Sentences with phrase «cultural resistance as»

Not exact matches

What is new is the way this tendency is now being used as means of slowly but surely eliminating any space for cultural resistance.
So long as the Church was understood as primarily institutional, in terms of its parallelism to a state rather than to a cultural society, and so long as tradition meant resistance to reform, conflict between the principles of traditional and Scriptural authority was inevitable.
An Emergent definition of relevance, modulated by resistance, might run something like this; relevance means listening before speaking; relevance means interpreting the culture to itself by noting the ways in which certain cultural productions gesture toward a transcendent grace and beauty; relevance means being ready to give an account for the hope that we have and being in places where someone might actually ask; relevance means believing that we might learn something from those who are most unlike us; relevance means not so much translating the churches language to the culture as translating the culture's language back to the church; relevance means making theological sense of the depth that people discover in the oddest places of ordinary living and then using that experience to draw them to the source of that depth (Augustine seems to imply such a move in his reflections on beauty and transience in his Confessions).
There really ought to be little wonder that the Catholic Church would, for the better part of two centuries, see great caution where possible, and open resistance where necessary, as the rule for her engagement with modernity — political, cultural, intellectual, and otherwise.
In describing and accounting for the lives of the Religious Right, which we define simply as religious conservatives with a considerable involvement in political activity, the book and the series tell the story primarily by focusing on leading episodes in the movement's history, including, but not limited to, the groundwork laid by Billy Graham in his relationships with presidents and other prominent political leaders; the resistance of evangelical and other Protestants to the candidacy of the Roman Catholic John F. Kennedy; the rise of what has been called the New Right out of the ashes of Barry Goldwater's defeat in 1964; a battle over sex education in Anaheim, California, in the mid-1960's; a prolonged cultural war over textbooks in West Virginia in the early 1970's — and that is a battle that has been fought less violently in community after community all over the country; the thrill conservative Christians felt over the election of a «born - again» Christian to the Presidency in 1976 and the subsequent disappointment they experienced when they found out that Jimmy Carter was, of all things, a Democrat; the rise of the Moral Majority and its infatuation with Ronald Reagan; the difficulty the Religious Right has had in dealing with abortion, homosexuality and AIDS; Pat Robertson's bid for the presidency and his subsequent launching of the Christian Coalition; efforts by Dr. James Dobson and Gary Bauer to win a «civil war of values» by changing the culture at a deeper level than is represented by winning elections; and, finally, by addressing crucial questions about the appropriate relationship between religion and politics or, as we usually put it, between church and state.
Pope Pius XII did not demand that people rise up in violence to stop the Nazis, yet many regard him as a hero because he and the Church were able to save 800,000 Jews through civil disobedience and cultural resistance.
Fullan asserts that, while there is no standard formula for changing the culture of an organization, sustainable improvement requires several years of effort to work through complex cultural issues such as resistance to change and acculturation of the new leader.215 Turnover that occurs every two or three years makes it unlikely that a principal will get beyond the stages of initiation and early implementation.
Since the e-book revolution first begun in 2009, there as been a cultural resistance to protect the print industry.
Cape Town - based artist Sue Williamson (b. 1941, Lichfield, England) uses politically charged photographs as a conduit for cultural resistance, highlighting the issues marginalized communities face.
Hailing from the French West Indies and based in New Orleans, Tancons explores festivals and processional performances as acts of artmaking, cultural expression, and resistance.
''... not simply an excellent historical survey of artistic and curatorial identifications with and resistances to capitalist and post-productivist worlds of work; [Work] is also a deftly edited collection that makes a claim for cultural labour as essential to the working politics of our contemporary age.»
Using his own background that has been defined by several cultures simultaneously, Attia explores the impact of Western cultural and political capitalism on the Middle East, Africa, Asia, and Latin America, as well as how this residual strain of struggle and resistance to colonization impacts the mind of any immigrant as a territory.
Three themes that emerge from her work are explored in Outcasts: finding a voice, the process of constructing multiple perspectives on female identity; hybrid alternatives to the status quo, harnessing ancient and modern mythologies to subvert the established social and cultural order; and healing and empowerment as pathways to resistance, inclusiveness and recovery from loss and trauma.
Employing appropriation as a strategy of production, they incorporate prefabricated objects and imagery into their art, repositioning them in ways that expand our perceptions of history, representation, class, violence, resistance, and cultural practice.
As with many of Rakowitz's projects, an engagement with questions of craft soon complicates our understanding of the historical forces acting against transmissions of skill and expertise, hinting at the maintenance of tradition as a form of resistance to cultural erasurAs with many of Rakowitz's projects, an engagement with questions of craft soon complicates our understanding of the historical forces acting against transmissions of skill and expertise, hinting at the maintenance of tradition as a form of resistance to cultural erasuras a form of resistance to cultural erasure.
Evoking «the underground» as a site of cultural resistance, he considers how these constructs have been transformed by contemporary life and social media.
Continuously exploring the «geography of self,» his work combines traditional storylines and postmodern, often parodist, narrative strategies to approach themes such as belonging, identity politics, conflict, cultural traditions (be they real, imagined, invented), as well as the push to and resistance against modernization.
While signaling the importance of Carnival as a performance medium with mass appeal in the culminating era of the massification of museum culture, Up Hill Down Hall inscribes these works within the politically conscious cultural legacy of the Notting Hill Carnival, born of Caribbean migration and metropolitan accommodation to the aftermath of colonialism, resistance to racism and the mainstreaming of multiculturalism and, ultimately, developed through cultural ingenuity and artistic creativity at the forefront of the formation of postcolonial British culture.
As we shall see cultural resistance is indeed important where the related reactions of skepticism and «denial» are aroused in the public by science issues29a, such resistance being tied to lifestyle, livelihood and especially deeply - held beliefs.
Yet notwithstanding the above difficulties, and also that the role of cultural support as well as resistance needs consideration (hence: what characterizes the public response to scientific theories or discoveries that are «convenient», or encouraging to one's lifestyle, livelihood, or deeply - held beliefs?)
So ISk can be thought of as cultural resistance to that which threatens our identity; a useful model (per section 1 invoked by L2016) although it tends to make us think more about those with opposed rather than merely unaligned values.
I posit that the pathologizing of adolescent girls» resistances as mental illness may follow almost inevitably from widely accepted cultural constructions of the feminine and of mental illness.
Any of our mental health practices which may have misdiagnosed and mistreated grief as depression, spiritual experience as psychosis or schizophrenia, and political resistance as intransigent or psychopathic behaviours, mistaking the asserting of cultural identity, and defiance for the disturbing behaviours of difficult patients.
I think they, like others, realised much of what was to come and that resistance would ensure the transference of knowledge and the expression of our cultural identity so as to secure our future rights and the health and wellbeing of generations to come.
Mindlessly carrying on chasing commissions with blinders well fitted (which bakes - in a well entrenched belief system that all is well... as long as the big bucks keep coming in and the pot - of - gold at the end of the rainbow still exists) will only lead to a stubborn self - sustaining cultural resistance to what is slowly, relentlessly, happening out there; government types are finally, seriously looking at the wild - west amateur - gunslinger real - estate - agent show.
a b c d e f g h i j k l m n o p q r s t u v w x y z