Sentences with phrase «cultural production from»

It focuses on a period of cultural production from the mid-1960s through the early 1970s and examines its influences fifty years later.

Not exact matches

In this illustration, marketing labeled their production «content marketing» but from a cultural standpoint produced it much like it had before — without much input from sales.
For example, referring to the «institutional field of cultural production» that «rapidly and radically transformed... the rigid dichotomy between «high» and «low» «(for academics like Professor Rainey, dichotomies are always «rigid» and high art always needs scare quotes), he tells us that «Modernism's ambiguous achievement... was to probe the interstices dividing that variegated field and to forge within it a strange and unprecedented space for cultural production, one that did indeed entail a certain retreat from the domain of public culture, but one that also continued to overlap and intersect with the public realm in a variety of contradictory ways.»
An Emergent definition of relevance, modulated by resistance, might run something like this; relevance means listening before speaking; relevance means interpreting the culture to itself by noting the ways in which certain cultural productions gesture toward a transcendent grace and beauty; relevance means being ready to give an account for the hope that we have and being in places where someone might actually ask; relevance means believing that we might learn something from those who are most unlike us; relevance means not so much translating the churches language to the culture as translating the culture's language back to the church; relevance means making theological sense of the depth that people discover in the oddest places of ordinary living and then using that experience to draw them to the source of that depth (Augustine seems to imply such a move in his reflections on beauty and transience in his Confessions).
In Livezey's terms, adapted from Robert Wuthnow's, they are more likely to engage in «cultural production,» focused on theology, morality and community, than in traditional social action.
She has also been the producing director of numerous large - scale collaborations with other cultural venues, from Boston's annual First Night Puppetry Festival to the site - specific outdoor production The Midnight Zoo.
So many recent cultural shifts — a growing sense of alarm over childhood (and adult) obesity, a new interest in where our food comes from and how its production affects our health and environment, concern about climate change and the need to source food locally — all point in that direction.
The Riverdale Children's Theatre offers full - scale theatrical productions across the borough to students ranging from four to eighteen years of age and prides itself on serving kids from all cultural backgrounds.
Many writers, from Lyall Watson to Laurens van der Post, have pointed out that within such a suspect and partisan transformation, a production line is created that clones greater and more controlled quantities of wholesome democratic excellence, rather like a cultural crop.
The States Parties to the present Covenant recognize the right of everyone: (a) To take part in cultural life; (b) To enjoy the benefits of scientific progress and its applications; (c) To benefit from the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author.»
He is also the author of 12 patents for the preparation of aqueous suspensions at high concentration of particulate, for the therapy and photodynamic diagnosis of tumors, for the conservation of the cultural heritage, for the setup of a new process for the treatment of textile industrial waste, for production of emulsions from Bio Crude Oil, for production of nanoparticles and novel nano - coatings via flame - spraying, and using homogeneous and heterogeneous solutions.
It's shot by Robert Elswit and features music from Jonny Greenwood, and certainly feels expensive — in short, this Inherent Vice is a production that required the full support of those titans of cultural conformity toward which Pynchon's novels have long cast a wearily jaundiced eye.
They represent the culmination of a cultural change that began as the 1980s indie film movement shifted control of American film production away from the major studios to the entrepreneurship of individual (not necessarily «independent») outsiders.
Yorkville was a place where, potentially, you could develop a more discerning eye for understanding the production of culture and sometimes come to recognize the coincidence between mass cultural production and the regression of one's own intellect, as bikers, greasers, hippies, teenyboppers, and sometimes political organizers, congregated in the coffee shops and flop houses, or just hung out on the streets, all pretending that we were creating a new society free from the normative shackles of conventional morality and lifestyle but basically we were looking for drugs, sex and rock and roll and our twenty minutes of fame.
Brandon holds a bachelor's degree in film production and cultural anthropology from Boston University.
In the article «From Production to Destruction to Recovery: Freeganism's Redefinition of Food Value and Circulation,» published in the University of Iowa's Iowa Journal of Cultural Studies in 2008, Michelle Coyne writes that freeganism grew out of anticapitalism, anticonsumerism, and the counterculture that includes the anarchist - punk movements of the 1970s.
Between enjoying local and independent restaurants for a taste of Mexico, opt for other cultural activities in Mazatlan like an agave mezcal tour from Mazatlan, where you'll see traditional and modern production of the prize - winning alcohol.
New planets can be colonized by spending a culture token and a ship in orbit, letting you place a control node and then expand from there by adding research stations, production facilities and cultural hubs, depending on what that particular planet can support and the resources you have at your disposal.
Hornbacher has received numerous grants and awards including a 1985 Media Production grant from NYSCA and The Mayor's Fellowship in the Arts from the Atlanta Bureau of Cultural Affairs in 2000.»
A new biennial exhibition series that explores contemporary art from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americas.
Founded by artists Bjørnstjerne Christiansen, Jakob Fenger and Rasmus Nielsen, SUPERFLEX offers engaging, often humorous perspectives on the social and cultural concerns of our age, from migration to alternative energy production, and from the power of global capital to the regulation of intellectual property.
A home to possibly the largest creative community in London, residents include 100 organisations from the arts and creative industries including Courtauld Gallery and Institute, King's College London Cultural Institute and Sorrell Foundation, plus others ranging from advertising, branding, PR agencies and film production, to social enterprise and business support organisations.
After one year in the space they shut down operations, and from 1981 until they ceased activities in 1996, Group Material constituted a flexible membership of three to five artists who organized projects in the public sphere — function as a medium for collective cultural production and public address.
She continues: «Critical theories about cultural production, about aesthetics, continue to confine and restrict black artists, and passive withdrawal from a discussion of aesthetics is a useless response -LSB-...] Black artists concerned with producing work that embodies and reflects a liberatory politic know that an important part of any decolonization process is critical intervention and interrogation of existing repressive and dominating structures.»
Art is Good Cultural Encounter will showcase Hyde Park Village and Art Production Fund's Public Art Initiative by installing banners from artist, Deborah Kass.
Presented by Bryant Park, Art Production Fund, Fridman Gallery, and The Franklin Furnace Fund supported by Jerome Foundation, The SHS Foundation, the New York City Department of Cultural Affairs in partnership with the City Council, and general operating support from the New York State Council on the Arts, and with support from Lower Manhattan Cultural Council
The audience is presented with not only a new way of experiencing contemporary cultural production but with a new framework for seeing artifacts from our social and historical narratives and resignifying our relationship to them.
I think that this boom in the market surrounding works of marginal or derivative artists from the «50s and «60s is logical, because although Italian art has been one of the most innovative forces in post-war cultural production, it is also absolutely undervalued.
Ragnar Kjartansson makes performance and video works that sample a wide range of cultural productions, from the sagas of his native Iceland to American blues music.
researches the possibilities and conditions of cultural production in NYC from a queer and feminist perspective.
1965 - 1975» depicts the energy of the cultural environment of this American city as a center for figurative production, as well as the heterogeneity of the contributions of some artists known as Chicago Imagists (Roger Brown, Ed Flood, Art Green, Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Suellen Rocca and Karl Wirsum), who had identified the roots of their personal research in Surrealism and Art Brut, in a way that anticipated the new tendencies of the 80's and 90's, from Graffiti to Street Art, from wild cartoons to urban murals.
Judd Foundation: What archeological evidence remains from this region and what are the types of cultural production that are particular to this area?
Guided by these questions, this exploratory seminar will survey and examine creative uses, definitions, and theories of the diagram from the early modern period to the present, with emphasis on cultural production in the 20th and 21st centuries.
Highlights of Broad MSU exhibitions in 2014 include: Future Returns: Contemporary Art from China — an exhibition featuring the response of over 20 contemporary Chinese artists to the country's rapid development and cultural transformation; Land Grant: The Flatbread Society, a commissioned site - specific work and series of public programs to explore food production, distribution, and farming methods; and the continuation of Broad MSU's Global Focus exhibition series — an initiative showcasing international emerging and mid-career artists.
Iviva received 2011 and 2013 Brooklyn Arts Council Community Fund re-grants from the Department of Cultural Affairs, and a 2011 BRIC Media Arts Fellowship to study film production and editing.
Over the course of the symposium, the invited participants, ranging from artists to literary scholars, cultural theorists, and art historians, will bring into sharp focus the ways in which the «Black Atlantic» continues to inform the production of art today by a new generation of artists, in connection with Frank Bowling: Mappa Mundi.
Her most recent programme at FormContent It's moving from I to It uses fiction as its main tool to reflect upon cultural production.
The SFAC Galleries has commissioned an essay from Malika Imhotep, a writer who engages black femme performance aesthetics, labor and cultural production throughout the African Diaspora.
Her work is focused on examining the relationship between art infrastructure and artistic production, urbanity, cultural politics of food and art, and contemporary art from the Middle East and Southeast Asia.
Drawing from cultural movements including Négritude and the Harlem Renaissance, the show expands on Négritude founding father Léopold Sedal Sénghor's 1939 essay Ce que l'homme noir apporte, and its idea of «rhythm being at the center of Africa's system of thought and experience, influencing the continent and diaspora's cultural production
Starting from the idea that abstracted knowledge is stored in cultural goods and artefacts, Vulsma's works reflect the interaction of historical relationships - such as India's leading role in the history of textile production, the rapid development of a European market and the desire to copy the Indian form language for Europe's own production - and the contemporary hierarchies in an unequal global distribution of labour.
These performances share elements of the bawdy anarchy of sixteenth - century wandering troupes, foregrounding key moments from art history and cultural production.
Starting from the global economic crisis and the cultural and social contradictions it revealed, the artworks exhibited investigate visual stereotypes as well as our everyday relationship with image production.
Grouping Beuys, Flavin, and Judd in a new exhibition from the Walker's collection provides «a snapshot of a vital moment in postwar cultural production,» says assistant curator Yasmil Raymond, and allows viewers to trace the influence of their ideas in contemporary art.
Capturing an exhilarating year of cultural production and the furious pace of the fig - 2 programme creating 50 projects hosted at ICA Studio in 2015, in association with Outset Contemporary Art Fund and Art Fund — the publication includes curatorial texts, excerpts from artists interviews, preparatory drawings, images of commissioned artworks from the exhibition programme, talks, events as well as offsite projects at Bicester Village.
Her practice interrogates typologies of cultural production and visual information and questions mental resistances and the past's resonance, whether it be drawn from myth or from reality.
Fair: «1:54 Contemporary African Art Fair» at Pioneer Works The second edition of 1:54 Contemporary African Art Fair, a showcase for contemporary African art and cultural production, brings the work of more than 60 artists from the continent and diaspora to Pioneers Works» stylish space in Red Hook.
After earning my M.F.A. from Rutgers University in 2008, I completed a fellowship with the Asian Cultural for research and production of new work in India.
Hassabi has received a 2016 New York Dance and Performance «Bessie» Award for Outstanding Production for her work PLASTIC; the 2015 Herb Alpert Award; the 2012 President's Award for Performing Arts from Lower Manhattan Cultural Council; a 2011 Guggenheim Fellowship; and a 2009 Grants to Artists Award from Foundation for Contemporary Arts.
In Silas» renditions of Bat Masterson, Rawhide, Yogi Bear, The Mickey Mouse Club, and other once popular melodies, she enacts rituals of self - intimacy and creates a commentary on aging, memory and the inevitable advancement of time, while reminding us of the peculiar cultural productions that hold us together generationally and mark the movement from one generation to the next.
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