Sentences with phrase «cultural projects between»

He is currently artistic director of the Lyon Rives de Saône — River Movie, and co-founder of Perfect Crossovers Ltd., a Beijing - based consultancy for specific cultural projects between China and the rest of the world.

Not exact matches

A collaborative project between Politics in Spires and the Oxford China Centre, this blog provides analysis on the economic, political and cultural transformations taking place in China.

A major international research project led by a University of Sussex academic provides new evidence that the common belief in a cultural divide between the West and the rest of the world is little more than a myth.

At the film's recent press day, Costner talked about the appeal of playing Coach White, Niki Caro's directing style, the bond that developed between all the actors during filming, the pivotal role a coach can play in a young person's life, the Jim White - type coaches who influenced Costner's life in a positive way, what he learned about Latino culture growing up in Visalia, why he waits for projects to come along that he can really respond to irrespective of genre, the biggest cultural gap he experienced on this film, and how sports movies allow us to address other issues within the wider society.

The Sundance Institute Theatre Program works in «the space in - between» an artist's idea and a project's production as well as opening up new spaces of aesthetic, cultural and geographic exploration

The project will be focus on schools in deprived areas where cultural participation is low, and will be run under a partnership between the Education Endowment Foundation (EEF) and the Royal Society of Arts (RSA), supported by Arts Council England.

They act as an interface between the Guest of Honour and other projects within the Book Fair, and with the many cultural institutions and cooperation partners around Germany.

Significant Otherness, a benefit for the Spay Neuter Project of Los Angeles (SNPLA), explores the unique bond between animals and humans through artwork generously donated by eight contemporary artists for a gallery exhibition at Angels Gate Cultural Center and available for sale in this online auction.

Unlimited Productions produce projects that explore the relationship between arts and urbanism, working with curators and artists to create accessible cultural experiences.

The Pompidou hailed the deal as «the most important long - term cultural exchange project» between France and China and said it would give «an important place to contemporary Chinese art» in the new gallery.

The Public Knowledge Library serves as the main hub for Public Knowledge, a series of artist projects, research collaborations, and programs designed to promote public dialogue on the cultural impact of urban change and build new connections between ideas, individuals, and communities.

As an integral part of the project, Bowers is working with Pauline Kanako Kamiyama and the Otis program to organize numerous discussions between cultural and community organizations.

Marco Antonini of New York - based NURTUREart wrote that ``... Beyond fine art, Gilewicz» projects can be considered a form of context - driven creative labor split between cultural criticism, institutional critique and genuine social involvement...»

The «Foreign Affairs» project are three European artist - led curatorial initiatives collaborating in a cultural concept aimed to explore the relationship between artist as curator and artist each presenting the other's creative practice.

2010 Between Here and There: Modern and Contemporary Art from the Permanent Collection, Miami Art Museum, FL Guerilla Store 2, Santo Domingo, Dominican Republic El Ruido de Otros, Centro Cultural de Espana, Santo Domingo, Dominican Republic Gallery Projects, David Castillo Gallery, Miami, FL

A joint project between Marianne Boesky Gallery and Marlborough Chelsea, Another Look at Detroit presents works and objects by over fifty artists, designers, and cultural contributors.

Virginia Museum of Fine Arts Director Alex Nyerges said: «This project is a true relationship between our museums and reflects the vitality of engagement with China throughout Virginia from cultural and economic development initiatives.

In multifaceted projects, The Propeller Group blurs the lines between modes of cultural production and embraces the formats of branding campaigns, television commercials, Hollywood movies, and music videos to explore the complex ideologies that drive global commerce, war, and cultural and historical memory.

From focused exhibitions on the work of Cuban painter Amelia Peláez and Haitian born, Miami - based artist Edouard Duval - Carrié to thematic presentations of the Museum's permanent collection to major retrospectives on artists Ai Weiwei and Beatriz Milhazes and group exhibitions on the exchange of ideas between the Caribbean basin, Europe, and North Africa, PAMM's upcoming projects serve as critical frames through which larger dialogues about recent history, migration, new cultural formations, and diverse ideologies can be structured.

My performance and video projects interrogate the cultural conventions that structure the relationship between subjectivity and power.

«Composed from the media, detritus, and organic matter of Brooklyn, Tehran, and many places in between, Dehghan's collages exhibit an impetus to dissect - physically, theoretically, and psychologically — a select collection of extant materials in order to provide a channel through which the sociopolitical, cultural, and mimetic forces that produced them may be projected outward through their own destruction, reconstruction, and reconfiguration.

The project manifests in an interstitial space between performance, artist lecture, and participatory sculpture, engaging the recipe as a type of choreographic instruction and record of historical and cultural significance.

This volume presents new essays and commissioned visual projects that elaborate on the crucial ideas raised in the forum — the new kinds of cultural identifications facilitated by the Internet; the relationship between art and activism; the poetics of online communication; the relevance of the museum in a digital world; and the complex relationships between bodies, information systems, and urban realities.

You were referring to your experiences negotiating the relationship between cultural institutions and the marginal perspectives of sexual and gender politics that are often the focus of your projects — most specifically We Who Feel Differently (2012) and Gender Talents (2015).

In Rome, she will spend three months immersed in the diverse art scene and cultural history of the city whilst researching the project and looking at the relationship between the Commedia dell» Arte and Italian cinema.

Although this project never came into fruition, the artist's collages that narrate a battle between the Conjur Woman and the Swamp Witch signals Bearden's signatures motifs and themes with their geometric forms, vibrant colors, and cultural codes.

James works across the UK, developing and facilitating socially engaged arts projects with a range of partners, using making as a tool for exploring the relationship between oneself and one's natural and cultural environment.

Cutting Copper: Indigenous Resurgent Practice, a collaborative project between grunt gallery and the Belkin Art Gallery that I co-organized with Shelly Rosenblum, aimed to bring together a cross-disciplinary group of artists, curators, writers, educators, scholars, students and activists to explore the embodied theory of Indigenous resurgence and cultural representation — from the perspectives of their own disciplines and one another's.

It is the ambition of this project to not only commission a permanent public sculpture for The Hepworth Wakefield but to work closely with the wider Wakefield Museum / Cultural Services team to create a site - specific work for Castleford, forging links between the two locations and opening up discussion and debate around the role of public art.

The project examines the boundaries between aroma and odor, and the cultural norms that define the pleasant, odd and acceptable.

Corbitt was a multidisciplinary designer focusing on branding, editorial, and cultural projects, working fluidly between both screen - based and print - based media.

Specializing in: • Developing exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding sources, museums and cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation

His funding has enabled the Whitechapel Gallery to realise 3 projects over 4 years: a permanent post, The Daskalopoulos Head of Education & Public Programmes, held by Sofia Victorino, who runs the Gallery's programme of learning with talks, events, courses, schools, family and community programmes; a new initiative, the NEON Curatorial Award; and a cultural programme between Athens and London, the NEON Curatorial Exchange.

Hospitalfield: An Artist's House, located in Arbroath, Scotland, holds aprogrammeof residencies, commissions and curated projects which aim to negotiate and inspire an interplay between the heritage and history of the site and contemporary cultural ideas and practices.

Dreaming of the Dragon's Nation: Contemporary Art from China is the largest exhibition of Chinese art ever shown in Ireland and forms part of the China / Ireland Cultural Exchange, an intergovernmental project to promote cultural links between the two coCultural Exchange, an intergovernmental project to promote cultural links between the two cocultural links between the two countries.

The exhibition with Zuecca Project Space represents a new chapter in the longstanding historical relationship - founded on trade, as well as religious and cultural exchange - that exists between China and Venice.

«By presenting concurrent project room exhibitions with one artist from New York and the other from Los Angeles, our aim is to foster a national dialogue between these two cultural centers.»

She continued her collaboration with director Koyo Kouoh, working with her on several projects, such as Body Talk - Feminism, Sexuality and the Body in the Work of African Women Artists (to be held at WIELS, Brussels, in February 2015), and Streamlines, a project that makes the oceans the metaphorical focal point for an international group exhibition which will examine the cultural repercussion of the global stream of goods and trade between the South and the North (to be held at Deichtorhallen, Hamburg, in October 2015).

It is the Audain gallery's mission to encourage «conceptual and experimental projects that explore the dialogue between the social and the cultural in contemporary artistic practices» and SFU prides itself on its adherence to the principles of an autodidactic education, placing an emphasis on «self - directed and individual modes of learning».

The research tackles the relation between the colony and the imperial capital in terms of cultural representation culminating in a film project titled Seni, after the Malay word that most approximates the Western concept of «art».

Since September 2016 he has been collaborating with Circus, in Milan, a reality born as a society for photographic services which now aims for the fusion between the profit world and social cultural projects.

Between 2009 and 2014 she led the project Organising contemporary arts: artistic practice and cultural policy in Postwar Britain.

A collaboration between the Rio 2016 cultural program and Mori's Faou Foundation, this is the artist's latest project in her goal of installing a large public artwork on each inhabited continent.

Published to document a project by the Dagestani artist Taus Makhacheva that consists of the film Tightrope and the series of performances On the Benefits of Pyramids in Cultural Education, Strengthening of National Consciousness, and the Formation of Moral and Ethical Guideposts, this book is built around a dialogue between Makhacheva and the protagonist of her film, the tightrope walker Rasul Abakarov.

For his project «A work in situ», at REDCAT, John Knight revisits this relationship between two cohabiting institutions (Roy and Edna Disney CalArts Theater and Walt Disney Concert Hall), in today's highly developed «cultural corridor» of downtown Los Angeles, considering the relationship between space, architecture, contemporary arts and real estate.Since the late «60s, John Knight has pioneered the practices of site - specificity and institutional critique, always interested in interrogating the underlying geopolitical and economic systems implicit in everyday convention.

Created in 1996, the Fundação Bienal do Mercosul is a private, non-profit organization in Brazil with a mission is to develop cultural and educational projects in the field of visual arts, encouraging dialogues between contemporary artists and communities.

Their presence is balanced by seasoned cultural purveyors, including Hungarian - Syrian artist Róza El - Hassan (INDA Gallery, Budapest), who represented Hungary in the 1997 Venice Biennale and enjoyed a major retrospective In - Between at Kunstmuseum Basel in 2012, in addition to her ongoing project Syrian Voices with activist Shadi Al Shhadeh; veteran color theorist Siri Berg (Hionas Gallery, New York), whose 1986 seminal show Black & White 1976 - 1981 at the American Swedish Historical Museum (Philadelphia) was recently restaged at the gallery.

2008 Selective Knowledge, Institute for Contemporary Art and Thought, Athens, Greece Zones of Conflict, Pratt Gallery, New York, NY Ours: Democracy in the Age of Branding, Sheila C. Johnson Design Center, organized by Parsons School of Design and the Vera List Center for Art and Politics, New York, NY Crossroads: Interfaces between rock and contemporary art, Domus Artium Museum / Center of Contemporary Art of Salamanca, Spain 2008 California Biennial, Orange County Museum of Art, Newport Beach, CA Index: Conceptualism in California from the Permanent Collection, Museum of Contemporary Art, Los Angeles, CA Proyecto civico / Civic Project, CECUT, Centro Cultural Tijuana, Mexico 8 Bienal de Arte de Panamá, 8th Panama Biennial, Panama 16th Biennale of Sydney: Forms that Turn, Sydney, Australia Close Encounters, American University Museum, Katzen Arts Center, Washington, D.C. Freedom, Stichting Den Haag Sculptuur, The Hague, Netherlands Ohio, curated by Brad Killam and Barb Wiesen, Gahlberg Gallery, College of DuPage, Glen Ellyn, IL Peripheral vision and collective body, Museum of Modern and Contemporary Art of Bozen, Bolzano, Italy The Old, Weird America, Contemporary Arts Museum, Houston, TX Since we last spoke about monuments, Stroom den Haag, The Hague, Netherlands Jeremy Deller: Marlon Brando, Pocahontas, and Me, Aspen Art Museum.

This project was made possible by a Battelle Endowment for Technology and Human Affairs which fosters programs that examine the complex relationship between science and technology and broader social and cultural issues.

The objectives of curatorial course are aiming to: — promote reflections questioning the role of the curator, and research projects in the field of contemporary visual culture; — set up working platforms that may enable participants to develop further curatorial works; — proliferate networking between young creators of the visual art scene and encourage international circulation of cultural projects.