Sentences with phrase «cultural production»

The exhibition highlights these individual artists who worked exclusively within the margins, borders, and edges of cultural production systems.

We are committed to creative research that investigates the relationship between inquiry and practice and how this dynamic manifests itself in contemporary and historical approaches to cultural production in a continually changing world.

We are interested in works produced in a range of visual and time - based disciplines that engage with the social dimension of contemporary cultural production.

It aims to be a leader in cultural production across fine art, recorded music, and broadcast disciplines.

Some employ making as a form of politics, others explore how race and cultural production affect aesthetics, while still others combine these methods or create their own.

What are the consequences of global open markets for local cultural production?

If we look at the world's cultural production before the year A.D. 1,300 we will notice that it is composed mostly of religious figures and political leaders.

Through their interaction, the user becomes an integral material component of the sculpture while also engaging cultural production.

He is interested in the appropriation of public space by institutions and individuals, and the nature of informal cultural production.

The edgy contemporary art gallery pushes artists and their viewers to consider cultural production that goes beyond the confines of nationality and discipline through progressive, ambitious and well - researched exhibitions.

What projects arise when artists and curators involve themselves in grassroots initiatives, activism, and inclusive cultural production?

It is important to me that the viewer gets an idea of the rich diversity of contemporary cultural production.

Other works addressed his ideas about museums as places for dialogue and cultural production across disciplines.

That might not sound like much but when you look at cultural production on a per capita basis, Canada shoots up to fourth.

These are just some empirical examples of the brilliant yet lo - fi effects that make Jafa's concept of Black cultural production so powerful and set him apart from the current defining paradigm.

The jabbering, edgeless context of the Internet inevitably hovers over such work, as it does contemporary cultural production as a whole.

The discussion will place Camden Arts Centre within the broader London and UK art scene and will introduce other key spaces, educational facilities and artists based in the country as well as giving an overview of the current financial conditions and challenges for cultural production in the UK.

Working both independently and collaboratively, Ault is an artist, curator, writer, and editor, wh0's work emphasizes and celebrates the complex interrelationships between cultural production and politics.

While many artists in the United States were exposing the workings of the gallery and institution, and challenging the traditional status of artistic persona, in Europe, attention turned to the matrix of cultural production within the context of fading public funding and a new freedom to travel following the fall of the Berlin Wall.

Ms. Lennon spent three years teaching Kindergarten at an extended day program in Cambridge while simultaneously earning a Master's degree in Cultural Production with a focus on Children's Literature.

The Museum is an amazing landmark for cultural production through its rotating historical and contemporary exhibitions, scholarly contributions, community outreach and public programming designed for diverse audiences.

The program offers opportunities for forward - thinking artists, designers, architects, writers, scholars, and other creative practitioners to come together, and it looks forward to stimulating unconventional conversations around cultural production today.

He is Artist In Residence at The Hemispheric Institute of Performance and Politics at NYU, has been invited to speak about art and collective cultural production by Harvard, Yale, Columbia, NYU, Parsons, The San Francisco Museum of Modern Art, and the Arts and Labor working group of Occupy Wall Street, and been interviewed about art in public spaces by publications including The New York Times, Frieze, Artforum, and Bomb.

It focuses on a period of cultural production from the mid-1960s through the early 1970s and examines its influences fifty years later.

Featuring fifty seminal works by thirty - one stalwarts, including Jackson Pollock, Willem de Kooning, Joan Mitchell, and Lee Bontecou, the show contextualizes postwar cultural production between the Holocaust and the blithe likes of Levittown.

Ceysson & Bénétière will present works by Claude Viallat (b. 1936) and Noël Dolla (b. 1945), whose unconventional artistic methods challenged cultural production within the context of political and social unrest in France during the late 1960s.

Book Launch: Trap Door at New Museum To celebrate the release of Trap Door: Trans Cultural Production and the Politics of Visibility, an anthology edited by Reina Gossett, Eric A. Stanley, and Johanna Burton, the New Museum will host a conversation with some of the book's contributors.

This underground group developed a near - fanatical following which took part in a controversial cultural production strategy called «Posing,» where member artists appropriated the identities of their more well - known contemporaries in order to create attention for new work.

After one year in the space they shut down operations, and from 1981 until they ceased activities in 1996, Group Material constituted a flexible membership of three to five artists who organized projects in the public sphere — function as a medium for collective cultural production and public address.

#globalization #museums #access #representation #decolonization #history A recent conference at the Stedelijk Museum in Amsterdam, «Collecting Geographies — Global Programming and Museums of Modern Art,» invited participants to question the responsibilities accrued to arts institutions when they present works of global cultural production as a response to market interest.

Erin Christovale and Suné Woods will discuss cultural production during this time and vulnerabilities that resonate now.

Selected by Site's Artistic Director, Laura Sillars, Curator of a Making Ways Sheffield exhibition, Jeanine Griffin and Head of Exhibitions at Museum's Sheffield, Kirstie Hamilton, Holmes's project, Dot Dot Dit Dit Dot Dot Dash investigates black British cultural production, unspoken coded languages and the history of black personae in popular culture.

The accumulation of objects under the exhibition title «A Sign of Autumn» prompts us to reflect on the connections between the re-purposing of cultural resources as a means to realize new cultural production and capital's looting of the productive forces in our current time defined by finance capital.

There is an entire field of creative and critical cultural production that is deemed «postcolonial».

She continues: «Critical theories about cultural production, about aesthetics, continue to confine and restrict black artists, and passive withdrawal from a discussion of aesthetics is a useless response -LSB-...] Black artists concerned with producing work that embodies and reflects a liberatory politic know that an important part of any decolonization process is critical intervention and interrogation of existing repressive and dominating structures.»

His work mixes media and crosses continents, combining video, photography, and sculpture with text, live music, and even plants to trace the ways that people understand and influence cultural production in other parts of the world.

Opening reception: Friday, February 10: 6 - 8 p.m. Andrea Rosen Gallery is pleased to announce the exhibition Cultural Production, featuring work by a multigenerational selection of artists including Hanne Darboven, Josephine Meckseper, Allen Ruppersberg, and Alexandre Singh.

If one of the uses or responsibilities of an artwork is its ability to apprehend the present while simultaneously existing within it, Wang's work can be seen to motivate an evaluation of the most powerful systems structuring cultural production.

With her work Van Heeswijk stimulates and develops cultural production and creates new public spaces or remodels existing ones.

The indeterminacy of identity need not lead to political paralysis — on the contrary, it could dislocate feminist practice productively, from sterile engagement with legal discourse and hegemonic cultural productions of selfhood to a realm of radical doubt and constant negotiation of what constitutes «me» as a «woman» in some contexts.