Sentences with phrase «cultural show known»
Enjoy a family - friendly evening out at Siam Niramit, a Thai dancing and cultural show known for its elaborate traditional performances and sparkling costumes.
http://www.naamsawan.com/ Not exact matches
But with the cultural exaltation of the Victoria's Secret brand and fashion show, the execs behind the fabricated lifestyle are banking on the fact that millions who don't know better will believe she does and purchase the bra that promises to transform them into such.
as a psychologist... one would have to know the cultural aspect of the client as well... that's why I brought in the BIble... she was delusional... also she would have showed other signs of delusions (if I remembered correctly she showed several - this case was quite a while back)
Meeting a potential partner's loved ones is a surefire way to get to know them better, as well as showing respect for their cultural background — so if you're invited over for a big family dinner, don't be shy!
With Swayze no longer in the public eye as anything but a pop - cultural toss away on one of those VH1 retrospective shows, his entry into the conversation these days is as a shade of his iconic man - mentor.
Consider, for example, starting a unit by showing students an image of two people or groups of people whose differences and known disagreements are likely to trigger historical or cultural assumptions (such as Native Americans and early Great Plains settlers, British and German soldiers from World War I, or police officers near a picket line of striking workers).
These exams can only ever show a limited sample of student ability, and the cultural bias inherent in any standardized assessment exacerbates the SBA's inability to reveal what my students truly know and can do.
Having looked under the hood of the modern media machine's first days and inside the minds of some of its major figures, Glen David Gold sat down to converse with writer and cultural critic Adam McGovern about Sunnyside's own secrets — and showed that knowing some of the mysteries doesn't take away the magic.
As you know, I currently live in Athens, Greece and run my blog to show the idiosyncracies of life here — the cultural differences, etc — all with a view to my book eventually being released.
Community and cultural considerations are presented in Knowing Growing Showing as seven guiding ideas that underpin and support the teaching of consumer and financial literacy for each stage.
Knowing Growing Showing supports teachers to engage students in consumer and financial literacy by connecting with and building upon Aboriginal and Torres Strait Islander cultural and community values, histories, world views and lived experiences.
Our tour guide is Balinese and therefore knows how to show you the cultural and spiritual side of Bali away from the tourist crowds.
22 acre oceanfront resort The most swimming pools and waterslides Waikiki's widest stretch of beach Duke Kahanamoku Lagoon for swimming and fun Waikiki luau at the hotel Cultural activities including lei making, hula, and ukulele lessons More family activities and more for kids to do Nightly Hawaiian entertainment Friday night fireworks show Just 20 minutes from Honolulu International Airport (HNL) Walking distance to Hawaii Convention Center No Resort Fees
2002 Art Basel Miami Beach, Bernice Steinbaum Gallery, Miami, FL Miami Currents, Miami Art Museum, Miami, FL No Show, Fredric Snitzer Gallery, Miami, FL Parallel Zone, Buick Building (Dacra, Miami Design District), Miami, FL That Place, Mia Gallery, Miami - Dade Aviation Department Division of Fine Art & Cultural Affairs, Miami, FL Effexor 75, Kevin Bruk Gallery, Miami, FL The Cuban Poster Project, The Advertising Club, New York, NY The Miami Alphabet, A-Z, Miami - Dade Public Library, Miami, FL That Place, More and Buick Buildings, Miami Design District, Miami, FL Florida Landscape / Escape, Miami - Dade Public Library, Miami, FL
Duchamp's decision to show a urinal in a gallery would become known as one of the most important gestures in what's called «Conceptual Art,» or art that asks us to question our most fundamental understandings of cultural value and artistic production.
UPCOMING SHOW: Yokohama Triennale REGULAR GIG: Artist KNOWN FOR: In his theatrical photographs, Yasumasa Morimura dresses up as Western cultural icons, humorously commenting upon Japan's own complex historical absorption of American culture.
That she has chosen to show a number of artists who work in challenging conditions — with high probabilities for conflict and low levels of support from arts institutions or cultural infrastructures — seems to reaffirm what may sound trite but is effectively dOCUMENTA (13)'s sweetest and most profound gift to its visitors: its strange and tender love for what art has been and may no longer be.
Metaphorically, the museums» immaculate white walls (as opposed to the battered partitions of the Brucennial's borrowed space at 350 West Broadway) carry the cultural charge of «this is it,» while the shows reverberate with «maybe, I guess, who knows.»
Art & Stupidity, Focal Point Gallery, Southend - on - Sea, UK I speak, knowing it's not about speaking, Caixaforum, Barcelona, ES British Art Show 8, Leeds Art Gallery, Leeds, UK THE DREAM OF MODERN LIVING: Contemporary Artists Explore Ikea, Warrington Museum and Art Gallery, Warrington, UK CRU - Comida Transformacao e Arte, CCBB - Centro Cultural Banco do Brasil Brasília, Brasília, BR Open City Festival, Lublin, PL Ryan Gander and A.FOUR present Brand Evalgelism and The universe as I knew it aged 5, collapsed and expanded several times or more (Reflector), Wild West Space, Maastricht, NL Adventures in Bronze, Clay & Stone, Arezzo Biennale Arts Festival, Arezzo, IT Art as a Verb, Monash University Museum of Art, Melbourne, AU Let's start playing the game, Onomatopee Eindhoven, NL When I Give, I Give Myself, Van Gogh Museum, Amsterdam, NL Transparenzen, Bielefelder Kunstverein, Bielefeld, DE 2014 I would like to Join a Club and Hit Myself with It, Castlefield Gallery, Manchester, UK The Peace One Day Project for 2014, ICA, London, UK L'Avenir / Looking Forward, La Biennale de Montréal, CA Art as a Verb, Monash University Museum of Art, Melbourne, AU Blue Times, Kunsthalle Wien, AT The Human Factor, Hayward Gallery, London, UK Will Happiness Find Me?
Imagining the Political Subject», Secession, Wien 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublin 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Paris (performance) 2012 «Searching for the fountain», Moderna Museet, Stockholm 2012 «Soundworks», ICA, London 2012 «Setting the Scene», Tate Modern, London 2012 «OEI / Letterism», Moderna Museet, Stockholm (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stockholm 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stockholm 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Brussels 2011 «La Casa Encendida», Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Frankfurt 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Paris 2010 «Manifesta 8», Murcia, Spain 2010 «Exhibition, Exhibition», Castello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Florence (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Rome (performance) 2009 «Lecture Performance», Cologne Kunstverein, Cologne (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Turin (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.
Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.
Her work has shown at venues including PULSE NYC Special Projects, BRIC Media Arts, ABC No Rio, The Kitchen, Wayfarer's Gallery and Eyebeam in New York; Chicago Cultural Center, Mana Contemporary, Weinberg / Newton Gallery, Roots & Culture, and the Museum of Contemporary Art in Chicago; Art F City's FAGallery in Miami, FL; The Museum of Human Achievement in Austin, TX; Salt Institute in Portland, ME; The Dah Theater Research Center in Belgrade, Serbia; ICA Baltimore, and Athens Museum of Queer Arts, Athens, Greece.
Most people who know him at all only know the big desert pieces, so to contextualize his whole career was really fascinating, to show that he was working with Plexiglas and paint and a lot of specific cultural references, that is really important.
Imagining the Political Subject», Secession, Vienna 2013 «I knOw yoU», IMMA — Irish Museum of Modern Art, Dublino 2013 «The Butterfly Image», Mudam, Luxembourg 2013 «Only here», Art and Exhibition Hall of the Federal Republic of Germany, Bonn 2012 «Reactivation», 9th Shanghai Biennial, Shanghai 2012 «CARA DOMANI opere dalla Collezione Ernesto Esposito», MAMbo, Bologna 2012 «Storytelling as Craft», Kentucky Museum of Art and Craft, Louisville 2012 «Ephemeropterae ~», TBA21 Augarten, Vienna (performance) 2012 «Swans, Amputees», Fondation Cartier, Parigi (performance) 2012 «Searching for the fountain», Moderna Museet, Stoccolma 2012 «Soundworks», ICA, Londra 2012 «Setting the Scene», Tate Modern, Londra 2012 «OEI / Letterism», Moderna Museet, Stoccolma (performance) 2012 «Descriptive Acts», San Francisco MOMA, San Francisco 2012 «enfolds: books I & II», Mount Analogue, Stoccolma 2012 «Never odd or even», Museum of Contemporary Art, Roskilde (performance) 2011 «Balustrade: endless tapes», Milliken Gallery, Stoccolma 2011 Fotofestival 4, Mannheim, Ludwigshafen, Heidelberg 2011 «Folk Variations», Radar, Loughborough (performance) 2011 «The Other Tradition», Wiels, Bruxelles 2011 La Casa Encendida, Madrid (performance) 2011 «Subtext Part II», Un Projects, Melbourne 2011 «British Art Show 7: In the Days of the Comet», touring; Nottingham Contemporary, Hayward Gallery, London, Glasgow Centre for Contemporary Art, and Plymouth Arts Centre 2010 «New Frankfurt Internationals», Frankfurter Kunstverein, Francoforte 2010 FRAC Champagne - Ardenne, Troyes 2010 «Fun Palace», Centre Pompidou, Parigi 2010 «Manifesta 8», Murcia, Spagna 2010 «Exhibition, Exhibition», Catello di Rivoli Museo d'Arte Contemporanea, Rivoli 2010 «Performance», Museo Marino Marini, Firenze (performance) 2010 «Balustrade», Julia Stoschek Foundation, Dusseldorf (performance) 2010 «Haunted: Contemporary Photography / Video / Performance», Guggenheim Museum, New York (performance) 2010 «Finding Chopin», performance Witte de With, Center for Contemporary Art, Rotterdam (performance) 2010 «NineteenEightyFour», Austrian Cultural Forum, New York 2010 «ACT VII: Of Facts and Fables», Witte de With, Center for Contemporary Art, Rotterdam 2010 «Leipzig Calendar Works», Project Kaufhaus Joske, Leipzig (performance) 2010 «A Performance Cycle», Nomas Foundation, Roma (performance) 2009 «Lecture Performance», Cologne Kunstverein, Colonia (performance) 2009 «Accecare l'ascolto / Aveugler l'ecoute / Blinding the ears», Artissima, Torino (performance) 2009 «5 × 5 Castello 09», Espai d'art contemporani de Castello EACC, Valencia 2009 «This World & Nearer Ones», Creative Time, New York (performance) 2009 «Ars viva 08/09.
Again, reference the job description, touch on qualities you know the company admires and show how you would be a good cultural fit.
Knowing Growing Showing can be adapted for use with cultural groups other than Indigenous Australians.
Written for professionals, students, and practitioners, this book offers solid data and research that shows how innovations in acceptance and mindfulness therapies can be directed for the health and wellness of all people, no matter their race, creed, or cultural background.
Baron Cohen, 38, is known for playing outrageous characters in «Da Ali G Show» (2000, 2003 - 04), «Borat: Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan» (2006) and «Bruno» (2009).