In 1981 he founded the New Criterion, a journal that reflects both his passion for art and aesthetic standards and his skills as a chronicler of the ideological follies so abundant in the academy and other centers of
cultural power today.
Not exact matches
That this fear of being subsumed by Christianity lingers among Jews
today is not surprising given that until recently «dialogue» with Christians, the wielders of
cultural and political
power, usually involved more polemic and proselytizing than understanding and cooperation.
Instead, if we understand the culture in which John wrote, the issues that the early church was facing under the Roman Empire, and all of the hundreds of allusions to Old Testament themes and prophetic expectations, the Book of Revelation can have a significant message for followers of Jesus
today, who also deal with similar
cultural issues as we try to live like Jesus in a world dominated by
powers and authority that live in rebellion to the Kingdom of God.
That a congregation is constituted by publicly enacting a more universally practiced worship that generates a distinctive social form implies study of that public form: What are the social,
cultural, and political locations of congregations of Christians and how do those locations shape congregations» social form
today (synchronic inquiry); what have been the characteristic social,
cultural, and political locations of congregations historically and how have those locations shaped congregations» social forms (diachronic study); in what ways do congregations engage in the public arena as one type of institutionalized center of
power among others?
Today the process of control by
power (economic, political and
cultural) is done through hi - tech communication and information media, which is intensive and brutally effective.
Less ignorance, more democrat
power (at least in
today's
cultural contest) Now to be clear: God has NOTHING to do with religion.
«
Today, the
power of money seems more forceful,» and brings with it «a
cultural pressure that anything that can be done should be done.»
But the result is a film that, for all its emotional
power, is strangely disengaged from the
cultural and systemic forces that led to police brutality in 1967 and continue to do so
today.
The mood, hustle,
power and immense growing pains of
today's China bleed through Jan - Philipp Sendker's superlative suspense novel, Whispering Shadows, which delves into the explosion of big business following China's
Cultural Revolution.
It will serve as a visual sociological survey, demonstrating how Mapplethorpe's oeuvre is regarded
today, shedding light on current
cultural tastes and points of view and revealing the
power of Mapplethorpe's enduring legacy.
Rauschenberg's global perspective and international footprint — something quite common for artists working
today — was revolutionary at the time and demonstrative of his strong belief in the
power of art to transcend
cultural borders.
Today's China is no longer in the
cultural periphery, but in the centre, and has emerged as a symbol of
power, flexibility and dynamism.
Of course, governments and local councils have been using the spectacular
power of large - scale or monolithic exhibitions to boost the economic viability and
cultural status of cities and countries since the 19th century — an impulse that still drives biennial fever
today.
His work also references African - American political and
cultural movements from the 1960s to
today, including the Civil Rights, Black
Power, and Black Arts Movements.
The
power of the Discobolus as a
cultural icon continues
today with Chinese sculptor Sui Jianguo's (b. 1956) clothed version, on display in Room 3.