Sentences with phrase «cultural production in»

Much of his work in the past decade has explored US - Iraqi relations and the production and aftermath of war, as well as the role of cultural production in the formation and perpetuation of identity.

One of our most important roles is to represent the richness of cultural production in this city, and we are very excited to showcase the dynamism that is Vancouver.»

The project — conceived in collaboration with Kuwaiti architect and artist Aziz Al Qatami, founder of the architecture firm Atelier Aziz Al Qatami and member of the artist collective GCC, who was commissioned to create the Grand Opening Reception exhibition design — questions the role of «artistic positions in contemporary institutional marketing and the eventisation of cultural production in the form of local identity creation».

A three - day event described as a «multidisciplinary performance - salon,» the weekend of activities focuses on «contemporary cultural production in the areas of dance, film, literature, music, theater, and visual art» and features creative talent from each discipline and a tribute to the late Terry Adkins.

Carrie Mae Weems LIVE: Past Tense / Future Perfect In conjunction with Carrie Mae Weems: Three Decades of Photography and Video, on view at the museum through May 14, join Carrie Mae Weems as she hosts an all - star cast on April 25 — 27 for a weekend of programs focusing on contemporary cultural production in the areas of dance, film, literature, music, theater, and visual art.

Despite its boosterish tone, the title of the show also brought into play the idea of import / export — approaching a thesis that, if teased out, would imply that the Southern California art world operates as a center for cultural production in way that simulates (rather than counters or negates) the machinery of the entertainment industry: Stuff gets made here, lots of it, in order to be sent out into the broader culture.

«I wish to question the role of the artist in these societies of control, and to speculate on the possibilities that art or cultural production in general has in developing alternative modes of being.»

In order to emphasize the fluid borders that characterize cultural production in general and Villar's art practice in particular, an ongoing series of talks organized by Danger Museum called Dialogical Encounters will be given by artists who have recently collaborated with Alex. Already planned are the encounters of artist Valerie Tevere with one of UKS Biennial curators Helga - Marie Nordbye on February 4; and the encounter of artist Maryam Jafri with UKS director Trude Iversen on February 11.

Fadda seeks to arrive at a detailed account of cultural production in oPt - shaped as it is by certain socio - economic discourses, accelerated political violence and restrictive financial structures — and the strategies of artistic communities and Palestinian - led cultural interventions that are working to defy the artificial and violent constraints imposed on cultural life in Palestine.

His work mixes media and crosses continents, combining video, photography, and sculpture with text, live music, and even plants to trace the ways that people understand and influence cultural production in other parts of the world.

Expanding the involvement of CAPACETE with the cultural production in Brazil, the exhibition at Portikus presents new works that reflect on this unique history while creating a multilayered comment on the current situation in Brazil.

As always, the symposium takes as its starting point the relationship between art and new media with a series of events examining the «current state of contemporary cultural production in relation to new technologies», with a selection of participating artists, curators, philosophers, and researchers delivering papers, performances and keynotes.

Guided by these questions, this exploratory seminar will survey and examine creative uses, definitions, and theories of the diagram from the early modern period to the present, with emphasis on cultural production in the 20th and 21st centuries.

The symposium is part of an ongoing collaboration between CCS Bard and the LUMA Foundation, which is currently developing a new centre for cultural production in Arles, France.

Competitive applicants will possess a strong knowledge of international contemporary art and a genuine interest in researching and responding to cultural production in Omaha and the region.

researches the possibilities and conditions of cultural production in NYC from a queer and feminist perspective.

Taking over all four floors of the Vancouver Art Gallery, this groundbreaking exhibition will offer an international survey of mashup culture, documenting the emergence and evolution of a mode of creativity that has grown to become the dominant form of cultural production in the early 21st century.

The project is part of SITE Santa Fe's biennial exhibition series Unsettled Landscapes, exploring the work of contemporary art and cultural production in the Americas.

Two years after a catastrophic earthquake devastated Haiti, this conference, the first of its kind in the United States, focuses on the vibrancy of Haitian cultural production in the twenty - first century by highlighting three art forms in three days: cinema, visual arts, and literature.

While each iteration has had its own curatorial team and vision, what remains constant is the central aim of highlighting and contextualizing the artistic vibrancy of the borough through contemporary cultural productions in all media.

Not exact matches

The 225,000 - square foot production facility in Collingwood, Ontario functions as a custom fabrication shop, supplying glass to a variety of cultural, residential, commercial, and retail projects including over 100 Apple Stores in North America.

In this illustration, marketing labeled their production «content marketing» but from a cultural standpoint produced it much like it had before — without much input from sales.

On a closer look, «cultural production» was in its turn trying to do the same: stake out a territory of freedom, openness, and creativity.

For example, referring to the «institutional field of cultural production» that «rapidly and radically transformed... the rigid dichotomy between «high» and «low» «(for academics like Professor Rainey, dichotomies are always «rigid» and high art always needs scare quotes), he tells us that «Modernism's ambiguous achievement... was to probe the interstices dividing that variegated field and to forge within it a strange and unprecedented space for cultural production, one that did indeed entail a certain retreat from the domain of public culture, but one that also continued to overlap and intersect with the public realm in a variety of contradictory ways.»

The grandeur of their productions, the images of «success,» their «positive thinking» messages, and their offering of gifts and goods in return for donations translates the Christian message into an attractive consumer package that reflects a cultural form similar to that of media consumerism.

By setting his, discussion in the context of a dialectic (externalization, objectification, internalization), he has in effect stressed the importance of social interaction for the production and maintenance of religion but at the same time he has recognized the independent capacity of religion to exist as a cultural system and to shape individual thoughts and attitudes.

What we have, then, as a general framework implicit in these studies is a three - factor model of cultural production.

These inequities are not only important for determining who has access to means of cultural production; they also become problems with respect to social control that may result in attempted ideological resolutions.

In the churches and congregations we find fresh energy and intelligence being devoted to the production of new hymns, music, artistic and liturgical materials, to the creation of fresh categories for doing theology, to the retrieval of threatened cultural resources, to the application of faith to public issues, and to the promotion of ecumenical sharing and partnership.

An Emergent definition of relevance, modulated by resistance, might run something like this; relevance means listening before speaking; relevance means interpreting the culture to itself by noting the ways in which certain cultural productions gesture toward a transcendent grace and beauty; relevance means being ready to give an account for the hope that we have and being in places where someone might actually ask; relevance means believing that we might learn something from those who are most unlike us; relevance means not so much translating the churches language to the culture as translating the culture's language back to the church; relevance means making theological sense of the depth that people discover in the oddest places of ordinary living and then using that experience to draw them to the source of that depth (Augustine seems to imply such a move in his reflections on beauty and transience in his Confessions).

In Livezey's terms, adapted from Robert Wuthnow's, they are more likely to engage in «cultural production,» focused on theology, morality and community, than in traditional social actioIn Livezey's terms, adapted from Robert Wuthnow's, they are more likely to engage in «cultural production,» focused on theology, morality and community, than in traditional social actioin «cultural production,» focused on theology, morality and community, than in traditional social actioin traditional social action.

For us, it must start with the vision of a peaceful world, where gradually the production and distribution of armaments gives way to the production and distribution of goods and services that benefit the human race instead of threatening to destroy it, a vision of the rule of law rather than of economic domination, a vision of democracy where people are able to have a real say in what their own future will be, a vision of smallness and community involvement, a vision of cultural pluralism and a diversity of ideas, a vision of leisure spent meeting human needs.

Especially in the light of the increasing privatization of the production of technical knowledge and cultural expressions, also these social spheres should be subject to democratic control.

It also could provide a means whereby other influential factors could be investigated and addressed, such as differences in the social and economic purposes of broadcasting, the social sources of violence and how media portrayals interact with those causes, how the restraints and traditions of media production cause the media to pick up particular cultural images while ignoring others, and how particular audiences respond to and use media images.

Wherever one studies the production of novel togetherness — whether in the physical, the biological, or the cultural dimensions of the universe — one finds the becoming of patterned process.

That is, if the modern means of production were introduced in a society, certain social, political, legal, and cultural changes would inevitably follow.

And when we examine these institutional contexts in which cultural production takes place, we are likely to be interested in the relationships between these contexts and the content of what is produced.

Through her range of experiences at the hotel, Haaz acquired in - depth knowledge of participating in the preparation and production of food items, and learned the importance of creating specialty dishes for guests with special dietary or cultural needs.

In order to find a consistent supply of corn that tested negative for both GMO and glyphosate contamination, we began searching in Mexico, where commercial GMO corn production is currently banned because of the rich genetic diversity and cultural significance that corn has therIn order to find a consistent supply of corn that tested negative for both GMO and glyphosate contamination, we began searching in Mexico, where commercial GMO corn production is currently banned because of the rich genetic diversity and cultural significance that corn has therin Mexico, where commercial GMO corn production is currently banned because of the rich genetic diversity and cultural significance that corn has there.

As agricultural researchers, we need to utilise our skills in communication and cultural literacy, to implement supply chain efficiency and improved production processes that fit within the community we are working in.

Foie - gras production is no different — practices relating in particular to religious rites, cultural traditions and regional heritage are protected.

So many recent cultural shifts — a growing sense of alarm over childhood (and adult) obesity, a new interest in where our food comes from and how its production affects our health and environment, concern about climate change and the need to source food locally — all point in that direction.

Also at 9:30 a.m., the Lehman College Center for Human Rights & Peace Studies hosts its eighth annual conference, Artist as Witness: Cultural Production, Conflict, and Human Rights in Syria, Lehman College, 250 Bedford Park Blvd. W., East Dining Room, Music Building, the Bronx.

In the first instance production of medicines and vaccines would seem to be the best option for expansion in the medical field and later for industry to become involved in the processing of traditional medicines and indigenous cultural systems in collaboration with local scientistIn the first instance production of medicines and vaccines would seem to be the best option for expansion in the medical field and later for industry to become involved in the processing of traditional medicines and indigenous cultural systems in collaboration with local scientistin the medical field and later for industry to become involved in the processing of traditional medicines and indigenous cultural systems in collaboration with local scientistin the processing of traditional medicines and indigenous cultural systems in collaboration with local scientistin collaboration with local scientists.

Once they learned to grow enough food to nourish those not directly involved in its production, it was not far to civilization — broadly defined as a society endowed with government, social classes, urban centers, extensive trade, and widespread cultural influence.

The States Parties to the present Covenant recognize the right of everyone: (a) To take part in cultural life; (b) To enjoy the benefits of scientific progress and its applications; (c) To benefit from the protection of the moral and material interests resulting from any scientific, literary or artistic production of which he is the author.»

The Call is open to a wide range of people and organisations, including mediators and practitioners of science communication; STEM festival organisers; universities and institutes of technology, science centres, museums and other cultural attractions; artists; educators; industry professionals and academics in science, technology, engineering and maths (STEM); arts agencies; production companies; schools; local authorities (libraries, city / county councils etc.); youth clubs; community groups; and research institutes.

In order to find a consistent supply of corn that tested negative for both GMO and glyphosate contamination, we began searching in Mexico, where commercial GMO corn production is currently banned because of the rich genetic diversity and cultural significance that corn has therIn order to find a consistent supply of corn that tested negative for both GMO and glyphosate contamination, we began searching in Mexico, where commercial GMO corn production is currently banned because of the rich genetic diversity and cultural significance that corn has therin Mexico, where commercial GMO corn production is currently banned because of the rich genetic diversity and cultural significance that corn has there.

But the film embraces cultural specificity in a way that no other Pixar production has before, combining the studio's customary emotional directness with a deep dive into a great nation's art, music, history, and customs.

And, anchored by gorgeous production design and the pop naturalism of its performances, How to Make It in America dramatizes this particular cultural moment with uncommon style and a little grace as well.