Sentences with phrase «cultural paradigms of»

Yoram Wolberger uses childhood toys and everyday domestic items to create his large scale sculptures, foregrounding the latent symbolism and cultural paradigms of these objects that so subtly inform Western culture.

Thusly, I do concur that the premise of the cultural paradigm of expressionism holds that art is capable of social comment, but only if the cultural paradigm of the narrative is invalid; if that is not the case, Truth is used to reinforce the status quotient.

Thus, the premise of the cultural paradigm of expression holds that art is capable of social comment, but only if the cultural paradigm of narrative is invalid; if that is not the case, truth is used to reinforce the status quo.

A raucous laugh track further situates the installation within the cultural paradigm of the 1980s, referencing the artist's formative experiences reconciling conflicting personal identifications through cultural markers.

Not exact matches

Finally, Hailemariam's ascendancy might just be the final nail in the coffin of the historical paradigm that suggests Pentecostalism is too «other worldly» a form of Christianity to be engaged in political and cultural life; that Pentecostal views of the end somehow lead to an escapist outlook of disengagement.

However, most of the time I find that my disagreement is not so much with God, but with Plato or Augustine or Calvin or Dobson, or some theological system or cultural paradigm that's been attributed to Him.

The only cultural paradigm that has tortured and killed more people in a short period of time than organized religion is organized atheism.

While the soldiers of the radicals» class conflict changed from proletarians to people of color and victims of gender bias, the structure of the radical paradigm was maintained: the division of society into the «people» and those identified as the «enemies of the people,» into «us» and «them» — the prescription for cultural and political war.

The difficulty of the paradigm, of course, is that it lifts media policy out of a mere bureaucratic administration into a broader dimension of cultural debate: what sort of symbolic environment do we have, what sort of symbolic environment do we want, and what is the role of the media in our collective effort to deal with our human potential for violence?

This idea of the «social strand» stands over against the prevailing cultural paradigm.

Alternatively stated, this cultural anthropology is susceptible to descriptive generalization in terms of the process paradigm and can be studied in terms of its applicability to the structure of spiritual quests cross-culturally.

On a level of less generality, one can ask whether the process paradigm serves not only to describe the Passage of Nature but also to mark certain cultural passages.

Root paradigms are «certain consciously recognized (though not consciously grasped) cultural models in the heads of the main actors....

Kids from that era had the benefit of growing up during an extreme cultural paradigm shift (e.g. feminist movement, deconstruction, dawn of digital age, etc) which seemed to bring a fair amount of empowerment with it, so maybe they've just been socialized to think that there supposed to be doing MORE than what they saw their mothers do.

Volume II, Number 2 A New Educational Paradigm — Michaela Glöckler, M.D. Changes in Brain Formation — Michael Kneissle Organology and Physiology of Learning — Wolfgang Schad New Health Problems of Children and Youth — University of Bielefeld (Germany) Rudolf Steiner's Efforts to Encourage Cultural Diversity — Detlef Hardorp The Middle Passage?Out of Diversity We Become Whole — Cindy Weinberg

Plenary Session: «The Technocratic Body: American Childbirth as Cultural Expression»; Breakouts: «American Paradigms of Birth and Health Care»; «The Power of Ritual»; «Malaise and Meaning in Postmodern Midwifery and Childbirth Education»

I suggest that the following five paradigms are essential for the attainment of dignity, and thus a more secure, peaceful and sustainable global order for all geo - cultural domains, in our brave new connected and interdependent world.

Such a paradigm of governance is also applicable, affordable and acceptable to various regional and cultural sensibilities while meeting minimal global criteria of human rights, accountability and respect for international law.

«As the Generalissimo of the Yoruba army, who is leading us into a new paradigm of inter-ethnic cultural understanding, inter-continental race relationship and fostering better relationships among the Yoruba, I want you to see me as a reliable partner and supporter of all worthy endeavours of yours, which can add value to the title.»

This unprecedented recognition of the cultural and environmental value of rivers in law compels us to re-examine the role of rivers in society and sustainable development, and rethink our paradigms for valuing water.»

Curcumin, a polyphenol in the Indian spice turmeric with elaborate anti-inflammatory mechanisms was recently found to be as effective as Prozac in small a randomized study I discuss here.35 Fermented foods, a part of traditional cultural diets, would also play a beneficial role, in this paradigm of microbiome - oriented, diet - supported mental health in ways stated here: 36

She managed to notice very delicate truths, very subtle pieces of cultural paradigm.

Environmental management and the challenge of achieving sustainable development is a global problem that requires looking at the political, economic, cultural, and educational phenomenas of the current paradigm, from a poly - logic phenomenology that perceive different levels of Reality which form the world and cosmos humanly known.

This new paradigm seeks to change the character of planetary civilization, validating cultural cross-fertilization, economic connectedness, and the rights of communities to meet global responsibilities in diverse ways.

Violence against women is not just what is happening to individual women, we see that the educational, economic, social and cultural aspects of the current systems, at local, national and global levels must intentionally work with a transformational agenda to be able to achieve this urgently needed change, that not only robs women and societies of peace, but does not allow the qualitative development for the new paradigm to become a reality in our life time.

Gone is the paradigm, outlined in the landmark Johnson Report of 1966, wherein it was assumed that the impact of an educator in the classroom was to a large extent limited by the socio - economic and cultural environment from which the children came.

Building on Ibarra's Beyond Affirmative Action: Reframing the Context of Higher Education, The University of Wisconsin Press, Madison (2001) «cultural dissonance» construct, the two learning paradigms are contrasted, and a third, the mutually adaptive learning paradigm, is posited as a pathway to academic success for this population.

He is fast becoming one of the leading mediators and «cultural brokers» for those of us working across many fields to make game based learning a force for a paradigm change in education.

For the gay men who are the main protagonists throughout, the cultural paradigm shifts are profound - the love affairs at the start of the book are deeply secret, and by the end there are gay marriages and even text - message dates.

The exhibition, on view Nov 17 — Dec 16, 2012, features 15 artists «united through a heightened sense of awareness to their immediate surroundings seen through the lens of the American landscape; a landscape shaped by unseen socio - political forces, constantly shifting cultural paradigms, and the on - going flux of construction and destruction.»

The exhibition takes writer Aimé Césaire legacy of Negritude as inspiration for examining way cultural identity is reconceived within post-colonial paradigm.

This show identifies the similarities and connections between the work of 10 contemporary artists that originate from two cities whose cultural and political paradigms are extremely disparate.

Katy Schimert takes this paradigm as a starting point for her investigations of the classical tradition's pervasive influence on our cultural psyche.

Even this kind of project is no longer new in our increasingly globalised cultural sphere, but «Other Primary Structures» is no less absorbing for being part of a well - established paradigm shift.

In recent years, we have exposed various paradigms of contemporary art to the litmus test of a local Bronx community and the cultural, economic, and social landscape that defines it.

Thomas Crow's paradigm - changing book, The Long March of Pop: Art, Music, and Design, 1930 — 1995, challenges existing narratives about the rise of Pop Art by situating it within larger cultural tides.

2014 Study from the Human Body, Stephen Friedman Gallery, London, England INSERT 2014: a cultural exploration of Delhi as a landscape for creativity and transformation, Indira Gandhi National Centre for the Arts, India Ruffneck Constructivists, ICA, Philadelphia, Pennsylvania, USA The Drawing Room, Magasin 3, Stockholm, Sweden Surfacing, Goodman Gallery, Cape Town, South Africa Slow Future, Centrum Sztuki Współczesnej Zamek, Poland Michelangelo e il Novecento, Galleria Civica di Modena, Italy The Disappearance of Fireflies, Prison Sainte Anne, Avignon, France And the Trees Set Forth to Seek for a King, Museum of the Seam, Jerusalem, Israel Pace Gems: Selections from the Linda Pace Foundation Permanent Collection, San Antonio, Texas, USA As I Run and Run, Happiness Comes Closer, Hotel Beauburn, Paris, France Paradigm Store, Howick Place, London, England What Marcel Duchamp Taught Me, The Fine Art Society Contemporary, London, England Odd Volumes, Book Art from the Allan Chasanoff Collection, Yale University Art Gallery, New Haven, USA Der Leone Have Sept Cabeças, CRAC, Switzerland One Shot!

He has participated in group exhibitions such as, Chaotic Trajectories, Temporary Gallery Cologne (2012), In Organization, Museum of Contemporary Art in Krakow, Poland (2011), The Tropics, The James Thomson Art Center, Bangkok, Thailand (2010), Paradigm Shift, Austrian Cultural Forum, New York (2009), That Was Then... This is Now, MoMA PS1, New York (2008), German Video: Joseph Beuys to Today, Slought Foundation, Philadelphia, USA (2007), Äthiapien und Deutschland, Grassi Museum für Vöolkerkunde, Leipzig, Germany (2006), and Sharjah Biennial 7, UAE.

These juxtapositions of violent classicism and seductive destruction challenge the feigned simplicity of our cultural paradigms.

There she founded and managed the arts component in its broader regeneration with the intention of establishing a new paradigm for industrial redevelopment that would not displace workers, artists, local residents or industry but would instead build a sustainable community of working artists in a context that integrated cultural and industrial production.

These are just some empirical examples of the brilliant yet lo - fi effects that make Jafa's concept of Black cultural production so powerful and set him apart from the current defining paradigm.

Las Vegas as a city embodies many of the cultural, economic and ecological paradigms of the late 20th Century.

In pursuit of a visual language tendered in a similarly suggestive manner to that of the written word through themes informed by paradigms of 21st century cultural and social establishments, Brannon undertakes traditional methods of printmaking, including letterpress prints, silkscreens, and lush hand painting on paper.

As discourse develops beyond ideas of visibility and representation to notions of assimilation into existing cultural paradigms, aqnb editor Jean Kay will be presenting a selection of artists» works that considers the consequences of structural affiliations and institutionalisation as both inspiring and influencing critical art practice.

While a tropical party appendix to this country, it is a cultural destination for the rest of the world — an interesting paradigm for those that have carved a creative niche through their life and work in the region.

Zigzagging across distant cultural landscapes, the exhibition exposes local avant - garde practices and highlights international affinities, which indirectly question the centrality of painting, art history, and language paradigms.

Zigzagging across distant cultural landscapes, the exhibition exposes avant - garde practices and highlights international affinities, which indirectly question the centrality of painting, art history, and language paradigms.

They reflect the development and importance of art archives, which, over the course of the cultural turns, have provided access to new realms of collecting and research for art history that emerged parallel to the paradigm shifts of modernity.

Since their paradigm is a plea to be releived of facts about the world that sit uncomfortably with their cultural preferences and the right to turn untutored anecdote and gossip as meaningdul, especially if it comes from someone culturally near to them, the above episteme makes sense.

On November 2, 2017, Stacey Jessiman de Nanteuil will be speaking at the «Human Rights and Cultural Heritage: A New Paradigm» conference at DePaul University College of Law in Chicago, Read More