«Viallat and Dolla were amongst the numerous intellectuals challenging
cultural production within the context of social and political unrest in France,» says gallery director Loïc Garrier.
In Modern Fuel's Main Gallery, the artists reflect on prevailing modes of representation — on format and framing — in an attempt to situate
cultural production within the social structures and spaces through which it unfolds.
While many artists in the United States were exposing the workings of the gallery and institution, and challenging the traditional status of artistic persona, in Europe, attention turned to the matrix of
cultural production within the context of fading public funding and a new freedom to travel following the fall of the Berlin Wall.
Her research is situated at the intersection of literary studies, studies of contemporary visual arts and aesthetics, and the study of leftist political and social movements, bringing together contemporary U.S. Latino / a and Latin American
cultural production within a hemispheric framework.
Ceysson & Bénétière will present works by Claude Viallat (b. 1936) and Noël Dolla (b. 1945), whose unconventional artistic methods challenged
cultural production within the context of political and social unrest in France during the late 1960s.
Not exact matches
For example, referring to the «institutional field of
cultural production» that «rapidly and radically transformed... the rigid dichotomy between «high» and «low» «(for academics like Professor Rainey, dichotomies are always «rigid» and high art always needs scare quotes), he tells us that «Modernism's ambiguous achievement... was to probe the interstices dividing that variegated field and to forge
within it a strange and unprecedented space for
cultural production, one that did indeed entail a certain retreat from the domain of public culture, but one that also continued to overlap and intersect with the public realm in a variety of contradictory ways.»
As agricultural researchers, we need to utilise our skills in communication and
cultural literacy, to implement supply chain efficiency and improved
production processes that fit
within the community we are working in.
Many writers, from Lyall Watson to Laurens van der Post, have pointed out that
within such a suspect and partisan transformation, a
production line is created that clones greater and more controlled quantities of wholesome democratic excellence, rather like a
cultural crop.
Grady spent many years compiling and researching local
cultural history that simultaneously reveals the ongoing
production of cottage architecture, cottage industry and the role that cottages play in politics and social identity
within Cannon Beach.
Yet how does this state relate to modes of
production within Africa itself, especially given the recent sensations caused by the Angolan Pavilion at the Venice Biennale that deliberately foiled tired tropes around destitution, impermanence and dearth against the
cultural trajectory of Venice itself?
V - A-C is committed to the international presentation,
production and development of Russian contemporary art and
cultural practise — across a multitude of forms and
within the framework of an invigorated and informed exhibition, educational and publishing programme.
Our graduates are leaders in
cultural production throughout the world.Located
within the School of Art + Design, the Richard & Dolly Maass Gallery presents exhibitions that provide professional context for students and interact with their daily classroom experience.
The research project aims to investigate the heritage of documentary practices in contemporary art in relation to the history of film, documentary photography, television and video art, as well as to situate these contemporary documentary practices
within current
cultural production.
Operating
within two gallery spaces and across Providence College's campus, the Galleries support the educational, service and community - oriented mission of the College with dynamic visual arts
productions, including those that foster audience participation, cross-departmental collaboration at the College and
cultural exchange at local, national and international levels.
Through the intertwined languages of ballet, painting, photography, and sculpture, Mauss also mines a pre-queer history
within the realm of supposedly straight
cultural production of the 1930s and 1940s.
Though each artist intersects with the material
within their creative
production, each capitalizes upon unique aspects of «textile» as
cultural or historic carrier.
Intertwining spectacle and site, John Preus» The Beast, becomes a new space for
cultural inquiry, public dialogue and creative
production within the Hyde Park Art Center.
In forging a hypothetical / imaginary bridge between artists working
within local art sub-communities, we aim to identify what we understand as a meaningful confluence developing amongst the
cultural production of an emerging generation of Vancouver artists.
The performance instigates a dialogue with the context of DRAF's institutional backdrop and display, allowing a reflection on different modes of
cultural production and dissemination, and implementing such thinking
within a broader public discussion.
The exhibition highlights these individual artists who worked exclusively
within the margins, borders, and edges of
cultural production systems.
And the breadth of his practice, in all its seeming spontaneity and surprising inflections and turns, only complicates the attempt to pin him down to any single position
within his country's art scene — or, indeed,
within cultural production at large.»
Participants will explore a sweeping cross-section of
cultural production through the work of these inventive individuals, living and working
within New York City.
In this state of relative non-recognition
within the discourse and debate around art and culture in general, the subject of the «reductive» as a possible antithesis to the overpowering reintroduction of representational painting and at the same time to the emergence of the focus on new media, technology and photography, has regained considerable strength over the last decade
within an international frame of
cultural production and commerce, as well as through the firmly held lone positions of artists like Mosset, Charlton, Armleder, Morellet, Palermo and others throughout the 80's and 90's.