Shadows has presumably received the bulk of attention from film critics because Parajanov's subsequent experiments were linked to
cultural realities far outside the competence of many a Western scholar.
Not exact matches
Too often, the Church fails to connect the dots and sees the oppression of women as something
far removed from our
reality: something that happens abroad as a result of extreme political regimes, or
cultural assumptions that are restricted to the global South.
Further, what «God» truly means is oppressive, and it is good news that the course of
cultural history has put an end to God's
reality.
The
reality of the matter is quite the opposite: Juan is not familiar to us at all today, and the reason our
cultural imagination no longer has much room for him — and would certainly be incapable of producing another figure like him — is that he,
far more than the buoyantly eternal Quixote, is a figure fixed in a particular
cultural moment.
As an influential filmmaker active in the Trump - era (Steven Spielberg, for example, made The Post in record time just to make a point about a Republican President at war with the press), how do the socio - political
realities, the rise of the
Far Right, the systematic dissemination of fake news, the
cultural reckoning in America etc. affect the stories he chooses to tell?