Sentences with phrase «cultural research center»

One that is happening between organizations such as Nubuke foundation, Foundation for Contemporary Art — Ghana, Accra Theatre Workshop, cultural research center ANO, ACCRA [dot] ALT and the Kwame Nkrumah University of Science and Technology Museum (K.N.U.S.T.).

Not exact matches

As part of her research she visited the Japanese Consulate and chatted with the Trade Commissioner, attended a function at a local Japanese Cultural Center, and met with visiting Japanese executives who were part of an incoming delegation.

By the time I had graduated, the field had become «one that maintains its interest in literary texts but explores all forms of aesthetic speech and that views performance as an art and recognizes its communicative potential and function» There were three challenges to those of us graduating with doctoral degrees in this discipline: 1) to locate which performances within art and / or culture we would focus our attention on as scholars and performers; 2) to interpret the core concepts generating from the cultural turn in our discipline to other studies of culture and human communication and 3) to develop «performance - centered» methods of research and instruction in whatever parts of the university we found ourselves.

According to the author, Yasir Arafat considered intellectuals and the socio - cultural institutions as henchmen of his party (Fatah) and supporters of his own political interests, whereas Anis Sayegh, as General Director of the Research Center, refused any political relationship of subordination.

Debra A. Reed voted with her boss on Wednesday at African - American Research Library and Cultural Center near Fort Lauderdale.

This international organization, established in 1999 by Rafael Capurro and now managed by the Center for Arts and Media Karlsruhe, provides an international cultural and intercultural platform with more than 280 members) for exchanging information about research and teaching in information ethics and news about IE activities.

In a fourth presentation, Nahal Zamani of the Center for Constitutional Rights shared her thoughts about the potential application of social science research for developing a more sophisticated understanding of economic, social, and cultural rights violations.

Commenting on the research, leading primatologist Professor Frans de Waal, of the Yerkes Primate Center of Emory University, said that the study «is one of the few successful field experiments on cultural transmission to date, and a remarkably elegant one at that.»

«Cultural differences in gender norms provide North African French boys less freedom to deviate from traditional gender roles and norms than that experienced by European French boys,» explains Isabelle Regner, professor of psychology at Aix - Marseille Universite and the National Center for Scientific Research (CNRS), who coauthored the study.

From the Netherlands, researchers at Leiden University, the Naturalis Biodiversity Center, the Vrije Universiteit Amsterdam, the universities of Wageningen and Delft and the Cultural Heritage Agency of the Netherlands were involved in the research.

It will inform future emergency preservation efforts,» said Brian Daniels, director of research and programs at the University of Pennsylvania Museum's Penn Cultural Heritage Center.

«From our contacts and sources in Syria, we knew that there was damage to World Heritage sites,» said Brian I. Daniels, Director of Research and Programs, Penn Cultural Heritage Center, University of Pennsylvania Museum, «but this report surprised us by revealing just how extensive the destruction actually is.»

The team became interested in curiosity because of its ongoing collaborative research project to improve public engagement with science documentaries involving the Cultural Cognition Project at Yale Law School, the Annenberg Public Policy Center of the University of Pennsylvania, and Tangled Bank Studios at the Howard Hughes Medical Institute.

In this role, the research center provides the public and decision makers with relevant scientific information about the status and trends of natural, cultural, and recreational resources found in those portions of Grand Canyon National Park and Glen Canyon National Recreation Area affected by Glen Canyon Dam operations.

Another theory points to cultural expectations: «We know that men are often compelled by stereotypes to act tough and manly,» says Roger Fillingim, PhD, director of the UF Pain Research and Intervention Center of Excellence at the University of Florida.

About Site - The Center for Digital Archaeology is a research and advisory center specializing in archaeology and cultural heritage technology trends, practice and educCenter for Digital Archaeology is a research and advisory center specializing in archaeology and cultural heritage technology trends, practice and educcenter specializing in archaeology and cultural heritage technology trends, practice and education.

With colleagues from the Center for Research on Education, Diversity, & Excellence, a federal research center at the University of California campus here, Tharp has identified five standards that he says mark effective instruction in classrooms with high concentrations of students from backgrounds outside the U.S. cultural mainsCenter for Research on Education, Diversity, & Excellence, a federal research center at the University of California campus here, Tharp has identified five standards that he says mark effective instruction in classrooms with high concentrations of students from backgrounds outside the U.S. cultural maiResearch on Education, Diversity, & Excellence, a federal research center at the University of California campus here, Tharp has identified five standards that he says mark effective instruction in classrooms with high concentrations of students from backgrounds outside the U.S. cultural mairesearch center at the University of California campus here, Tharp has identified five standards that he says mark effective instruction in classrooms with high concentrations of students from backgrounds outside the U.S. cultural mainscenter at the University of California campus here, Tharp has identified five standards that he says mark effective instruction in classrooms with high concentrations of students from backgrounds outside the U.S. cultural mainstream.

«It's a lot harder to cut a program in seventy - five schools than a program in three schools,» says Gina Jacquart Thorsen, vice president of research and program development for Big Thought, the nonprofit organization that coordinates ArtsPartners and Thriving Minds, an expanded initiative to infuse creative learning into the curriculum, after - school and out - of - school programs, libraries, and neighborhood cultural centers.

Goldenberg, C. «Instructional Conversations and their Classroom Applications,» NCRCDSLL Educational Practice Reports (Berkeley, Calif.: National Center for Research on Cultural Diversity and Second Language Learning, 1991).

National Center for Research on Cultural Diversity and Second Language Learning.

CALICO Journal Cambridge Journal of Education Canadian Journal for the Scholarship of Teaching and Learning Canadian Journal of Action Research Canadian Journal of Applied Linguistics - Revue canadienne de linguistique appliquee Canadian Journal of Education Canadian Journal of Educational Administration and Policy Canadian Journal of Environmental Education Canadian Journal of Higher Education Canadian Journal of Learning and Technology Canadian Journal of School Psychology Canadian Journal of Science, Mathematics and Technology Education Canadian Modern Language Review Canadian Social Studies Career and Technical Education Research Career Development and Transition for Exceptional Individuals CATESOL Journal CBE - Life Sciences Education CEA Forum Center for Educational Policy Studies Journal Change: The Magazine of Higher Learning Changing English: Studies in Culture and Education Chemical Engineering Education Chemistry Education Research and Practice Child & Youth Care Forum Child Care in Practice Child Development Child Language Teaching and Therapy Childhood Education Children & Schools Children's Literature in Education Chinese Education and Society Christian Higher Education Citizenship, Social and Economics Education Classroom Discourse Clearing House: A Journal of Educational Strategies, Issues and Ideas Cogent Education Cognition and Instruction Cognitive Science Collected Essays on Learning and Teaching College & Research Libraries College and University College Composition and Communication College Quarterly College Student Affairs Journal College Student Journal College Teaching Communicar: Media Education Research Journal Communication Disorders Quarterly Communication Education Communication Teacher Communications in Information Literacy Communique Community & Junior College Libraries Community College Enterprise Community College Journal Community College Journal of Research and Practice Community College Review Community Literacy Journal Comparative Education Comparative Education Review Comparative Professional Pedagogy Compare: A Journal of Comparative and International Education Complicity: An International Journal of Complexity and Education Composition Forum Composition Studies Computer Assisted Language Learning Computer Science Education Computers in the Schools Contemporary Education Dialogue Contemporary Educational Technology Contemporary Issues in Early Childhood Contemporary Issues in Education Research Contemporary Issues in Technology and Teacher Education (CITE Journal) Contemporary School Psychology Contributions to Music Education Counselor Education and Supervision Creativity Research Journal Creighton Journal of Interdisciplinary Leadership Critical Inquiry in Language Studies Critical Questions in Education Critical Studies in Education Cultural Studies of Science Education Current Issues in Comparative Education Current Issues in Education Current Issues in Language Planning Current Issues in Middle Level Education Curriculum and Teaching Curriculum Inquiry Curriculum Journal Curriculum Studies in Health and Physical Education Cypriot Journal of Educational Sciences

Her research and publications center on the topics of adolescent literacy, teacher education, cultural / linguistic diversity, and standards and assessment.

Washington, D.C.: National Center for Research on Cultural Diversity and Second Language Learning.

She has also interned at both the Sanford - Burnham Medical Research Institute and the Cross Cultural Center at UCSD.

Achenbach Collection, San Francisco, CA Arthur Anderson Carnegie Art Museum, Oxnard, CA Centro Cultural Arte Comtemporaneo, Polanco, Mexico Coopers & Lybrand Collection Dennos Museum Center, Traverse City, MI Eaton Corporation Fredrick R. Weisman Collection, Los Angeles, CA Greenville County Museum, SC Isla Center for the Arts, Guam Jane Voorhees Zimmerli Art Museum, Rutgers Univ., NJ Kirkland & Ellis, San Francisco, CA Lannan Foundation, Los Angeles, CA LA County Museum, Los Angeles, CA Land O'Frost McCrory Collection, New York, NY Microsoft Corporation, Redmond, WA Museum of Contemporary Art, Los Angeles, CA New School for Social Research Collection, New York, NY Oakland County Museum, Oakland, CA Phoenix Museum of Art, AZ Post-Newsweek Cable, New York, NY Progressive Collection Prudential Collection Readers Digest Collection, NY RxArt Collection Stafford Trading Inc., Chicago, IL Twin Farms, VT University Art Museum, Arizona State University, Tempe, AZ University of Northern Iowa, Cedar Rapids, IA Weatherspoon Art Gallery, UNC Greensboro, NC Whitney Museum of American Art, New York, NY

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

The archive makes the Schomburg Center one of the foremost institutions for research into Baldwin's intellectual and cultural life.

ISSUE Project Room's Artist - in - Residence program is made possible, in part, with support from the National Endowment for the Arts, with public funds from the New York City Department of Cultural Affairs in partnership with the City Council, and with the support of the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature; and through the support of the Center for Performance Research and Chez Bushwick.

As part of the Getty Research Institute's Pacific Standard Time: Art in L.A. 1945 - 1980, she curated Civic Virtue: The Impact of the Los Angeles Municipal Art Gallery and the Watts Towers Arts Center for the Los Angeles Department of Cultural Affairs in addition to co-curating the suite of exhibitions, L.A. Xicano, at UCLA's Fowler Museum, LACMA and the Autry National Center.

The exhibition tells the story of progressive ideas and aesthetics in the modern world through visual artifacts generated by the seismic events of 1917 and drawn from premier cultural institutions in California: the Getty Research Institute, the Wende Museum of the Cold War, and the Center for the Study of Political Graphics.

While the exhibition's heart looks at the work of Chicanx artists in Los Angeles, it reveals extensive new research into the collaborative networks that connected these artists to one another and to artists from many different communities, cultural backgrounds, sexual orientations, and international urban centers, thus deepening and expanding narratives about the development of the Chicano Art Movement, performance art, and queer aesthetics and practices.

Tagged as: Alex Gulla, Alfredo Jaar, alice aycock, and Feminist Curators United, Annabel Daou, Annie Lapin, Antonio Lopez, artcritical, Avelino Sala, Ayana Evans, barbara hammer, Brooklyn Bridge Park, Brooklyn Institute for Social Research, Brooklyn Public Library, Carlos Aires, Celia Eslamieh Shomal, Chris Jones, Christophe Thompson, Cleverson De Oliviera, Curatorial Activism: Toward an Ethics of Curating, cyborgs, Dalia Amara, Damián Ontiveros, David Cohen, David Humphrey, Decolonize this Place, Dread Scott, Dune Studios, Dweck Cultural Center, e-flux, El Museo Del Barrio, Ellie Ga, Emily Roysdon, Enrique Jezek, Federico Solmi, Ferran Martin, Filip Noterdaeme, Florencia Escudero, GALA Committee, Gitte Sætre, Grand Arts, Hector Madera, Isaac Julien, Ivaylo Hristov, Jasa Mrevlje, Jersey City, Jim Costanzo / Aaron Burr Society, Joaquín Segura, Johan Wahlstrom, John Salvest, Jorge Tacla, Josechu Davila, Julia San Martin, Julie Mehretu, kader attia, Kai Altoff, Kathy Caraccio, Kendell Geers, Kyle Goen, Laurel Nakadate, Marc Straus, MARC STRAUS Gallery, Marco Maggi, Maria Buszek, Marian Goodman, Marisa Jahn, Martha Rosler, martin creed, Maura Reilly, Mel Chin, Michael Jones McKean, Miguel Rodríguez Sepúlveda, moma, moma ps1, Mona Saeed Kamal, Norma Vila Rivero, Paddy Johnson, Paolo Cirio, Pasha Radetzki, Patrice Renee Washington, Patricia Cronin, Patrick Hamilton, printmaking, red bull studios, Regina José Galindo, Riiko Sakkinen, Roberto Visani, Rosemarie Fiore, Ruben Verdu, S & P Stanikas, Salon 94, Sascha Braunig, Selena Gallery, Shahram Entekhabi, Stefano Cagol, Stephen Lichty, Stony Brook, tania bruguera, Tavares Strachan, Terence Trouillot, Teresa Margolles, The Feminist Art Project, The Propeller Group, the Women's Action Coalition, Tim Rollins & K.O.S., Tyler Coburn, underdonk, Wafaa Bilal, Whitebox, William Pope L, Wojtek Ulrich, Word Bookstore

Mussai lectures internationally on curatorial practice, photography, and cultural politics, and has been a regular guest curator and non-resident fellow at the Hutchins Center for African and African American Research at Harvard University since 2009, where she also serves on the Exhibitions and Acquisitions Committee of the newly established Cooper Gallery.

EA - Épreuve d'Artist (same as an AP, but in French) EACC — Espai d'Art Contemporani in Castello EAI - Electronic Arts Intermix (New York) EARN — European Artistic Research Network EAT - Experiments in Art & Technology (trailblazing art & tech organization started by Robert Rauschenberg and Bell Labs's Billy Kluver, among others) ECF — European Cultural Foundation EMPAC — Experimental Media and Performing Arts Center (Upstate New York) EMST — National Museum of Contemporary Art, Athens

Allen Memorial Art Museum, Oberlin College, Oberlin, OH American Academy of Arts and Letters, New York, NY Amon Carter Museum, Fort Worth, TX The Art Institute of Chicago, Chicago, IL Arkansas Arts Center, Little Rock, AR California African American Museum, Los Angeles, CA Chicago Public Library, Chicago, IL The City College of New York, New York, NY Clark Atlanta University Art Galleries, Atlanta, GA Colby College Museum of Art, Waterville, ME Deutsche Akademie Der Kunst, Berlin, Germany Fisk University Art Galleries, Nashville, TN Flint Institute of Arts, Flint, MI Gibbes Museum of Art, Charleston, SC Hampton University Museum, Hampton, VA High Museum of Art, Atlanta, GA Hirshhorn Museum and Sculpture Garden, Washington, DC Howard University Gallery of Art, Howard University, Washington, DC Intergrafik, Berlin, Germany Krannert Art Museum, University of Illinois at Urbana - Champaign, Champaign, IL Library of Congress, Washington, DC Long Beach Museum of Art, Long Beach, CA Los Angeles County Museum of Art, Los Angeles, CA Los Angeles County Public Library, Los Angeles, CA Los Angeles State College, Los Angeles, CA Lucas Museum of Narrative Art, Chicago, IL Metropolitan Museum of Art, New York, NY Montclair Art Museum, Montclair, NJ Montgomery Museum of Fine Arts, Montgomery, AL Museum of Fine Arts, Boston, MA Museum of Fine Arts, Houston, TX Museum of Modern Art, New York, NY National Academy Museum, New York, NY National Afro - American Museum and Cultural Center, Wilberforce, OH The National Archives, Washington, DC National Gallery of Art, Washington, DC National Gallery of Australia, Canberra, Australia Nora Eccles Harrison Museum of Art, Utah State University, Logan, UT Oakland Museum of California, Oakland, CA Pasadena Museum of California Art, Pasadena, CA Pioneer Museum and Haggin Galleries, Stockton, CA Princeton University Art Museum, Princeton, NJ The Pushkin Museum of Fine Arts, Moscow, Russia Schomburg Center for Research in Black Culture, New York Public Library, New York, NY Selma Burke Art Center, Carnegie Institute, Pittsburgh, PA Sheldon Museum of Art, University of Nebraska - Lincoln, Lincoln, Nebraska Smithsonian American Art Museum, Washington, DC Staatlichen Kunstsammlungen Dresden, Germany Syracuse University Art Galleries, Syracuse, NY Taller de Grafica Popular, Mexico City, Mexico Tuskegee University, Tuskegee, AL University of California, Berkeley Art Museum and Pacific Film Academy, Berkeley, CA University of Illinois, Chicago, IL University of Michigan Museum of Art, Ann Arbor, MI Virginia Museum of Fine Art, Richmond, VA Whitney Museum of American Art, New York, NY Wichita Museum of Art, Wichita, KS The Wylie and May Louise Jones Gallery, Bakersfield College, Bakersfield, CA

For Tuesday Evenings, Cuevas's presentation is centered on research - based projects formally developed through the use of socio - cultural strategies, including actions such as marking a crossing point in the Chihuahuan desert at the US - Mexico border, or multidisciplinary processes such as the simultaneous collaboration with the SFMOMA and public libraries around the subject of public knowledge.

She has received residency support from Baryshnikov Arts Center, Center for Performance Research, Denniston Hill, Lower Manhattan Cultural Council, SOMA Mexico City, and Yaddo.

Institute for Research in Art Sponsors: National Endowment for the Arts; Arts Council of Hillsborough County, Board of County Commissioners; State of Florida, Department of State, Division of Cultural Affairs, Florida Council on Arts and Culture; de la Parte & Gilbert, P.A.; Carlton Fields Jorden Burt, P.A.; H. Lee Moffitt Cancer Center and Research Institute; Knox Family Foundation; Lee & Victor Leavengood Trust; Raymond James Financial; The Tampa Tribune; Time Warner Communications; Time Customer Service, Inc.; Tower Realty Partners; The Wilson Company; Burr & Forman LLP; Nucci Spine and Orthopedic Institute; Bajo Cuva Cohen Turkel; USF Student Green Energy Fund (SGEF)

School), Ashé Cultural Arts Center, the New Orleans Museum of Art, Amistad Research Center, private collections, and others.

1965 - 1975» depicts the energy of the cultural environment of this American city as a center for figurative production, as well as the heterogeneity of the contributions of some artists known as Chicago Imagists (Roger Brown, Ed Flood, Art Green, Gladys Nilsson, Jim Nutt, Ed Paschke, Christina Ramberg, Suellen Rocca and Karl Wirsum), who had identified the roots of their personal research in Surrealism and Art Brut, in a way that anticipated the new tendencies of the 80's and 90's, from Graffiti to Street Art, from wild cartoons to urban murals.

He holds an MA in Cultural Studies at the University of Leuven and was affiliated with the Center for Art, Design and Visual Culture at UMBC in Baltimore, where he translated academic research into accessible and often confrontational exhibitions.

Maisel is the recipient of a 2011 grant from the Center for Cultural Innovation, a 2008 Artist Residency from the Headlands Center for the Arts, and a 2007 Scholar / Artist Residency from the Getty Research Institute.

Ross is the recipient of the Studio Art Fellowship, Trinity College; the Graduate Curatorial Fellowship, SAIC; a 2015 ACRE Curatorial Fellowship; was a 2014/15 inaugural curator - in - residence at the Chicago Cultural Center; was a 2016 Independent Curators International Collaborator and a 2018 Independent Curators International / Joyce Foundation Research Fellow.

«As a global center for culture and experimentation, the Institute, and Brooklyn, presents many research, programming, and cultural opportunities for faculty and students.

Gary's work is part of The Whitney Museum of American Art's permanent collection and has been exhibited at cultural institutions worldwide including the Schomburg Center for Research in Black Culture; NYU Florence; Chicago's Black Cinema House; Indiana University Cinema; Goldsmiths University, London; Museum of Contemporary Art, Los Angeles; the Museum of Modern Art, New York; The Hammer Museum, Los Angeles; Brooklyn Museum, New York; Union Docs; Institute of Contemporary Art Boston; MoMA PS1, New York; and the Made in New York Media Center.

Ackland Art Museum, University of North Carolina, Chapel Hill, NC The Anne Gary Parnell Art Gallery, Sweet Briar College, Sweet Briar, VA Arkansas Art Center, Little Rock, AR Berkeley Art Museum, University of California, Berkeley, CA Boca Raton Museum of Art, Boca Raton, FL Bowdoin College Museum of Art, Brunswick, ME California African American Museum, Los Angeles, CA Cedar Rapids Museum of Art, Cedar Rapids, IA Chazen Museum of Art, Madison, WI Colby College Museum of Art, Waterville, ME The Corcoran Gallery of Art, Washington, DC Crocker Art Museum, Sacramento, CA David C. Driskell Center, University of Maryland, College Park, MD Davis Museum and Cultural Center, Wellesley College, Wellesley, MA DePaul University Art Gallery, Chicago, IL Des Moines Art Center, Des Moines, IO Detroit Institute of the Arts, Detroit, MI Greenville County Museum of Art, Greenville, SC Harry Ransom Humanities Research Center, University of Texas, Austin, TX Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY High Museum of Art, Atlanta, GA Hirshhorn Museum and Sculpture Garden, Smithsonian Institution, Washington, DC Illinois Holocaust Museum and Education Center, Skokie, IL Kresge Art Museum, Michigan State University, East Lansing, MI Los Angeles County Museum of Art, Los Angeles, CA Maier Museum of Art, Lynchburg, VA The Metropolitan Museum of Art, New York, NY Mississippi Museum of Art, Jackson, MS Montclair Art Museum, Montclair, NJ Muscarelle Museum of Art, The College of William & Mary, Williamsburg, VA Museum of Fine Art, Boston, MA Museum of Fine Arts, St. Petersburg, FL Museum of Modern Art, New York, NY Munson - Williams Proctor Institute, Utica, NY National Gallery of Art, Washington, DC National Museum of Women in the Arts, Washington, DC Nelson - Atkins Museum of Art, Kansas City, MO The New Jersey State Museum, Trenton, NJ The Newark Museum, Newark, NJ Norton Museum of Art, West Palm Beach, FL The Oakland Museum, Oakland, CA Orange County Museum of Art, Newport Beach, CA Palm Springs Desert Museum, Palm Springs, CA Palmer Museum of Art, Pennsylvania State University, University Park, PA The Paul R. Jones Collection, University of Delaware, Newark, DE Pennsylvania Academy of the Fine Arts, Philadelphia, PA Philadelphia Museum of Art, Philadelphia, PA Saint Joseph College Art Gallery, West Hartford, CT St. Louis Art Museum, St. Louis, MO San Francisco Museum of Modern Art, San Francisco, CA Santa Barbara Museum of Art, Santa Barbara, CA Seattle Arts Commission, Seattle, WA Smith College Museum of Art, Northampton, MA Smithsonian American Art Museum, Washington, DC Spelman College Museum of Fine Art, Atlanta, GA Spencer Museum of Art, University of Kansas, Lawrence, KS Sweet Briar College Art Gallery, Sweet Briar, VA The Studio Museum in Harlem, New York, NY Tacoma Art Museum, Tacoma, WA Tweed Museum of Art, University of Minnesota, Duluth, MN University Art Museum, University of California, Berkeley, CA University of Massachusetts, Amherst, MA University of Michigan Museum of Art, Ann Arbor, MI University of Pennsylvania, Arthur Ross Gallery, Philadelphia, PA Walker Art Center, Minneapolis, MN Whitney Museum of American Art, New York, NY

For our particular studio visit we convened at the Chicago Cultural Center where Rashayla had organized a collection of research materials and photographic prints for her installation Appropriation Politics 102 Circa 2017.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

artscope proudly sponsors the region's culture and art institutions, including: Amherst Biennial Arts Affair 9th Annual Artists for Humanity Greatest Party on Earth 12th Annual Marina Bay Boardwalk Arts artistprojectny / Architectural Digest Home & Design Show Asian Cultural Center of Vermont Boston Public Library Brattleboro Gallery Walk Breast Cancer Research Burlington Open Studios Bristol Warren Art Night Cambridge Arts Council Cambridge Open Studios Cambridge River Festival Chelsea, NY High Line Development Project Copley Society of Art Fresh Paint Auction Danforth Museum Fountain Street Open Studios International Encausitc Conference Karla Little Fine Furnishings Light Up the Arts Lowell Folk Festival Lyric Stage Company Make Speak: Contemporary Craft MassArt Auction Montserrat College of Art, Artrageous!

The recipient is Ruth Appelhof, Ph.D., the former director of Guild Hall, the East Hampton cultural center, who is researching a book on Krasner.