Sentences with phrase «cultural production through»

The Museum is an amazing landmark for cultural production through its rotating historical and contemporary exhibitions, scholarly contributions, community outreach and public programming designed for diverse audiences.

Participants will explore a sweeping cross-section of cultural production through the work of these inventive individuals, living and working within New York City.

Not exact matches

Through her range of experiences at the hotel, Haaz acquired in - depth knowledge of participating in the preparation and production of food items, and learned the importance of creating specialty dishes for guests with special dietary or cultural needs.

And there's also a strong vein of how Hollywood codified queer culture during the height of McCarthyism and the cultural conservatism enforced through draconian production codes.

The disappointing level of production in Cuban cinema was mitigated by the award - winning director Carlos Lechuga's Santa y Andrés (Santa and Andrés, Carlos Lechuga, 2016); a low budget production (as most current independent Cuban films are), which came to fill a gap in Cuba Cinema, a return to our essence and roots through a commitment to the cultural soul of the nation.

We are aware that as a response and reaction to the predominant presence of social theories rooted in the West, there is a growing recognition of and movement towards understanding theories through the wide range of diverse contextual and cultural perspectives available in the East, and that the production of local theories have started a long time ago.

This artist will make a significant contribution to the artistic landscape through creative, skillful collaboration on productions by local arts and cultural agencies.

With a focus upon contemporary art since the 1960s, MUMA seeks to establish the museum as a dynamic site for cultural production, pedagogy and participation — through exhibitions, collection development, curatorial research, publishing, and academic and community engagement.

Through living and working in Detroit, Barr and Rice have identified Detroit's collapsed economy as the first post-industrial American city, yet simultaneously a breeding ground for new strategies of cultural production.

Through his videos, installations and live performances, Leckey explores the relationship of cultural artefacts to human subjectivity and the production of desire.

It posits a transnational generational formation of cultural producers aligned with leftist movements and ideologies — specifically, those whose politics are anti-capitalist, anti-imperialist, and decolonial — and whose artistic production is shaped by social transformations brought about through neoliberalization and the influence of recent subaltern - popular movements.

Through the intertwined languages of ballet, painting, photography, and sculpture, Mauss also mines a pre-queer history within the realm of supposedly straight cultural production of the 1930s and 1940s.

Founded in Beirut in 1993, Ashkal Alwan is committed to the production, research, and circulation of contemporary artistic and intellectual practices, through initiatives such as Home Works: A Forum on Cultural Practices (2002), a multidisciplinary platform bringing together artists, writers, thinkers, filmmakers, and choreographers, for a public program of exhibitions, panel discussions, film screenings, and performances, as well as the Home Workspace Program (2011), an annual tuition - free art - study program.

Through unconventional artistic media and methods of manifestation, the artist investigates the concealed exploitations of social energies in contemporary economy and cultural production.

This panel will address some of the theoretical interventions at play when considering the ways in which Indigenous peoples have sought to overcome the contemporary life of settler - colonization and achieve self - determination through cultural production and critique.

The fair, which is organized by the cultural production company, Candlestar, is doing an admirable job of honoring the city's photography history while simultaneously appreciating the present cultural moment, a notion best examined through one of the five commissioned exhibits on display.

This independence was manifest not just in topographical terms but in Colab's improvisation of a new apparatus of cultural production, established not in opposition to the dominant art system, but through pretending it had never existed.

URRA is an Argentine project whose objective is to favor artistic production and to generate spaces to encourage the reflection and research of contemporary art through different cultural projects.

The edgy contemporary art gallery pushes artists and their viewers to consider cultural production that goes beyond the confines of nationality and discipline through progressive, ambitious and well - researched exhibitions.

It focuses on a period of cultural production from the mid-1960s through the early 1970s and examines its influences fifty years later.

Funded by the Hong Kong Arts Development Council (HKADC) and private donations, it seeks to establish and maintain a platform for artists and other art practitioners to realize their vision in relation to their immediate and extended communities through the production of artistic works, exhibitions and curatorial projects as well as through dialogue, critical analysis, publications, research, education and cultural exchange.

Through my work as an independent curator, at the Liverpool Biennial in the United Kingdom and subsequently as the director and later co-curator of the Werkleitz Biennale, I was able to explore different approaches to artistic and cultural production and also to analyze curatorial and institutional models under a variety of cultural, social and economic conditions.

A center of cultural and intellectual life on campus, the museum serves as a living textbook for object - based learning, a home and resource for artists, and a catalyst for artistic expression, scholarly innovation, and the production of new knowledge through art.

As part of the joint residency programme, the exhibition will be accompanied by research, production and cultural exchange through educational sessions.

In Modern Fuel's Main Gallery, the artists reflect on prevailing modes of representation — on format and framing — in an attempt to situate cultural production within the social structures and spaces through which it unfolds.

Whether referencing the domestic space, the figure or through process driven work, each of these artists reference cultural ideologies to connect the viewer to their particular experiences of art production.

Her work focuses on layered human geographies, craft as non-western cultural production, and polyvocality through a community organizing model.

Omni - tasking, schizophrenic and full of contradictions, this position brings a myriad of possibilities: Questioning not only the understanding what is means to be an artist today, it also triggers a larger discourse about the lack of distinction between labor and leisure (the very base of cultural production) while reaching its most paradoxical and therefore contemporary state only through positions similar to that of Cassani.

In this state of relative non-recognition within the discourse and debate around art and culture in general, the subject of the «reductive» as a possible antithesis to the overpowering reintroduction of representational painting and at the same time to the emergence of the focus on new media, technology and photography, has regained considerable strength over the last decade within an international frame of cultural production and commerce, as well as through the firmly held lone positions of artists like Mosset, Charlton, Armleder, Morellet, Palermo and others throughout the 80's and 90's.

The work engages with transience as a photographic, cultural and philosophical idea and is created through an expanded response to image production from stills and video to CAD imaging and desktop recording.

Facilitated by the liberalizing of world trade, the internationalization of production and commodity consumption, and developments in transport and communications, offshoring has allowed nomadic capitalists, itinerant individuals, contemporary artists and cultural producers to scour the globe for resources and new markets, opening the world through displacing labor and circulating capital.

Now we see this running through the cultural sphere, not only in the exchange of ideas, but also in the production of ideas.

The timelines of art history are marked by eruptions that reorient artistic practices and philosophies, bursting through the prevailing mentalities and cratering the landscape of cultural production.

Taking visual cues from artist Michael Craig - Martin and sampling motifs from some of the 200 tribal communities across west Africa, his drawings depict a new citadel housing a grand public arena where «linguistic and cultural knowledge is shared through celebration and traditional methods of production».

Carrie Mae Weems LIVE: Past Tense / Future Perfect In conjunction with Carrie Mae Weems: Three Decades of Photography and Video, on view at the museum through May 14, join Carrie Mae Weems as she hosts an all - star cast on April 25 — 27 for a weekend of programs focusing on contemporary cultural production in the areas of dance, film, literature, music, theater, and visual art.

New York — based artist Seth Price (born 1973) deploys a variety of media — sculpture, video and written text — to explore themes of cultural production and distribution of information through appropriation and repurposing.

Each ACAW edition provides a concentrated, critical examination and contextualization of the ever - expanding discourses and cultural production coming out of Asia through collaborative initiatives and curated programs.

Fondazione Sandretto Re Rebaudengo provides the young curators with a historical exhibition space located in the township of Guarene d'Alba, near Turin (a major cultural center in northern Italy), for the production of exhibitions, performances, and presentation of contemporary visual arts through a series of publications and events — a valuable instrument for the development of their professional careers.

Michael Rakowitz is an Iraqi - American conceptual artist whose work is influenced by his cultural origins, not so much in terms of identity, but as a means through which to engage issues that affect cultural production and the loss of culture.

Teasing out the subplots and maneuvers permeating cultural production, Chris Evans operates through fronts of affiliations and loose collaborations...

The broader residency programme at IMMA afforded me the opportunity to contextualise my practice in the wider contemporary world whilst aligning my personal philosophies with changes, critique and new ways of seeing; emerging through conversations and debate which fermented out of the cultural production of the IMMA programme.»

While each iteration has had its own curatorial team and vision, what remains constant is the central aim of highlighting and contextualizing the artistic vibrancy of the borough through contemporary cultural productions in all media.

An enhanced engagement with the market could occur through growth in the production of goods exports (of arts and harvested wildlife), services exports (such as recreational fisheries and eco - and cultural tourism) and import substitutes (such as selling fish and wild harvested game locally, if restrictive regulations could be modified and property rights in commercial species vested with Aboriginal people).