Sentences with phrase «cultural production on»

A reference to fifty - four countries that constitute the African continent, the title of 1:54 establishes the parameters of the fair's ethos: as a platform that strives to represent multiplicity and showcase the diversity of contemporary African art and cultural production on an international stage.

A reference to fifty - four countries that constitute the African continent, the title of 1 - 54 establishes the parameters of the fair's ethos: as a platform that strives to represent multiplicity and showcase the diversity of contemporary African art and cultural production on an international stage.

That might not sound like much but when you look at cultural production on a per capita basis, Canada shoots up to fourth.

Not exact matches

On a closer look, «cultural production» was in its turn trying to do the same: stake out a territory of freedom, openness, and creativity.

An Emergent definition of relevance, modulated by resistance, might run something like this; relevance means listening before speaking; relevance means interpreting the culture to itself by noting the ways in which certain cultural productions gesture toward a transcendent grace and beauty; relevance means being ready to give an account for the hope that we have and being in places where someone might actually ask; relevance means believing that we might learn something from those who are most unlike us; relevance means not so much translating the churches language to the culture as translating the culture's language back to the church; relevance means making theological sense of the depth that people discover in the oddest places of ordinary living and then using that experience to draw them to the source of that depth (Augustine seems to imply such a move in his reflections on beauty and transience in his Confessions).

They hold media industries accountable for what they produce and distribute, and propose critical analysis of the cultural, social, political and economic influences on media messages, the development of creative production centers that create community, and taking personal and public action to challenge government and industry abuses.

In Livezey's terms, adapted from Robert Wuthnow's, they are more likely to engage in «cultural production,» focused on theology, morality and community, than in traditional social action.

We work and look for a global society with life quality, with informed happy citizens exercising their rights and duties, based on the principles of sustainable development and democracy; integrated; upholding values of solidarity, equity and justice; open to changes; respectful regarding traditional knowledge and cultural diversity; committed with the production and consumption of organic and biodiverse products.

The Riverdale Children's Theatre offers full - scale theatrical productions across the borough to students ranging from four to eighteen years of age and prides itself on serving kids from all cultural backgrounds.

A food scientist by training, Schmitz focuses on the food - production supply chain and its influence on human and animal health and on ecological, environmental, social and cultural sustainability.

Cultural development added a technological dimension to the metabolism of human populations — increasing food production on the one hand, and lengthening lifespans on the other.

They not only help us understand the technical skills of ancient people but also inform us on chronological periods, cultural groups, food production, population movements, social organization and trade networks.

This definitive release recycles Altman's excellent DVD commentary and adds enticing new features, such as a rare - for - Criterion retrospective documentary where the likes of actors Rene Auberjonois and Keith Carradine reflect on the film's production and its cultural moment.

Yorkville was a place where, potentially, you could develop a more discerning eye for understanding the production of culture and sometimes come to recognize the coincidence between mass cultural production and the regression of one's own intellect, as bikers, greasers, hippies, teenyboppers, and sometimes political organizers, congregated in the coffee shops and flop houses, or just hung out on the streets, all pretending that we were creating a new society free from the normative shackles of conventional morality and lifestyle but basically we were looking for drugs, sex and rock and roll and our twenty minutes of fame.

This artist will make a significant contribution to the artistic landscape through creative, skillful collaboration on productions by local arts and cultural agencies.

When the original Mini went out of production in 2000, BMW was ready to ramp it up with the new version, capitalizing on both the classic car's cultural significance and BMW's expertise in engineering and marketing modern premium small cars.

New planets can be colonized by spending a culture token and a ship in orbit, letting you place a control node and then expand from there by adding research stations, production facilities and cultural hubs, depending on what that particular planet can support and the resources you have at your disposal.

His cultural practice takes on contemporary art production, research and cultural management.

Being in a mid-sized city also allows you some freedom to «steer the ship» and watch your cultural production have a measurable impact on the community.

Comprised of a range of works on paper as well as two large - scale sculptures previously shown at last year's Venice Biennale, Moran explores the intersection of American history with that of cultural production — namely jazz and art.

In both the «Gray Paintings (Loxodonta)» and the «Organ Pipes», the materiality of the objects open up to suggest a vast scope of cultural production — the elemental tin transformed into the majestic pipe organ, an achievement of pre-industrial design on par with horology; the «Gray Paintings (Loxodonta)» echoing the stone surface of prehistoric cave paintings and also the modernist tradition of the monochrome.

A new biennial exhibition series that explores contemporary art from Nunavut to Tierra del Fuego July 20, 2014 — January 2015 Opening Festivities July 17 - 19 SITElines: New Perspectives on Art of the Americas is a six - year commitment to a series of linked exhibitions with a focus on contemporary art and cultural production of the Americas.

Founded by artists Bjørnstjerne Christiansen, Jakob Fenger and Rasmus Nielsen, SUPERFLEX offers engaging, often humorous perspectives on the social and cultural concerns of our age, from migration to alternative energy production, and from the power of global capital to the regulation of intellectual property.

Two years after a catastrophic earthquake devastated Haiti, this conference, the first of its kind in the United States, focuses on the vibrancy of Haitian cultural production in the twenty - first century by highlighting three art forms in three days: cinema, visual arts, and literature.

Harlem Postcards is an ongoing project that invites contemporary artists of diverse backgrounds to reflect on Harlem as a site of cultural activity, political vitality, visual stimuli, artistic contemplation and creative production.

Sietsema is not interested in trompe - l'oeil for the sake of showing off; at the end of the day, his paintings and works on paper are a highly considered critique of the production of cultural objects and the roles that they play as they circulate.

Director of Critical Studies and MA / PhD programs in UCLA's Department of Architecture and Urban Design, Sylvia Lavin engages artists, architects, and curators in a series of lively discussions on how cities are increasingly molded by images rather than buildings; on whether art and architecture are converging to form an integrated type of cultural consumption; and if the concept of the masterpiece has finally been destroyed by the sheer quantity of global design production.

Samb actively worked on the deconstruction of Leopold Sedar Senghor's (the cultural theorist and first president of Senegal) aesthetics and views of Senegal's artistic production that promoted a naive and fetishized idea of African symbols, decoration and beauty.

He is a ten - time regional Emmy winner for his work on cultural documentaries, including films about Tracey Emin, Theaster Gates, and Wynton Marsalis, and is currently in production for a film about Clyfford Still.

Across these disparate histories and cultural productions, Chicago - based artist Michael Rakowitz has deployed clever substitutions and subtle comparisons in his work, to either shift contextual meanings, or simply to demonstrate the ways contextual meanings can shift on their own.

Presented by Bryant Park, Art Production Fund, Fridman Gallery, and The Franklin Furnace Fund supported by Jerome Foundation, The SHS Foundation, the New York City Department of Cultural Affairs in partnership with the City Council, and general operating support from the New York State Council on the Arts, and with support from Lower Manhattan Cultural Council

The spring semester presents a set of concepts and categories that have become important for the examination of cultural production during the last two decades, reflecting on their relevance for thinking about artistic and curatorial practice today.

Recently, Yonemoto has pursued international production, exhibitions and peer - reviewed residencies, focusing on post colonial remnants imbedded in popular cultural forms.

West Virginia Filmakers Guild $ 10,000 Morgantown, WV Art Works — Media Arts To support production and post-production costs for a documentary on cultural representations of Appalachia.

While delving into one of the most primordial and complex systems of communication, that of clothing, Huanca conveys distinctive and precise observations on the function of the garment, as an ever evolving manner of language production and a traditional form of cultural transmission.

This panel will reflect on critical issues in urban development with regard to contemporary cultural production.

Guided by these questions, this exploratory seminar will survey and examine creative uses, definitions, and theories of the diagram from the early modern period to the present, with emphasis on cultural production in the 20th and 21st centuries.

In her work Steyerl explores the proliferation of digital technologies and their effects on image production, the emergence of surveillance and militarization regimes, cultural globalization, and finance capitalism, among other topics.

Founded in Beirut in 1993, Ashkal Alwan is committed to the production, research, and circulation of contemporary artistic and intellectual practices, through initiatives such as Home Works: A Forum on Cultural Practices (2002), a multidisciplinary platform bringing together artists, writers, thinkers, filmmakers, and choreographers, for a public program of exhibitions, panel discussions, film screenings, and performances, as well as the Home Workspace Program (2011), an annual tuition - free art - study program.

Harlem Postcards Fall / Winter 2016 — 2017 is the latest installment in an ongoing project that invites contemporary artists to reflect on the many sides of Harlem: as a site of cultural activity, political vitality, visual stimulation, artistic contemplation and creative production.

During her residency at CCS Bard, Christel will be working on her research concerning questions of art and curating as alternative sites for knowledge production, as well as teaching a series of seminars in which she will zoom in on the strategies artists and cultural producers have applied over the years to counter or confound established ideas and systems of knowledge.

The fair, which is organized by the cultural production company, Candlestar, is doing an admirable job of honoring the city's photography history while simultaneously appreciating the present cultural moment, a notion best examined through one of the five commissioned exhibits on display.

The three practices in the exhibition, two artistic and one curatorial, represent three modes of creative production as well as different generational ideas on working in the cultural sphere.

Whether it is identifying new dynamics between art and the public realm, maintaining novel strategies based on contemporary art production and dissemination, or exploring uncharted framework and territory by engaging with artists, SGA is a vital part of Shanghai's cultural community and a catalyst for new experiences.

The performance instigates a dialogue with the context of DRAF's institutional backdrop and display, allowing a reflection on different modes of cultural production and dissemination, and implementing such thinking within a broader public discussion.

It focuses on a period of cultural production from the mid-1960s through the early 1970s and examines its influences fifty years later.

Centre Cultural La Nau - Sala Martínez Guerricabeitia, Valencia Curated by Santiago Pastor The exhibition project focuses on his most recent artistic production.

Expanding the involvement of CAPACETE with the cultural production in Brazil, the exhibition at Portikus presents new works that reflect on this unique history while creating a multilayered comment on the current situation in Brazil.

Her work is focused on examining the relationship between art infrastructure and artistic production, urbanity, cultural politics of food and art, and contemporary art from the Middle East and Southeast Asia.

By anthologizing essays, documents, and interviews by leading critics, historians, and artists on issues of site - specificity, conceptualism, feminism, and architecture practice, Surface Tension reveals the connections between cultural production and the very spaces in which such work functions.