Sentences with phrase «cultural place of art»

Not exact matches

Named one of the «Top 10 Great Places to Retire» by AARP, Asheville is experiencing a major cultural revolution, with the addition of new residents, restaurants, live music, and a vibrant arts community.

This massive cultural transformation, called by some the rise of the postmodern era, has transformed everything: travel and tourism, reading, the «high arts,» popular arts, health care, gender roles, the places where «wisdom» is deposited and sought, the relation of religion to the state, family continuity, sexuality, patterns of physical activity.

This is the reason why historic Christianity, in the long run, always granted a place to other cultural traditions: paganism survived in law; its mythology enjoyed a series of rebirths in art.

Among his honers, he was awarded a Phoenix Award by the Lawrence Arts Commission (now Lawrence Cultural Arts Commission) in 2003 and again in 2016 as a member of The Committee on Imagination & Place.

Sure, people may differ on the value of teaching art and music, or on whether math and science should be placed in a cultural context or taught using innovative, experiential approaches.

You can check out this calendar of events to keep up with the latest music, art, and cultural festivals taking place in Omaha.

Jazz is still a popular style of music in Indianapolis and a couple of great local places to seek out are the Chatterbox, located in the heart of the Mass Ave Arts and Theatre Cultural District with live jazz 6 nights a week.

While it's only partly about art, The King, directed by Eugene Jarecki, takes a similar approach as Faces Places, but with a focus on the cultural history of America.

Faces Places is quite a moving film, and speaks to a particular cultural mindset that knits art into the fabric of public life.

Activities conducted under this program include: Development Discourse Pluralism and Peace Building (Formation of ulti - ethnic self - help groups, Pancasila Forum, Cultural Dialogue and Intercultural Dialogue, Development of sermon of various religion with Peace issues, Interactive Dialogue on the Radio, Campaign for Peace and Democracy Development Through Various Media); Cultural revitalization («Mosehe» Culture of Tolaki Ethnic Group, Inter-religion dialogue); Other activities (Working jointly to build a places of worship, building Peace Monument, Performing Arts and Sports, economic activities)

Ask students to find current evidence of the cultural influences of that group, in the form of place or family names, art, food, music, and so on.

The author of the Common Core Standards for English Language Arts, David Coleman, has said over and over at conferences, in interviews and in online presentations that students» personal responses and interpretations have no place in the classroom nor does discussion of the cultural and historical context in which books are written or in which students live belong in that classroom.

It is the duty of United Nations is to make every international border a garden, a place of art and cultural festival.

With over 11,000 restaurants, 500 cultural and performing arts organizations, 40 higher - ed institutions, low unemployment, and one of the youngest populations in the nation, it's also a great place for young couples.

It's one of the best places on the island for shopping, and its cultural attractions include a fantastic contemporary arts centre and the former home of one of Spain's most prestigious writers, Miguel Unamuno.

By creating new avenues for visitors to interact, experience and connect with the natural and cultural treasures in our national parks, Art in the Parks is engaging the next generation of park users and reinforcing the importance and impact of these spectacular and uniquely American places.

Horizon Festival is a region - wide cultural arts event that celebrates the creative energy of the region through light, colour, place and all things creative.

Property Location A stay at Le Meridien Chiang Mai places you in the heart of Chiang Mai, minutes from Wiang Kum Kam and close to Chiang Mai City Arts & Cultural Center.

Of course the markets in Cancun are not as rich in cultural flavor as their southern cousins, but they are a fun, lively place to go to get great deals on arts and crafts, practical merchandise and souvenirs.

Thanks to the multiple attractions of Chinatown, boutique retailers, cultural venues such as the Judith Wright Centre of Contemporary Arts, small galleries, and the many pubs, eating places and nightclubs that line its glittering streets, it's where locals and visitors rub shoulders in the pursuit of adventure or just plain fun.

A stay at Kempinski Hotel Xiamen places you in the heart of Xiamen, convenient to Cultural Art Center and Wanshi Botanical Garden.

A stay at Jinxiao Apartment Hotel - Xiamen places you in the heart of Xiamen, convenient to SM City Xiamen and Cultural Art Center.

Property Location A stay at Starway Longdu Hotel places you in the heart of Xiamen, convenient to Cultural Art Center and Wanshi Botanical Garden.

A stay at Golden Four Seasons Hotel - Xiamen places you in the heart of Xiamen, convenient to Cultural Art...

A stay at Xiamen Dreamers Hotel places you in the heart of Xiamen, convenient to SM City Xiamen and Cultural Art Center.

A stay at Exquisite Hotel Lianhua North Road - Xiamen places you in the heart of Xiamen, convenient to Zhong Lun Park and Cultural Art Center.

Palace Residence & Villa Siem Reap is a three star hotel that is only five minutes from the Siem Reap Art Centre and Angkor National Museum.Guest staying at the hotel not only benefit from the easy access to the airport, but the Angkor Night Market, Lucky Mall Super Market, Angkor Golf Resort, and Cambodian Cultural Village are all less than five minutes from the hotel by car.Other nearby places of interest include the Royal Garden, Pub Street, the Siem Reap Royal Residence, and Angkor Shopping Centre.The rooms all come with a wide variety of in - room amenities.A selection of the available amenities at Palace Residence & Villa Siem Reap include vanity kits, hairdryer, iron and ironing board, cable television, sofa, working desk, tea and coffee making facilities, complimentary slippers and bathrobes, IDD phone, minibar, and wireless Internet access.

Property Location A stay at Hoiyue International Hotel - Xiamen places you in the heart of Xiamen, convenient to SM City Xiamen and Cultural Art Center.

This collection includes tours which cover wider cultural themes such as food, drink and design, as well as art and architecture, to give participants a real sense of place.

Property Location A stay at Pullman Xiamen Powerlong places you in the heart of Xiamen, convenient to Cultural Art Center and Wanshi Botanical Garden.

Property Location A stay at The Rim Resort places you in the heart of Chiang Mai, minutes from Wat Phra Singh and close to Chiang Mai City Arts & Cultural Center.

Property Location A stay at The Imperial Mae Ping Hotel places you in the heart of Chiang Mai, minutes from Wiang Kum Kam and close to Chiang Mai City Arts & Cultural Center.

Other places of interest include the Brambuk Aboriginal Cultural Centre, which provides tours featuring insight into Aboriginal culture and Aboriginal rock art.

Property Location A stay at Xiamen Dreamers Hotel places you in the heart of Xiamen, convenient to SM City Xiamen and Cultural Art Center.

Property Location A stay at De Naga Hotel Chiang Mai places you in the heart of Chiang Mai, minutes from Tha Phae Gate and close to Chiang Mai City Arts & Cultural Center.

Property Location A stay at Viang Thapae Resort places you in the heart of Chiang Mai, minutes from Tha Phae Gate and close to Chiang Mai City Arts & Cultural Center.

Property Location A stay at Eurana Boutique Hotel places you in the heart of Chiang Mai, minutes from Wat Chiang Man and close to Chiang Mai City Arts & Cultural Center.

Ridge, the place for cultural activities also wins hearts of many art lovers.

Property Location A stay at Suriwongse Hotel Chiang Mai places you in the heart of Chiang Mai, minutes from Wiang Kum Kam and close to Chiang Mai City Arts & Cultural Center.

Property Location A stay at Keyun Hotel - Xiamen places you in the heart of Xiamen, convenient to Cultural Art Center and Wanshi Botanical Garden.

Property Location A stay at Maui Beach Hotel places you in the heart of Kahului, convenient to Maui Arts and Cultural Center and Maui Nui Botanical Gardens.

Ubud is a very special place and as well as all of this you will also be able to enjoy the fantastic cultural aspects of Ubud which include the presence of the royal family and many great historical areas as well as the arts that have developed all around Ubud offering the royals entertainments and forever moving closer to the fascinating religion of Balinese Hinduism.

Sankara Ubud Resort is located South of the Ubud, Bali and is close to the monkey forest, the temples, the elephant caves and the cultural art markets which are all interesting places to visit.

The games I've made have been enjoyed by millions of people from around the world, some projects going on to be shown at game festivals like Pax (Prime & East) and GDC, as well as some notable places like the Cannes International Film Festival, 2015 Pan Am Games cultural events, and the Art Gallery of Ontario.

Thus, the oeuvre of artists like Hideo Kojima or Jason Rohrer could be physically placed alongside Jane Austen or Ingmar Bergman, solidifying the cultural value of videogames and the case for game art.

2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, JackArt, Jackson

«El Anatsui is perhaps the most significant living African artist working on the continent today,» said Baratta, citing his «originality of artistic vision, his long - term commitment to formal innovation, and his assertion through his work of the place of Africa's artistic and cultural traditions in international contemporary art.»

The conversation will focus on their individual artistic practices, the personal and cultural context that led them to their art, how they each express themselves through paint, and how they identify their place within the lineage of Latino painters.

Current partners include: A Blade of Grass, American Folk Art Museum, Bad at Sports, Bronx Museum of Art, Bureau of General Services — Queer Division, Community Access Art Collective, Eyebeam, Fourth Arts Block, Interference Archive, International Center of Photography, Knockdown Center, Lesbian Herstory Archives, Maker Park Radio, New York City Department of Cultural Affairs, New York Hall of Science, No Longer Empty, Recess, Social Justice Tours, Studio Museum in Harlem, Swale, Decolonize This Place, Discwoman, Sylvia Rivera Law Project, The 8th Floor, and Visual AIDS.

Tom Finkelpearl, now the commissioner of cultural affairs for New York City, who organized Hammons's first solo museum show at P.S. 1 Contemporary Arts Center in Queens in 1990, recalled that for years Hammons didn't even have a phone; Cannon's apartment was one of the few places where the artist could reliably be found.