Sentences with phrase «cultural production today»

The program offers opportunities for forward - thinking artists, designers, architects, writers, scholars, and other creative practitioners to come together, and it looks forward to stimulating unconventional conversations around cultural production today.

«There has been increasing interest in the position of female artists of the past, and the fact that Carol Rama combined issues of sexuality and abstraction in what was and to a large extent remains a male - dominated cultural field has to be acknowledged as being of great significance to cultural production today,» she says.

Located in the historic Old Market district, Bemis Center serves a critical role in the presentation and understanding of contemporary art, bridging the community of Omaha to a global discourse surrounding cultural production today.

Not exact matches

The spring semester presents a set of concepts and categories that have become important for the examination of cultural production during the last two decades, reflecting on their relevance for thinking about artistic and curatorial practice today.

Today, Bemis Center remains an artist - centered organization whose sole mission is to support artists and cultural production.

Over the course of the symposium, the invited participants, ranging from artists to literary scholars, cultural theorists, and art historians, will bring into sharp focus the ways in which the «Black Atlantic» continues to inform the production of art today by a new generation of artists, in connection with Frank Bowling: Mappa Mundi.

Influenced by contemporary production in Nicaragua the exhibition's central subject is the background, to comment on the global, natural, social and cultural schemes of today.

Omni - tasking, schizophrenic and full of contradictions, this position brings a myriad of possibilities: Questioning not only the understanding what is means to be an artist today, it also triggers a larger discourse about the lack of distinction between labor and leisure (the very base of cultural production) while reaching its most paradoxical and therefore contemporary state only through positions similar to that of Cassani.

This format of the exhibition will be held over a long period, providing space for reflection and on - going discussions, inviting artists not only to produce and exhibit their works but also to slow down and provide the time needed to reflect on our current cultural conditions and the over production so common in the art field today.

Today, as longtime witness to the scene Peter Schjeldahl once remarked to me, New York has become a center of cultural tourism, rather than of cultural production.