Sentences with phrase «cultural settings other»

The FTI is applicable in cultural settings other than the USA.

Not exact matches

But this role they play will be misunderstood, absolutized, unless they are «set against a panoply of other voices» from that same cultural milieu which exhibit the same or competing interests.

What we have, then, is a situation in which introspection is demanded on the one hand, and made possible by a readily available and exceedingly rich set of cultural codes on the other.

By accepting from Austin and Holmes an overly sharp distinction between law and morality, by largely abandoning the search for the common good, and by permitting individual liberty or equality to trump most other values, mainstream American law may have had a part in fostering a set of cultural conditions inhospitable to communities of memory and mutual aid.

We know the lies we tell to others; the lies we tell to ourselves are a bit harder to discern; but the only way really to grasp the lies we don't even know we are living is to get outside our own cultural setting.

Religious conversion to Christ in this setting essentially means a change of faith which involves participation in the local worshipping congregation of Christian believers without transference of community and cultural affiliations, but with a commitment to the ethical transformation of the whole society and culture in which they participate with others of different faiths.

We can not automatically expect others to «see» what we Christians have focally seen in our primary symbol, Jesus the Qirist, unless they first share with us a sufficiently common set of subsidiary cultural and linguistic ingredients.

Such a cultural setting tends to generate a deep hunger for certainty about one's worldview in its competition with other worldviews, about one's identity in the face of social rootlessness and anonymity, and about one's unsubstitutable significance as a person in the face of specialization that reduces one's personhood to a single socially useful role.

That way they would be best prepared in an ongoing manner, on the one hand, to understand the cultural setting in which they ministered and possible new developments in it, and, on the other hand, to distinguish the essence of Christianity from its various historically conditioned forms and to reformulate it for every new cultural context of ministry.

In other countries, the prevalence of water immersion varies with birth setting and cultural factors (2, 3).

Today the study of social psychology explores in much greater depth how cultural influences, social status and other factors contribute to a person's mind - set and behaviors.

Cultural comfort between company and employees provides the other main set of drivers evident in top employers.

What sets it apart from other books on conservation is that it shows that, in addition to accumulating data on the animals, we have to come to terms with the complex mixture of science, greed, indifference, and cultural differences that have to be tackled if animals like the panda are to be saved.

Date ideas are classified into various categories, like eating out, cultural activities and outdoor activities which helps singles to mingle with other like - minded people in interesting settings.

Set in the early 1960s, both Florence (Ronan) and Edward (Howle) have mostly sidestepped the rising cultural tide, instead finding themselves enmeshed (and often trapped) in traditional expectations that keep them from being honest with each other.

In addition to Mr. Tarantino's trademark dialogue - heavy, suspense - filled set pieces, there are moments of pure silliness, like a gathering of hooded night riders (led by Don Johnson), and a late escapade (featuring Mr. Tarantino speaking in an Australian accent) that perhaps owes more to Bugs Bunny than to any other cultural archetype.

A Separation is a multi-layered drama about two well - meaning Iranian families who are set against each other through a series of unfortunate events and cultural norms.

by Mahmoud El - Kati Papyrus Publishing Paperback, $ 12.00 214 pages ISBN: 978 -0-9675581-7-2 Book Review by Kam Williams «Throughout the cultural evolution of the United States, Black people have consistently contributed a huge stock of colorful words, phrases, sayings, phonics, and other linguistic devices, some of which were brought from Africa... Since the dawn of the 20th Century, descendants of Black folks have set the pace in the rise of popular American culture, leading every major point of departure in music, dance, and creation of the hip lifestyle.

What sets this film apart from the legions of others that detail the troubles with cultural gaps is the underlying but palpable affection with which director and co-writer Gurinda Chadha invests her characters.

Based on the setting alone, the film trips over every obvious German stereotype in the book - from the uninhibited cultural attitudes, to the kinky sexual indulgences, to the peculiar artistic tastes, smaller automobiles, penchant for beer and Euro - trashy nightclubs, etc., etc., etc.... Beyond that, the lineup of comedic gags and sequences feels like mishmash of ideas that never seem to balance out tonally with other jokes, not the entire dramatic side of the film.

The Essential Conversation: What Parents and Teachers Can Learn From Each Other (2003), captures the crucial exchange between parents and teachers, a dialogue that is both mirror and metaphor for the cultural forces that shape the socialization of our children, and The Third Chapter: Risk, Passion, and Adventure in the Twenty - Five Years After 50 (2009) explores new learning during one of the most transformative and generative times in our lives, and EXIT: The Endings That Set Us Free (2012).

Through their study of people in diverse places, including those countries from which migrants to Australia have come, students come to recognise their similarities with other people, to better understand their differences, and to demonstrate respect for cultural diversity and the human rights of all people in local, national, regional and global settings.

on what others are doing in elementary or high schools, urban or rural settings, with a science or a more cultural focus.

We have to work on cultural issues, like gathering the collective commitments, collaborating and setting goals as I have talked about in other blogs AND we have to work on classroom practice.

(a) Provides employment and / or practicum experiences with adolescents in urban public school settings; (b) Provides ongoing support in the development of skills necessary to be an effective group facilitator, utilizing a science - based affective curriculum; (c) Heightens facilitators» understanding of the cultural and contextual factors that impact the psychosocial development of urban adolescents and their ability to achieve academically; (d) Exposes facilitators to the process of designing, implementing and evaluating large scale preventive interventions; (e) Examines educational policy and its implications for practice and research for urban education and school reform; and (f) Encourages facilitators» interest and pursuit of careers in education, psychology social work, counseling and / or other related fields.

This document explains MALP and the need for it in addressing the cultural issues faced by SLIFE and other culturally and linguistically diverse struggling learners in school settings.

In a recent review of studies documenting Latino students» poor achievement in schools relative to other populations, however, Losey (1995) has been critical of investigations claiming a «cultural mismatch» between home and school since many do not, in her words, «collect or analyze data from real - life interactions in actual settings» (p. 288).

In some cultural settings athletic prowess is considered valuable; in others, sports are deemed trivial pastimes.

I can think of a few other archetypes that seem more common in Eastern games: martial artists, archers without pets, gunslingers... Again, this may simply be a different set of cultural tropes, and perhaps from the perspective of someone in Asia Western games feel like they have better class choices, but I enjoy the variety.

Mediating between cultures, while setting man and nature in ambivalent relation to each other, his works are created in the knowledge that they are products of social, cultural, or political constructions.

In a setting where all strategic plans and arguments reside in conjecture, this publication not only aims to introduce a set of critical responses to the most recent support structures in the arts, but also imagines alternative possibilities for how these structures might be built and influence the practice of artists, curators, and other cultural producers.

His works not only mediate in this sense between cultures, or set man and nature in ambivalent relations to each other, but are produced in the knowledge that they are social, cultural, or political constructions.

Though intertwined in practice, the pictorial and the presentational represent two different worldviews, one identified with art as form, as something made, or something its maker arrives at, while the other regards art primarily as a set of cultural signs, or a strategy that produces an artifact, something meant to be read.

Set on fifteen wooded acres in the Lower Hudson Valley — just 24 miles north of the cultural center of New York City — «Vyt» enables Residents to craft their own mix of focused work, community with other residents, one - on - one mentoring from critics, and inspiration from New York's museums and galleries.

Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

It also provides the setting for theatrical productions and other cultural events under the title «Morsbroich Summer».

The gallery is set apart by its focus: beyond merely acting as a means of showing work, the gallery serves as a nexus point where students, faculty, practicing artists, and other members of the community can take part in an intellectual, cultural and creative exchange.

Imagining the Political Subject», Secession, Vienna 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublino 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae ~», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Parigi (performance) 2012 «Searching for the fountain», Moderna Museet, Stoccolma 2012 «Soundworks», ICA, Londra 2012 «Setting the Scene», Tate Modern, Londra 2012 «OEI / Letterism», Moderna Museet, Stoccolma (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stoccolma 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stoccolma 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Bruxelles 2011 La Casa Encendida, Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Francoforte 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Parigi 2010 «Manifesta 8», Murcia, Spagna 2010 «Exhibition, Exhibition», Catello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Firenze (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Roma (performance) 2009 «Lecture Performance», Cologne Kunstverein, Colonia (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Torino (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.

Created in partnership with Gençtur, a UN-supported program that organizes tours, voluntary service activities, and other cultural exchanges for Turkish and foreign youth, the cycling project was set up last year to help promote the use of bicycles and a better appreciation of nature.

In a survey of 450 managers in multi-national companies, McKinsey found that effective management of cultural diversity in a global setting was highly correlated with financial success as measured by profit per employee.3 In companies with proficient cross-cultural management, they found that foreign office profits increased through higher productivity, more cross-selling, client expansion, work referrals from other offices, and leveraging of global resources.

Regardless of firm size or practice area, lawyers are increasingly likely to be working in unfamiliar cultural settings or with clients and lawyers from other countries.

This may in part be because they assume that lawyers» skills translate easily to any cultural setting, or because they believe that people in other countries will naturally accept and adapt to US cultural norms.

He did not define fluency as simply linguistic fluency, but also cultural fluency — the ability to understand and relate to other cultures and deal with them in a business setting.

• Skilled in developing various themes and events while keeping the client's preferences in mind • Strong organizational, time management and task prioritization skills along with insightful ability to complete projects flawlessly on a strict timeline in limited budget • Excellent communication and interpersonal skills, profound ability to negotiate productive deals with vendors • Apt at idea conception, project outline development, theme approval, vendor negotiations and event marketing • Track record of delivering high quality thematic event planning services and attaining 100 % client satisfaction • Well versed in meeting with clients, discussing the event details and developing a clear understanding of their expectations • Strong presentation skills, solid ability to demonstrate sample themes using multimedia and graphic software • Great attention to detail, fully able to manage given budget effectively • Special knack for developing ample marketing strategies for social events and implementing the same real time, through social media and other advertisement channels • Diverse knowledge of different cultures of the world, hands on experience in planning cross cultural weddings and multinational conferences catering for expected norms form both sides • Expert in menu setting, venue selection, décor supervision, theme setting and project promotion • Well practiced in overseeing the team of vendors, service suppliers, photographers, caterers and helpers • Hands on experience in coordinating various non-government organization based fundraising and donor communication activities • Strong numeracy skills with proven ability to manage budgets up till $ 15M effectively • Particularly effective in devising print material, social media and TV / radio ad based campaigns for promotion of social events • Demonstrated ability to design invites, make stay and travel arrangements for the guests and remind them regarding important dates • Expert in pre-planning, onsite management and post program evaluation • Ability to work autonomously while maintaining a dynamic work environment and keeping up a motivational team spirit among the employees

Dedicated Asian Studies major bringing extensive knowledge from the east coast gaining the cultural competency, skill set, and knowledge base necessary to pursue successful careers in, among others, the burgeoning nonprofit, nongovernmental and private sectors in the Asia Pacific.

Civil Engineer — Duties & Responsibilities Responsible for civil engineering and construction projects valued in excess of $ 60 million Develop exposure to varied construction projects with both military and civilian applications Maintain, update, and create GIS and CADD data for use in Public Works civil engineering projects Coordinate data collection and project management with partner agencies and subcontractors Map utilities, environmental features, cultural resources, infrastructure, communication lines, and other features Utilize GPS and conventional surveying techniques to collect thousands of data points for detailed mapping Create and access spatial datasets in ArcSpatial Data Engine Develop and implement new mapping techniques using GIS software decreasing project turnover by 30 % Design and print large scale maps, drawings, and other items for use in engineering projects Set and strictly adhere to project timelines and budgets Manage construction contract negotiations, implementation, and funding Oversee finances identifying and resolving any errors or deviations of project budgets Direct office operations and support staff ensuring efficient, effective, and professional operations Serve as Civil Engineering instructor at the US Air Force Academy Lead classes in advanced GPS equipment operations, mapping, GIS software, and Terrasync data collection Develop new GIS, GPS, CADD curriculum for more than 1,200 cadets Implement instruction in Airfield Damage Assessment, MOS plotting, and combat skills Build and strengthen professional relationships with commanding officers, support staff, and business partners Perform all tasks with poise, integrity, and positivity

Throughout the six sessions, the Greatfulness program aims to enhance children's confidence, build respect and kindness towards others, self - care, creativity, emotional control, goal - setting building resilience, understanding cultural diversity and understanding and improving communication and body language.

«Guidelines for the Home Visitor» reprinted in Lynch & Hanson's book Developing Cross Cultural Competence: A Guide for Working with Children and Their Families (2002, Fourth printing) were originally suggested to assist home visitors and others who work with young children and families in early childhood settings.

The cultural contexts at play here are personal for both Mr. Lorenzo and Ms. Flores; professional child care provider for Mrs. Flores; and possible community context for Mr. Lorenzo (e.g. acceptable activities for boys and how others view him), as well as the child care setting and expectations of parent / teacher interaction for both.

Kansas developed the Cultural Awareness, Respect, and Engagement (C.A.R.E.) Toolkit to help home visitors and other early childhood professionals engage diverse populations and improve practice in cross-cultural settings.