Sentences with phrase «cultural position in the world»

Blandy is searching for his cultural position in the world.

Not exact matches

«Toronto is brilliantly positioned for success in the global innovation economy, with world - leading scientific discovery and humanities scholarship, a stable economy, and a vibrant creative and cultural community.

«We urgently appeal to those in positions of social and economic, as well as political and cultural, responsibility to hear the cry of the Earth and to attend to the needs of the marginalised, but above all to respond to the plea of millions and support the consensus of the world for the healing of our wounded creation,» they wrote.

Impacting the World The Pontifical Academy of Sciences» position amid changing cultural attitudes also makes it the target of special - interest groups — and often mires it in controversy.

Although I admire Amazon for its culture of innovation and superb customer service, I do not consider it beneficial either for society (readers) or any of the entities involved in the book industry (publishers, bookstores, libraries, etc.) to allow one company to take on such a leading position in the cultural world and be able to determine its future at its own whim.

We hope to be in a position to bridge the cultural gaps to bring together great music with listeners around the world.

In the mid-1970s, Hilton Kramer took note of an inflection point in art, with painting and sculpture on the one side and photography on the other: «At a moment in our cultural life when the imperatives of formalism seem to be on the wane in the discussion, if not in the actual practice, of painting and sculpture, a vigorous restatement of the formalist position has come from a surprising quarter — from the world of photography.&raquIn the mid-1970s, Hilton Kramer took note of an inflection point in art, with painting and sculpture on the one side and photography on the other: «At a moment in our cultural life when the imperatives of formalism seem to be on the wane in the discussion, if not in the actual practice, of painting and sculpture, a vigorous restatement of the formalist position has come from a surprising quarter — from the world of photography.&raquin art, with painting and sculpture on the one side and photography on the other: «At a moment in our cultural life when the imperatives of formalism seem to be on the wane in the discussion, if not in the actual practice, of painting and sculpture, a vigorous restatement of the formalist position has come from a surprising quarter — from the world of photography.&raquin our cultural life when the imperatives of formalism seem to be on the wane in the discussion, if not in the actual practice, of painting and sculpture, a vigorous restatement of the formalist position has come from a surprising quarter — from the world of photography.&raquin the discussion, if not in the actual practice, of painting and sculpture, a vigorous restatement of the formalist position has come from a surprising quarter — from the world of photography.&raquin the actual practice, of painting and sculpture, a vigorous restatement of the formalist position has come from a surprising quarter — from the world of photography.»

Third, it exposed the fact that Iniva's programme has, since the mid 2000s, existed in a state of arrested development, a position of stasis made all the more apparent by the accelerated rate of social, economic and cultural change during the period — most notably the partial dissolution of cultural hierarchies facilitated by the world wide web, and the emergence of strong grass roots arts activities and young independent organisations operating, for however brief a period, outside the mainstream.

White speaks to the innovative position of artists and designers in the current moment of cultural, political, and spiritual upheaval — and calls for a re-imagination of how we relate to the world and our governments.

Homi Bhabha is a central figure in cultural studies and has been invited to to deliver lectures around the world at important institutions, including The University of London, England, whilst holding a more permanent position at the University of Chicago and Harvard University since 1997.

Already possessing of world - class galleries in kurimanzutto, OMR, Proyectos Monclova, and LABOR, an international art fair that grows in importance each year (Zona Maco), and such cultural institutions showcasing the city's rich heritage as the National Museum of Anthropology and Casa Barragon, the opening of the Museo Jumex further vaults the city into position as a relevant contemporary - art center.

Oppenheim speaks of growing up in Washington and California, his father's Russian ancestry and education in China, his father's career in engineering, his mother's background and education in English, living in Richmond El Cerrito, his mother's love of the arts, his father's feelings toward Russia, standing out in the community, his relationship with his older sister, attending Richmond High School, demographics of El Cerrito, his interest in athletics during high school, fitting in with the minority class in Richmond, prejudice and cultural dynamics of the 1950s, a lack of art education and philosophy classes during high school, Rebel Without a Cause, Richmond Trojans, hotrod clubs, the persona of a good student, playing by the rules of the art world, friendship with Jimmy De Maria and his relationship to Walter DeMaria, early skills as an artist, art and teachers in high school, attending California College of Arts and Crafts, homosexuality in the 1950s and 1960s, working and attending art school, professors at art school, attending Stanford, early sculptural work, depression, quitting school, getting married, and moving to Hawaii, becoming an entrepreneur, attending the University of Hawaii, going back to art school, radical art, painting, drawing, sculpture, the beats and the 1960s, motivations, studio work, theory and exposure to art, self - doubts, education in art history, Oakland Wedge, earth works, context and possession, Ground Systems, Directed Seeding, Cancelled Crop, studio art, documentation, use of science and disciplines in art, conceptual art, theoretical positions, sentiments and useful rage, Robert Smithson and earth works, Gerry Shum, Peter Hutchinson, ocean work and red dye, breaking patterns and attempting growth, body works, drug use and hippies, focusing on theory, turmoil, Max Kozloff's «Pygmalion Reversed,» artist as shaman and Jack Burnham, sync and acceptance of the art world, machine works, interrogating art and one's self, Vito Acconci, public art, artisans and architects, Fireworks, dysfunction in art, periods of fragmentation, bad art and autobiographical self - exposure, discovery, being judgmental of one's own work, critical dissent, impact of the 1950s and modernism, concern about placement in the art world, Gypsum Gypsies, mutations of objects, reading and writing, form and content, and phases of development.

From New York, throughout the 1990s and 2000s, her work has been positioned in multiple platforms, reinforcing the globalized art world's questions of geography, cultural and national identity, discipline, and form.

In the late 1970s, this resident of Jerusalem became one of the first artists to position himself both outside of and in relation to Western cultural contexts and to incorporate the challenges of a globalized world in his worIn the late 1970s, this resident of Jerusalem became one of the first artists to position himself both outside of and in relation to Western cultural contexts and to incorporate the challenges of a globalized world in his worin relation to Western cultural contexts and to incorporate the challenges of a globalized world in his worin his work.

True or untrue, myths surrounding the early funding of the movement by the CIA in order to affect a form of American cultural Imperialism stick to the group; as does the pivotal position it holds in the canon of art history, as the turning point when «art» migrated from Europe to America following the Second World War.

Bill C - 24 is a step backwards towards positioning Canada as an economic and cultural leader in the world.

• Desire a Golf Course Superintendent position at Golf World by employing exceptional insight into supervising the planting and cultural practices involved in growing various turf grasses, trees and ornamental plants.