Sentences with phrase «cultural production by»

He is Artist In Residence at The Hemispheric Institute of Performance and Politics at NYU, has been invited to speak about art and collective cultural production by Harvard, Yale, Columbia, NYU, Parsons, The San Francisco Museum of Modern Art, and the Arts and Labor working group of Occupy Wall Street, and been interviewed about art in public spaces by publications including The New York Times, Frieze, Artforum, and Bomb.

The program offers a wide range of voices in dialogue, exploring the topics of contemporary art, theory, and cultural production by emerging and established visiting artists, as well as members of UCSB's faculty and graduate students.

Not exact matches

Earlier this year the OECD released data ranking countries by the value of their cultural production.

By setting his, discussion in the context of a dialectic (externalization, objectification, internalization), he has in effect stressed the importance of social interaction for the production and maintenance of religion but at the same time he has recognized the independent capacity of religion to exist as a cultural system and to shape individual thoughts and attitudes.

An Emergent definition of relevance, modulated by resistance, might run something like this; relevance means listening before speaking; relevance means interpreting the culture to itself by noting the ways in which certain cultural productions gesture toward a transcendent grace and beauty; relevance means being ready to give an account for the hope that we have and being in places where someone might actually ask; relevance means believing that we might learn something from those who are most unlike us; relevance means not so much translating the churches language to the culture as translating the culture's language back to the church; relevance means making theological sense of the depth that people discover in the oddest places of ordinary living and then using that experience to draw them to the source of that depth (Augustine seems to imply such a move in his reflections on beauty and transience in his Confessions).

By implementing organic farming as an alternative production system, growers may substitute cultural and biological inputs for synthetically - made chemicals and fertilizers... Continued

A food scientist by training, Schmitz focuses on the food - production supply chain and its influence on human and animal health and on ecological, environmental, social and cultural sustainability.

And, anchored by gorgeous production design and the pop naturalism of its performances, How to Make It in America dramatizes this particular cultural moment with uncommon style and a little grace as well.

by Walter Chaw Brutally overwritten, smug, and self - indulgent to no discernible point, Jason Reitman's disappointing Juno is an unfortunate attempt to marry Judd Apatow's sleazy morality plays with a Kevin Smith pop - cultural gabber — the result being a ventriloquism tract in which virgin screenwriter (formerly blogger) Diablo Cody crams so many unlikely gluts of verbiage into so many sterile, undeveloped characters that the whole production is the ultimate act of masturbatory puppetry.

The production design (by Philip Messina) is jaw - dropping and encyclopedic in its cultural references.

Touches like these make Jordan Peele's film is a master - class trickster work, a cultural production that brings knowledge and experience to light by mocking and subverting the power structure it occurs in.

The original 1960 Broadway production of the musical version of the King Arthur legend by Alan Jay Lerner and Frederick Loewe was a smash hit turned cultural touchstone, associated forever with the idealism and youth of the John F. Kennedy.

It's shot by Robert Elswit and features music from Jonny Greenwood, and certainly feels expensive — in short, this Inherent Vice is a production that required the full support of those titans of cultural conformity toward which Pynchon's novels have long cast a wearily jaundiced eye.

The disappointing level of production in Cuban cinema was mitigated by the award - winning director Carlos Lechuga's Santa y Andrés (Santa and Andrés, Carlos Lechuga, 2016); a low budget production (as most current independent Cuban films are), which came to fill a gap in Cuba Cinema, a return to our essence and roots through a commitment to the cultural soul of the nation.

This artist will make a significant contribution to the artistic landscape through creative, skillful collaboration on productions by local arts and cultural agencies.

Tezuka Productions — the Japanese production studio founded by the Father of Manga, Osamu Tezuka, and brought to the anime and manga fandom famous works that stirred controversial, political and cultural awareness to the masses since the 50's, for such titles as Astro Boy, Unico, Budda, Blackjack, etc. — specifically appointed the Digital Manga Guild to localize their library to English, and then eventually to other languages.

Recently launched, Most Curious Tours aims at showing tourists the hidden cultural hotspots of the UK, travelling in small groups by scenic railway routes, staying in independent accommodation, and attending local concerts and theatre productions in hand - picked destinations across the UK.

New planets can be colonized by spending a culture token and a ship in orbit, letting you place a control node and then expand from there by adding research stations, production facilities and cultural hubs, depending on what that particular planet can support and the resources you have at your disposal.

Book Launch: Trap Door at New Museum To celebrate the release of Trap Door: Trans Cultural Production and the Politics of Visibility, an anthology edited by Reina Gossett, Eric A. Stanley, and Johanna Burton, the New Museum will host a conversation with some of the book's contributors.

Candlestar is a cultural production company led by Michael Benson and Fariba Farshad that specialises in photography - related initiatives.

Founded by artists Bjørnstjerne Christiansen, Jakob Fenger and Rasmus Nielsen, SUPERFLEX offers engaging, often humorous perspectives on the social and cultural concerns of our age, from migration to alternative energy production, and from the power of global capital to the regulation of intellectual property.

The alternative - space movement of the last few decades has been characterized by artists developing their own cultural infrastructure to support changing methods of production, in particular performance and emerging technologies.

Yet how does this state relate to modes of production within Africa itself, especially given the recent sensations caused by the Angolan Pavilion at the Venice Biennale that deliberately foiled tired tropes around destitution, impermanence and dearth against the cultural trajectory of Venice itself?

His book Seeing Power: Socially Engaged Art in the Age of Cultural Production was published by Melville House in January 2012.

Ceysson & Bénétière will present works by Claude Viallat (b. 1936) and Noël Dolla (b. 1945), whose unconventional artistic methods challenged cultural production within the context of political and social unrest in France during the late 1960s.

By offering them a space to develop and present new productions, we aim to create a platform where different cultural disciplines can meet.

2011 Kessler conversations: In Memory of Monique Wittig, Simone Leigh and Chitra Ganesh, CLAGS, November 28, 2011, moderated by Dean Daderko, CUNY Graduate Center Caribbean Cultural Production, The Caribbean Epistemologies Symposium, March 29, 2011, Center for the Humanities, CUNY Graduate Center Parsons School of the Arts, Visiting Artist Lecture organized by Coco Fusco

Two years after a catastrophic earthquake devastated Haiti, this conference, the first of its kind in the United States, focuses on the vibrancy of Haitian cultural production in the twenty - first century by highlighting three art forms in three days: cinema, visual arts, and literature.

Director of Critical Studies and MA / PhD programs in UCLA's Department of Architecture and Urban Design, Sylvia Lavin engages artists, architects, and curators in a series of lively discussions on how cities are increasingly molded by images rather than buildings; on whether art and architecture are converging to form an integrated type of cultural consumption; and if the concept of the masterpiece has finally been destroyed by the sheer quantity of global design production.

It posits a transnational generational formation of cultural producers aligned with leftist movements and ideologies — specifically, those whose politics are anti-capitalist, anti-imperialist, and decolonial — and whose artistic production is shaped by social transformations brought about through neoliberalization and the influence of recent subaltern - popular movements.

Art is Good Cultural Encounter will showcase Hyde Park Village and Art Production Fund's Public Art Initiative by installing banners from artist, Deborah Kass.

Presented by Bryant Park, Art Production Fund, Fridman Gallery, and The Franklin Furnace Fund supported by Jerome Foundation, The SHS Foundation, the New York City Department of Cultural Affairs in partnership with the City Council, and general operating support from the New York State Council on the Arts, and with support from Lower Manhattan Cultural Council

Opening reception: Friday, February 10: 6 - 8 p.m. Andrea Rosen Gallery is pleased to announce the exhibition Cultural Production, featuring work by a multigenerational selection of artists including Hanne Darboven, Josephine Meckseper, Allen Ruppersberg, and Alexandre Singh.

By bringing pivotal works to diverse communities, The Art Production Fund hopes to reach wide audiences and reduce the physical as well as the psychic distance of cultural, class, linguistic, racial and income barriers that hinder participation in contemporary art.

The mission of the Mark Morris Dance Group is to develop, promote, and sustain dance, music, and opera productions by Mark Morris and to serve as a cultural resource to engage and enrich the community.

Mark Amerika pushes the boundaries of his conceptual artistic production by engaging directly with text and images, responding to cultural and socio - economic concerns.

Artist travel and production support is provided by the Embassy of Colombia, Washington D.C., Consulate General of Brazil in New York, the Danish Arts Council, the Mexican Cultural Institute of New York, and the Office of Cultural Affairs, Consulate General of Israel in NY.

The museum's unique collection of international contemporary art is a selective collection of works created by artists who occupy key positions in the field, either because they have created a distinctive visual language, objects and images with great originality and quality, or because they have reinvented important aspects of cultural production.

Guided by these questions, this exploratory seminar will survey and examine creative uses, definitions, and theories of the diagram from the early modern period to the present, with emphasis on cultural production in the 20th and 21st centuries.

His new book Seeing Power: Socially Engaged Art in the Age of Cultural Production was also published by Melville House in 2013.

Starting with the premise that memory is political, her projects examine structures of time, memory, and the production of knowledge by engaging with archival materials, individual and collective narratives, and histories that span cultural and national borders.

«Thanks to some of the shortcomings imposed by the political and socioeconomic context here, the art scene has developed its own specific type of artistic production and a wide range of self - managed independent projects,» Converti tells me, before rattling off some of the new leadership moving art forwards at cultural and contemporary arts institutions.

The fair, which is organized by the cultural production company, Candlestar, is doing an admirable job of honoring the city's photography history while simultaneously appreciating the present cultural moment, a notion best examined through one of the five commissioned exhibits on display.

By combining the use of real and fictitious female characters, seductive body parts, and motivation for hard work, the included sculptures, photographs and a multichannel film hope to give visibility to the female subject's invisible hands pulling the strings behind much cultural production.

Whether it is identifying new dynamics between art and the public realm, maintaining novel strategies based on contemporary art production and dissemination, or exploring uncharted framework and territory by engaging with artists, SGA is a vital part of Shanghai's cultural community and a catalyst for new experiences.

The Art of the Commission: Funding Cultural Production - at Art Basel Hong Kong 28 March 2018, 12:00 - 13:30 This conversation, moderated by Delfina Foundation Director Aaron Cezar, explores the different frameworks that organizations have adopted and developed in order to provide the necessary resources to enable artistic and curatorial pProduction - at Art Basel Hong Kong 28 March 2018, 12:00 - 13:30 This conversation, moderated by Delfina Foundation Director Aaron Cezar, explores the different frameworks that organizations have adopted and developed in order to provide the necessary resources to enable artistic and curatorial productionproduction.

Abbas will be presented in the 2018 Munich Biennale in June, with the collaborative production Bubble < 3 (a coproduction with Musik der Jahrhunderte Stuttgart, commissioned by the West Kowloon Cultural District; in cooperation with Connecting Spaces Hong Kong / and the Zurich University of the Arts; and the Goethe Institute Hong Kong) and has been awarded a residency at Hyde Park Art Center, Chicago, USA (Sept - Nov 2018).

The show forms part of a strew of exhibitions conceptualised by Pick Up Production and artist Kazy Usclef for the Voyage à Nantes cultural project.

Over the course of the symposium, the invited participants, ranging from artists to literary scholars, cultural theorists, and art historians, will bring into sharp focus the ways in which the «Black Atlantic» continues to inform the production of art today by a new generation of artists, in connection with Frank Bowling: Mappa Mundi.

Centre Cultural La Nau - Sala Martínez Guerricabeitia, Valencia Curated by Santiago Pastor The exhibition project focuses on his most recent artistic production.