Whereas the then - fashionable neo-Expressionists combined images pastiched from eclectic
cultural sources with a loose painterly style, Jensen renewed the symbolist impulse that fueled the work of late American Romantics and early American Modernists such as Albert Pinkham Ryder and Marsden Hartley without resorting to parody or kitsch.
Not exact matches
Christianity had endured and adapted, becoming one of the few
cultural commonalities I shared
with my
sources.
As Gutjahr puts it, «a text that had provided the nation
with a
source of shared
cultural memory and language for nearly two centuries would find itself increasingly «ghetto «ized» among specific, more Protestant segments of the nation's population.»
- God, the Absolute - humanity, the human condition in its universal characteristics, - male and female, though different, equal in rights and dignity, - the cosmos, especially the planet earth available,
with its limited resources, for all humanity - the planet's ecology as common essential
source of life and hence of concern for all humans, present and future, - the human conscience guiding each one interiorly would be known only to each one personally, - the each group of humans has a history and a religio -
cultural background of its own is a universal factor that makes for particularity and different contexts for theology, - the realization that the present increasing globalization of relationships, economy and culture impinge on theology and spirituality universally, though differently.
In an interview
with Il Foglio Cardinal Scola, Patriarch of Venice and founder of the Oasis
cultural centre for understanding between Catholics and Muslims, said that the Open Letter to the Pope and other Christian leaders by 138 scholars from various Islamic traditions was «not only a media event, because consensus is for Islam a
source of theology and law... The fact that the text is rooted in Muslim tradition is very important and makes it more credible than other proclamations expressed in more western language... It is only a prelude to a theological dialogue... in an atmosphere of greater reciprocal esteem.
Fusing different
sources of capital, the global transnational information and
cultural producers are «turning the world into a shopping mall for those
with sufficient disposable income».
«The world is divided on this question,» explains James Cuno,
with «museums, private collectors and art dealers» on one side, and «archaeologists, academics, and
source nation
cultural ministers» on the other.
The fact that Jesus is on the side of women should be our
source of encouragement and empowerment as we continue to serve God and strive for a full and equal ministry.81 Nothing, perhaps, was more shocking for his contemporaries than the freedom
with which he associated himself
with women, considering the inferior position of women in Jewish society.82 According to R. L. Hnuni, «male dominated
cultural and traditional values and injunctions may put boundaries and debar them from full ministry, but this should not discourage women's conviction and commitment to full ministry.
It also could provide a means whereby other influential factors could be investigated and addressed, such as differences in the social and economic purposes of broadcasting, the social
sources of violence and how media portrayals interact
with those causes, how the restraints and traditions of media production cause the media to pick up particular
cultural images while ignoring others, and how particular audiences respond to and use media images.
They were to provide the
sources of knowledge
with which the Buffalo Public and the Grosvenor Libraries, the city's two greatest democratic
cultural institutions (later brought together in the Buffalo & Erie County Library), could educate the city's architects and its diverse population in the traditions of the world's
cultural riches.
The team's findings have caught the attention of international collagen - based biomedical product manufacturing companies, who are interested in using non-mammalian
sources to overcome biological and
cultural drawbacks associated
with bovine and porcine collagen.
With a strategy rooted in speed, cities and open
source, the German sportswear giant has won
cultural cred, surpassing arch-rival Nike in the eyes of the young consumers who drive the sneaker market.
There are
cultural and religious traditions that place special value and significance... and Stacey Plaskett, D - Virgin Islands wrote...
With a history of reliable reporting dating back to 1907, today's UPI is a credible
source for Asian Dating Sites Scams Are There Dating Sites For Virgins Virginity — Wikipedia — Virginity is the state of a person who has never engaged in sexual intercourse.
There are
cultural and religious traditions that place special value and significance... and Stacey Plaskett, D - Virgin Islands wrote...
With a history of reliable reporting dating back to 1907, today's UPI is a credible
source for
These tend to be the most engrossing sections of «Solo» because they treat your eye to vistas that you probably haven't encountered before, unless you're familiar
with the older
cultural sources that the filmmakers are raiding for inspiration — and even then, director Ron Howard (replacing Phil Lord and Christopher Miller) freshens them up and makes them feel lived - in.
One
source of anxiety for students has to do
with negative
cultural stereotypes, which can be made salient to the learner when a negative
cultural stereotype about one's group applies to the testing situation (Steele & Aronson, 1995).
Through engaging
with artworks from diverse
cultural sources, students are challenged to consider accepted roles, images, objects, sounds, beliefs and practices in new ways.
Basic Competencies: Students should have the ability to use all forms of information, especially current media and technology; develop a greater
cultural awareness of their country and others; have the ability to work
with others of different backgrounds; and develop skills to analyze multiple
sources of information that can be used to solve real problems.
Cultural anthropologist Gretchen Bakke reimagines the US's electrical grid for contemporary values and
with new energy
sources in mind.
There are endless reasons why people choose to visit Paris again and again: it is a beautiful and
cultural city, very walkable,
with great sights and it has been a
source of inspiration for many writers, artists, and filmmakers.
In keeping
with the
cultural melting pot that is Malaysia, the Four Seasons Langkawi takes its inspiration from a mélange of
sources.
For centuries, artists have collected artworks, along
with diverse
cultural artifacts and natural materials, as vital
sources of inspiration and to create highly individualized models of their world.
She prints a digital photograph of an image — usually appropriated from mainstream
cultural sources, such as TV — using water - based inks, and then douses it
with water, allowing the inks to bleed, blend, run and pool in arbitrary ways.
Within his fascination
with source, Boone is interested in how particular arrangements and the accumulation of materials that are clearly part of a larger
cultural fabric are what construct personal histories, and how reconfiguring these arrangements creates open vessels for new intention.
His art practice addresses both the contemporary world around him and his
cultural heritage,
with Italian peasant traditions having provided a life - long
source of inspiration for his practice.
Arcangel is concerned
with the democratization of his own art: by exhibiting the same image both IRL in a white cube and online as «click bait»; in the leveling of
cultural value, despite variance of image quality; and in his adherence to open
source culture (evidenced especially in work titles that double as instructions to make them oneself).
Equal parts funny and tender, the video jerry - rigs analogue
source material
with a beguiling blend of digital aesthetics to explore the speculative future of the chikha — a female singer or dancer wound deep into the
cultural history of Morocco — within the twenty - first century standards of social media - enabled distraction and
cultural disassociation to which the twenty - nine - year - old Bennani belongs.
We open up our campus to our neighbors, and will launch Culture Mapping 90404, our community -
sourced website of Pico neighborhood
cultural treasures
with an exhibition, celebration, music, food trucks, and open artist studios.
As a creative
source, curator, event organizer or media - rich platform, Installation partners
with the most influential art fairs, museums, galleries,
cultural institutions, education organizations, non-profits and like minded brands.
Through a range of image
sources and her stage - like environments, such as gallery walls painted
with Chroma Key blue paint used in film or TV studios, Hamilton explores our associations to surreal and seductive
cultural imagery while examining the histories of art, film, and performance.
The exhibition will bring together more than 12 of his canvases from this period, which combine spectacularly rendered psychedelic surfaces
with provocative imagery from a staggering array of
cultural sources, from religious icons to Blaxploitation films.
Focusing on the transformative aspects of printmaking, Beyond a Memorable Fancy explores the current trend of artists experimenting
with print techniques in order to appropriate and manipulate information — be it from text or image
sources,
cultural -LSB-...]
Recently honored
with the 2017 American Architecture Prize for his design of Abu Dhabi's memorial park, Wahat Al Karama, Idris Khan draws inspiration from diverse
cultural sources including literature, history, art, music and religion.
The artist's humorous sculptures draw from a wide variety of
source materials from both low and high
cultural registers: popular imagery, toys, kitsch paraphernalia mixed
with ancient
cultural artefacts and modernist archetypes.
Specializing in: • Developing exhibitions internationally, securing loans from institutions and private collections • Strategic planning and project management for museums and foundations • Site - specific installations by artists, designers and architects • Building and developing institutional and private collections of contemporary and modern art globally • Creating strategic partnerships between private funding
sources, museums and
cultural institutions • Initiate and oversee local and global fundraising projects • Collaborate and facilitate
with partnering institutions • Serving as active board member in the private and public sector • Historic building preservation and conservation
In this illuminating interview
with the German
cultural critic Diedrich Diederichsen excerpted from Phaidon's monograph Isa Genzken, the groundbreaking artist discusses the sometimes unlikely
sources of her inspiration.
Rather than avoiding the commercial images,
cultural iconography or personal snapshots that we interact
with daily, the instant familiarity of photography is used as
source material.
Given the gallery's high visitor attendance figures, along
with Saatchi's continuing ability to
source interesting works of art, it is impossible to deny that it has become one of Britain's best art museums as well as one of its leading
cultural institutions.
Oraib Toukan has been collaborating
with artist Ala Younis on a project on found film footage from the former Soviet
Cultural Center in Amman, and working
with digital builder Matthew Epler, who designed a crowd -
sourced database to globally identify 900 unknown film canisters in Amman.
Funded in part by an SFAC
Cultural Equity Grant that replaced NAP, Re-Historicizing the Time around Abstract Expressionism launched online and at the Luggage Store in 2010.5 Still available on the web, it features extensive interviews
with artists of color, including Oliver Jackson and Mary Lovelace O'Neil, who were featured in Other
Sources, as well as several female artists like Deborah Remington and Cornelia Schultz, who were not.
Instead, they take their own culture and heritage as primary
sources of inspiration and combine photography
with other techniques such as collage, silk - printing, painting, and images that use
cultural ephemera and archival documents.
But to speak of «levels» of food and art is also to bring about their similarities, as potential
sources of enjoyment, fulfilment and creativity yes, but also as being both highly concerned
with satisfying personal and
cultural tastes — and what value we might put on doing so.
The book finds parallels between the works of luminaries such as Jean - Luc Godard, Joseph Cornell, Elizabeth Price, Joyce Wieland and Jeff Wall, tracing the lasting impact of such seemingly disparate
cultural phenomena as voguing, hacking and the use of audio and film as a kind of a globally available, open
source language in art that deals
with the mass proliferation and dissemination of images and knowledge brought on by digital technologies.
The
source she draws on, from Southern face jugs to Korean norigae are so diverse, allowing for work that is both humorously and seriously engaged in confrontations
with the absurdity of our globalized, hyper - technologized society and the many
cultural misunderstandings it nurtures.»
«Coasts have been a
source of ongoing artistic fascination throughout the modern period, and this exhibition draws exciting and unprecedented parallels between works
with radically different aesthetic and
cultural contexts.»
With an interest in
cultural mythologies, narratives and everyday life, these materials served as a vital
source in his practice.
Mostly expressing a sense of absurdity, his work engages
with pre-conceptions about
cultural ideals to challenge established perception and interpretation through the use of found, familiar, or fabricated
sources popularized by the Surrealists.
It was a lifelong
source of inspiration intertwined
with his personal history,
cultural milieu, and desire to create a regional expression of American modernism.
Taaffe strives for a visual energy and an optical vibrancy that integrate the decorative
with the narrative, and the ancient
with the modern — entwining
cultural lineages and histories to create something authentic from these interwoven
sources.
The exhibition will bring together more than twelve of his canvases from this period, which combine spectacularly rendered psychedelic surfaces
with provocative imagery from a staggering array of
cultural sources, from religious icons to Blaxploitation films.