It focuses on a period of
cultural production from the mid-1960s through the early 1970s and examines its influences fifty years later.
Not exact matches
In this illustration, marketing labeled their
production «content marketing» but
from a
cultural standpoint produced it much like it had before — without much input
from sales.
For example, referring to the «institutional field of
cultural production» that «rapidly and radically transformed... the rigid dichotomy between «high» and «low» «(for academics like Professor Rainey, dichotomies are always «rigid» and high art always needs scare quotes), he tells us that «Modernism's ambiguous achievement... was to probe the interstices dividing that variegated field and to forge within it a strange and unprecedented space for
cultural production, one that did indeed entail a certain retreat
from the domain of public culture, but one that also continued to overlap and intersect with the public realm in a variety of contradictory ways.»
An Emergent definition of relevance, modulated by resistance, might run something like this; relevance means listening before speaking; relevance means interpreting the culture to itself by noting the ways in which certain
cultural productions gesture toward a transcendent grace and beauty; relevance means being ready to give an account for the hope that we have and being in places where someone might actually ask; relevance means believing that we might learn something
from those who are most unlike us; relevance means not so much translating the churches language to the culture as translating the culture's language back to the church; relevance means making theological sense of the depth that people discover in the oddest places of ordinary living and then using that experience to draw them to the source of that depth (Augustine seems to imply such a move in his reflections on beauty and transience in his Confessions).
In Livezey's terms, adapted
from Robert Wuthnow's, they are more likely to engage in «
cultural production,» focused on theology, morality and community, than in traditional social action.
She has also been the producing director of numerous large - scale collaborations with other
cultural venues,
from Boston's annual First Night Puppetry Festival to the site - specific outdoor
production The Midnight Zoo.
So many recent
cultural shifts — a growing sense of alarm over childhood (and adult) obesity, a new interest in where our food comes
from and how its
production affects our health and environment, concern about climate change and the need to source food locally — all point in that direction.
The Riverdale Children's Theatre offers full - scale theatrical
productions across the borough to students ranging
from four to eighteen years of age and prides itself on serving kids
from all
cultural backgrounds.
Many writers,
from Lyall Watson to Laurens van der Post, have pointed out that within such a suspect and partisan transformation, a
production line is created that clones greater and more controlled quantities of wholesome democratic excellence, rather like a
cultural crop.
The States Parties to the present Covenant recognize the right of everyone: (a) To take part in
cultural life; (b) To enjoy the benefits of scientific progress and its applications; (c) To benefit
from the protection of the moral and material interests resulting
from any scientific, literary or artistic
production of which he is the author.»
He is also the author of 12 patents for the preparation of aqueous suspensions at high concentration of particulate, for the therapy and photodynamic diagnosis of tumors, for the conservation of the
cultural heritage, for the setup of a new process for the treatment of textile industrial waste, for
production of emulsions
from Bio Crude Oil, for
production of nanoparticles and novel nano - coatings via flame - spraying, and using homogeneous and heterogeneous solutions.
It's shot by Robert Elswit and features music
from Jonny Greenwood, and certainly feels expensive — in short, this Inherent Vice is a
production that required the full support of those titans of
cultural conformity toward which Pynchon's novels have long cast a wearily jaundiced eye.
They represent the culmination of a
cultural change that began as the 1980s indie film movement shifted control of American film
production away
from the major studios to the entrepreneurship of individual (not necessarily «independent») outsiders.
Yorkville was a place where, potentially, you could develop a more discerning eye for understanding the
production of culture and sometimes come to recognize the coincidence between mass
cultural production and the regression of one's own intellect, as bikers, greasers, hippies, teenyboppers, and sometimes political organizers, congregated in the coffee shops and flop houses, or just hung out on the streets, all pretending that we were creating a new society free
from the normative shackles of conventional morality and lifestyle but basically we were looking for drugs, sex and rock and roll and our twenty minutes of fame.
Brandon holds a bachelor's degree in film
production and
cultural anthropology
from Boston University.
In the article «
From Production to Destruction to Recovery: Freeganism's Redefinition of Food Value and Circulation,» published in the University of Iowa's Iowa Journal of
Cultural Studies in 2008, Michelle Coyne writes that freeganism grew out of anticapitalism, anticonsumerism, and the counterculture that includes the anarchist - punk movements of the 1970s.
Between enjoying local and independent restaurants for a taste of Mexico, opt for other
cultural activities in Mazatlan like an agave mezcal tour
from Mazatlan, where you'll see traditional and modern
production of the prize - winning alcohol.
New planets can be colonized by spending a culture token and a ship in orbit, letting you place a control node and then expand
from there by adding research stations,
production facilities and
cultural hubs, depending on what that particular planet can support and the resources you have at your disposal.
Hornbacher has received numerous grants and awards including a 1985 Media
Production grant
from NYSCA and The Mayor's Fellowship in the Arts
from the Atlanta Bureau of
Cultural Affairs in 2000.»
A new biennial exhibition series that explores contemporary art
from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and
cultural production of the Americas.
Founded by artists Bjørnstjerne Christiansen, Jakob Fenger and Rasmus Nielsen, SUPERFLEX offers engaging, often humorous perspectives on the social and
cultural concerns of our age,
from migration to alternative energy
production, and
from the power of global capital to the regulation of intellectual property.
A home to possibly the largest creative community in London, residents include 100 organisations
from the arts and creative industries including Courtauld Gallery and Institute, King's College London
Cultural Institute and Sorrell Foundation, plus others ranging
from advertising, branding, PR agencies and film
production, to social enterprise and business support organisations.
After one year in the space they shut down operations, and
from 1981 until they ceased activities in 1996, Group Material constituted a flexible membership of three to five artists who organized projects in the public sphere — function as a medium for collective
cultural production and public address.
She continues: «Critical theories about
cultural production, about aesthetics, continue to confine and restrict black artists, and passive withdrawal
from a discussion of aesthetics is a useless response -LSB-...] Black artists concerned with producing work that embodies and reflects a liberatory politic know that an important part of any decolonization process is critical intervention and interrogation of existing repressive and dominating structures.»
Art is Good
Cultural Encounter will showcase Hyde Park Village and Art
Production Fund's Public Art Initiative by installing banners
from artist, Deborah Kass.
Presented by Bryant Park, Art
Production Fund, Fridman Gallery, and The Franklin Furnace Fund supported by Jerome Foundation, The SHS Foundation, the New York City Department of
Cultural Affairs in partnership with the City Council, and general operating support
from the New York State Council on the Arts, and with support
from Lower Manhattan
Cultural Council
The audience is presented with not only a new way of experiencing contemporary
cultural production but with a new framework for seeing artifacts
from our social and historical narratives and resignifying our relationship to them.
I think that this boom in the market surrounding works of marginal or derivative artists
from the «50s and «60s is logical, because although Italian art has been one of the most innovative forces in post-war
cultural production, it is also absolutely undervalued.
Ragnar Kjartansson makes performance and video works that sample a wide range of
cultural productions,
from the sagas of his native Iceland to American blues music.
researches the possibilities and conditions of
cultural production in NYC
from a queer and feminist perspective.
1965 - 1975» depicts the energy of the
cultural environment of this American city as a center for figurative
production, as well as the heterogeneity of the contributions of some artists known as Chicago Imagists (Roger Brown, Ed Flood, Art Green, Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Suellen Rocca and Karl Wirsum), who had identified the roots of their personal research in Surrealism and Art Brut, in a way that anticipated the new tendencies of the 80's and 90's,
from Graffiti to Street Art,
from wild cartoons to urban murals.
Judd Foundation: What archeological evidence remains
from this region and what are the types of
cultural production that are particular to this area?
Guided by these questions, this exploratory seminar will survey and examine creative uses, definitions, and theories of the diagram
from the early modern period to the present, with emphasis on
cultural production in the 20th and 21st centuries.
Highlights of Broad MSU exhibitions in 2014 include: Future Returns: Contemporary Art
from China — an exhibition featuring the response of over 20 contemporary Chinese artists to the country's rapid development and
cultural transformation; Land Grant: The Flatbread Society, a commissioned site - specific work and series of public programs to explore food
production, distribution, and farming methods; and the continuation of Broad MSU's Global Focus exhibition series — an initiative showcasing international emerging and mid-career artists.
Iviva received 2011 and 2013 Brooklyn Arts Council Community Fund re-grants
from the Department of
Cultural Affairs, and a 2011 BRIC Media Arts Fellowship to study film
production and editing.
Over the course of the symposium, the invited participants, ranging
from artists to literary scholars,
cultural theorists, and art historians, will bring into sharp focus the ways in which the «Black Atlantic» continues to inform the
production of art today by a new generation of artists, in connection with Frank Bowling: Mappa Mundi.
Her most recent programme at FormContent It's moving
from I to It uses fiction as its main tool to reflect upon
cultural production.
The SFAC Galleries has commissioned an essay
from Malika Imhotep, a writer who engages black femme performance aesthetics, labor and
cultural production throughout the African Diaspora.
Her work is focused on examining the relationship between art infrastructure and artistic
production, urbanity,
cultural politics of food and art, and contemporary art
from the Middle East and Southeast Asia.
Drawing
from cultural movements including Négritude and the Harlem Renaissance, the show expands on Négritude founding father Léopold Sedal Sénghor's 1939 essay Ce que l'homme noir apporte, and its idea of «rhythm being at the center of Africa's system of thought and experience, influencing the continent and diaspora's
cultural production.»
Starting
from the idea that abstracted knowledge is stored in
cultural goods and artefacts, Vulsma's works reflect the interaction of historical relationships - such as India's leading role in the history of textile
production, the rapid development of a European market and the desire to copy the Indian form language for Europe's own
production - and the contemporary hierarchies in an unequal global distribution of labour.
These performances share elements of the bawdy anarchy of sixteenth - century wandering troupes, foregrounding key moments
from art history and
cultural production.
Starting
from the global economic crisis and the
cultural and social contradictions it revealed, the artworks exhibited investigate visual stereotypes as well as our everyday relationship with image
production.
Grouping Beuys, Flavin, and Judd in a new exhibition
from the Walker's collection provides «a snapshot of a vital moment in postwar
cultural production,» says assistant curator Yasmil Raymond, and allows viewers to trace the influence of their ideas in contemporary art.
Capturing an exhilarating year of
cultural production and the furious pace of the fig - 2 programme creating 50 projects hosted at ICA Studio in 2015, in association with Outset Contemporary Art Fund and Art Fund — the publication includes curatorial texts, excerpts
from artists interviews, preparatory drawings, images of commissioned artworks
from the exhibition programme, talks, events as well as offsite projects at Bicester Village.
Her practice interrogates typologies of
cultural production and visual information and questions mental resistances and the past's resonance, whether it be drawn
from myth or
from reality.
Fair: «1:54 Contemporary African Art Fair» at Pioneer Works The second edition of 1:54 Contemporary African Art Fair, a showcase for contemporary African art and
cultural production, brings the work of more than 60 artists
from the continent and diaspora to Pioneers Works» stylish space in Red Hook.
After earning my M.F.A.
from Rutgers University in 2008, I completed a fellowship with the Asian
Cultural for research and
production of new work in India.
Hassabi has received a 2016 New York Dance and Performance «Bessie» Award for Outstanding
Production for her work PLASTIC; the 2015 Herb Alpert Award; the 2012 President's Award for Performing Arts
from Lower Manhattan
Cultural Council; a 2011 Guggenheim Fellowship; and a 2009 Grants to Artists Award
from Foundation for Contemporary Arts.
In Silas» renditions of Bat Masterson, Rawhide, Yogi Bear, The Mickey Mouse Club, and other once popular melodies, she enacts rituals of self - intimacy and creates a commentary on aging, memory and the inevitable advancement of time, while reminding us of the peculiar
cultural productions that hold us together generationally and mark the movement
from one generation to the next.