Jean - Luc Godard's fascination with the colors red, yellow, and blue.
Taking its cue from the resurgence of figurative sculpture in the late 1980s and early 1990s, and from Sigmund Freud's essay «The Uncanny» (1919), the exhibition brings together mannequin - related art works, mostly from the 1960s onwards, with objects from disparate cultural contexts that engender a similar sense of unease in the viewer: medical dolls, anatomical waxworks, religious statues, pagan figurines, ventriloquists» dummies, sex dolls, taxidermy and so on.
His exhibitions highlights include: «The Third AIM Biennial,» Bronx Museum of Art, Bronx, NY, FIAC International Art Fair, Galerie du jour, Agnes b., Paris France, Cindy Rucker Gallery, «What Becomes of a Broken Heart,» New York, NY, Rush Arts Gallery, «The Happening: Kinesics as Art Object» New York, NY, Powerhouse Memphis, Everywhere, Nowhere, Somewhere, Memphis TN, Bronx Art Space, «BEAT,» Bronx, NY, Aljira A Center for Contemporary Art «Dreamtime overtones from a fantastic brown planet,» Newark, NJ, Chicago Cultural Center, Chicago, IL.
And that has a kind of African context too in that the African artists or the medicine men and others who were involved with creating things — cultural icons and other things — would determine the value of something and place it in a different context; such as the use of objects from nature.
1989 The Appropriate Object, Albright - Knox Art Gallery, New York, NY; Detroit Institute of Arts, Detroit, MI; San Jose Museum of Art, San Jose, CA; J.B. Speed Museum, Louisville, KY The 1960s: A Cultural Awakening, Afro - American Museum, Los Angeles, CA Forty Years of California Assemblage, Wight Art Gallery, UCLA, Los Angeles, CA; San Jose Museum of Art, San Jose, CA; Fresno Art Museum, Fresno, CA; Josyln Museum of Art, Omaha, NE Secrets and Shadows, California State University, San Luis Obispo, CA Women's Caucus for Art 10th Annual Exhibition, Vorpal Gallery, San Francisco, CA Making Their Mark: Women Artists Move into the Mainstream, Cincinnati Art Museum, Cincinnati, OH; New Orleans Museum of Art, New Orleans, LA; Denver Art Museum, Denver, CO; Pennsylvania Academy of Fine Art, Philadelphia, PA African American Artists 1880 - 1987: Selections from the Evans - Tibbs Collection, Smithsonian Museum of American Art, Washington, DC; Terra Museum of American Art, Chicago, IL
People tend to think of anthropology as being a very distinct practice from art or art history, but they are extraordinarily close: artists, curators, and anthropologists are all looking at cultural phenomena and particularly at objects and their use, and what that says about society at large.
Accompanying the re-animated colour - changer is a digital video work that surveys and examines an existing cinema organ in its original installation, a building which has now become a Regent's Street store, illustrating the disembodiment of the machine from cultural consciousness and its passage from sound - producing object to silent relic.
Safavi combines multi-layered cultural and art historical references in the form of objects, materials and pictures transporting them from the resources of her own multicultural background, her travels and her ethnological research.
, Cruz» selection of images and objects (from art and historical to pop cultural) sourced from site visits to Germany and New Mexico, eBay and his studio, privileges the everyday over the iconic.
Amanda Ross - Ho assembles materials and detritus, from found objects, photographs, drawings, sculptures, to paintings and video clips, into installations that explore questions of craft and «high» art and seem to clue us into a rich and personal socio - cultural world.
This gallery illustrates cultural and aesthetic changes from the Renaissance to the dawn of the modern period (1400 — 1900) through a variety of objects, paintings and sculptures.
Julia Stoschek belongs to an exclusive group of people who have put together idiosyncratic collections with great dedication, have made these accessible to the public in their museums and who do not shy away from raising significant private funds for the preservation of cultural objects and the running of their exhibition institutions.
An artist, historian and curator from Detroit, Dabls is known for his extensive collection of African beads, textiles and other cultural objects.
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