As a consultant
in cultural policies, she is the author of strategic plans, orientation programmes and evaluation reports for national and international cultural institutions and art foundations.
As a consultant
in cultural policies she is the author of strategic plans, orientation programs and evaluation reports for national and international cultural institutions and art foundations.
She is the co-editor of the books Curating with Light Luggage and Collected Newsletter (Revolver Archiv für aktuelle Kunst), Taking the Matter into Common Hands: Collaborative Practices in Contemporary Art (Blackdog Publishing), as well as the report
European Cultural Policies 2015 (Iaspis and eipcp) and The Greenroom: Reconsidering the Documentary and Contemporary Art (Sternberg Press).
She is a graduate of Bard College and holds a Masters in Arts Administration &
Cultural Policy from Goldsmiths.
Other essays include a historical analysis of
Canadian Cultural Policy, [26] and one concerning issues of multiple identities in respect to Théodore Géricault's The Raft of the Medusa, a paper which was presented to the Department of Caribbean Studies at Yale University.
In 1986 he founded the Graz Kunstverein together with the Graz - based
cultural policy maker Helmut Strobl, running it as artistic director up to 1988.
He holds a PhD in Culture Studies; his post-graduate thesis explores
Soviet cultural policy during the Thaw period.
The dehierarchising rhetoric of artists whose projects seek to facilitate creativity ends up sounding identical to
government cultural policy geared towards the twin mantras of social inclusion and creative cities.
Issues such
as cultural policy, design, public sphere, archeology and historiography are addressed from different media such as video, collages, performances, public interventions and installations.
If this occurs in other state elections, mainstream BJP politicians might be motivated to rein in the militant among their rank and file, emphasize economic
over cultural policies, and do more to curb police inaction at the state and city level.
Engaging youth in the policy - making process contributes to better informed and
equitable cultural policies and strengthens transparency, accountability and ownership.
The book discusses many other significant subjects: the importance of the grandparent / grandchild relationship; the profound differences between the young - old (in their sixties and seventies) and the old - old (eighties and nineties); the assertion that rest homes are the concrete embodiment of failed social and
cultural policies toward the old.
COTTER That economic ruling class, for its part, could, and should, contribute to an open -
door cultural policy.
We finished the last days of April in Yaounde, Cameroon, where Fondation Paul Ango Ela hosted Cameroon's 2nd Convention on Creative Entreprises and Industries commissioned by the Ministry of Arts and Culture as part of its cooperation with France, in a bid to assess the country's current cultural landscape, its challenges and develop proposals contributing to the development of
new cultural policies.
En Foco provides its photographers, curators, critics & cultural activists with forum to advocate on behalf of an
inclusive cultural policy that historically has been lacking in substance.
Speakers Elizabeth Harney and Souleymane Bachir Diagne explore Senegalese modernism and Negritude as a philosophical term and as a
national cultural policy; Clementine Deliss is in conversation with the artist El Hadji Sy about his role in Laboratoire Agit Art, TENQ and Huit - Facettes, all collectives formations he co-founded in Senegal in the past decades.
Speakers John Kieffer has over 25 years» experience in UK and
international cultural policy, arts funding, creative programming, arts management, creative industries development, and the music industry.
As art historian Noit Banai has noted, «In this extraordinarily precarious and plural historical moment, between the war's end and the advent of Socialist Realism as
official cultural policy, Andrzej Wróblewski developed a language of radical corporality in which a subject's vulnerability to divergent relations of power was given tactile form.»
Censorship of Mapplethorpe's The Perfect Moment exhibition, at the Corcoran Gallery of Art in Washington DC, marks the beginning of a more
restrictive cultural policy in the United States.
The San Francisco Arts Commission is the City agency that champions the arts as essential to daily life by investing in a vibrant arts community, enlivening the urban environment and shaping
innovative cultural policy.
The preamble of the Copyright Modernization Act emphasizes the importance of developing a «
cultural policy instrument that, through clear, predictable and fair rules, supports creativity and innovation.»
Ice Watch is featured on ArtCOP21 with over 300 other arts events, which are supporting the talks as well as a symposium
for cultural policy makers facilitated by COAL, On the Move and Julie's Bicycle.
She has over 25 years experience within the visual arts as a gallery director, curator, and consultant
on cultural policy and strategic planning in Britain and internationally.
Pollasch holds a MA in Modern art History and Theory and an MA in Arts Administration and
Cultural Policy from The School of the Art Institute of Chicago.
Joly should reject efforts to recycle stale policies and instead embrace the opportunity to shake up
Canadian cultural policy.
She has published extensively on the history of Soviet and post-Soviet governance and predictive knowledge, including Constructing
Soviet Cultural Policy: Cybernetics and Governance in Lithuania after World War II (Linköping University Press, 2008).
He first joined the C.D. Howe Institute in 1990, producing widely - cited research on international trade, Canada's economic union, climate change policy, and the economics
of cultural policy.
Mélanie Joly, the minister of Heritage, has shared an outward looking vision for Canada's
cultural policy.
The focus of Canada's
cultural policy has been on the domestic scene, telling Canadian stories to Canadians, whilst protecting itself from Americans.
Canada hasn't made a substantive change to
its cultural policy in 25 years.
After joining the Institute for Research on Public Policy in 2001, Daniel earned the Policy Research Initiative's Outstanding Research Contribution Award for his paper «A Room of Our Own:
Cultural Policies and Trade Agreements,» and produced, with co-editors Thomas Courchene and Donald Savoie, a major series of papers on North America after NAFTA.