Sentences with phrase «cultural space this year»

Music felt like it occupied an urgent and responsive cultural space this year.

Not exact matches

On a mother (of a) quest for 15 years as a journalist, activist and nonprofit visionary, Lisa Reagan explores the space between our unsustainable industrial story and the emerging story of what is possible for Cultural Creative families — who are leading the way forward.

On a Mother (of a) Quest for 15 years as a journalist, activist and nonprofit visionary, Lisa Reagan explores the space between our unsustainable industrial story and the emerging story of what is possible for Cultural Creative families — who are leading the way forward.

«From providing a central space for community members to hold vigils and seek support from their neighbors in difficult times, to cultural festivals in the summer, Diversity Plaza will represent something powerful for this city and this community for years to come.»

The park space will also host cultural markets, ice skating and other year - round activity.

A New Orleans based cultural organizer, philanthropy strategist, and curator with 13 years experience at the forefront of the arts and culture sector, her organizing and advocacy is focused on building spaces for the most marginalized to create work, and redirecting resources to communities of color as a matter of justice.

December 28, 2017 • Many of the year's best challenged America's record on race, critiqued widespread cultural erasure, or broke conventions of genre, gender and identity within the space of rap itself.

Florida's Space Coast's cultural arts community is made up of multiple theater groups, including the Historic Cocoa Village Playhouse and the Henegar Center, professional orchestras and dozens of theatrical and musical performances throughout the year.

Before Nonas began making objects, he worked for ten years as a cultural anthropologist, studying the way native cultures conceptualize space.

In the last few decades, particularly in the last several years, we've observed that the cultural celebration of the hedgehog has gradually carved out ample space for the fox.

2017 — Take Care of Yourself, Linda Warren Projects, Chicago, IL 2014 — It Ended With My Putting it On, The Comfort Station, Chicago, IL Could Almost Feel it in My Hands Like an Egg of Air in the Water, Purdue University, Indiana 2013 — The Forgiveness Beneath the Mountain or Sleep, Repose and Duration in the Broken Hearted Year, Linda Warren Projects, Chicago, IL 2012 — View From the Birth Day, The Chicago Cultural Center, Chicago, IL A Note on Assembly / Glory, The University Club, Chicago, Chicago, IL A Proud and Soaring Thing, The Rosemary Duffy Larson Gallery, Broward College, Ft. Lauderdale, FL 2011 — The Tremendous Alone, The Elmhurst Museum of Art, Elmhurst, IL A Loss Like the Rome of Waiting, Linda Warren Gallery, Chicago, IL Or to Append the Cancelled Lyrics, The Union League Club, Chicago, IL 2010 — Not Again, The Old Men With Beautiful Manners, Linda Warren Gallery, Project Space, Chicago, IL Bare Ruined Choirs, Gallery in the Library, Barrington Hills, IL Bent Gathering the Boney Apples, Indianapolis Art Center, IN

While Paradise Works is a new addition to Salford's cultural landscape, Islington Mill has been in the city for almost 20 years, providing space for studios, exhibitions, club nights and gigs.

This project has unfolded over the space of a year in different locations including the print room in the School of Art, Design & Fashion at the University of Central Lancashire (UCLan) where Lubaina Himid is Professor of Contemporary Art, leading the Making Histories Visible Project — an exploration of the contribution of black visual arts to the cultural landscape.

As awareness of the cultural, economic, and artistic contributions art spaces make within local and regional areas rises, coupled with drastic reductions in public funding over the past several years; a second wave of «alternative art spaces» has emerged.

After one year in the space they shut down operations, and from 1981 until they ceased activities in 1996, Group Material constituted a flexible membership of three to five artists who organized projects in the public sphere — function as a medium for collective cultural production and public address.

As the second fastest growing city in the country, in the last few years the city has witnessed the emergence of a stimulating contemporary arts scene with new art spaces and a fresh dynamic and vibrant cultural life.

Offering access to rehearsal space and facilities, equipment, documentation, pr / marketing, curatorial and technical expertise, the AIR program provides artists an opportunity to develop significant new works in partnership with ISSUE over the course of the year, cultivating long - term relationships within the organization and greater cultural community.

While there is no theme this year as such, we're hunting for work that experiments and explores in general, crossing disciplinary boundaries, challenging established notions of time and space, cultural production, and the objet d'art itself.

Many Local and international creatives have enjoyed the possibility to promote their work at the various exhibitions, group or even solo shows, participating or collaborating in cultural events that have taken place at Fousion Gallery Barcelona or in other spaces in Europe over the last years.

Sitting on the heights of the historic hill of La Croix - Rousse in Lyon, La Salle de Bains has, over the past 15 years, become a key alternative not - for - profit exhibition space for international contemporary artists in the city's cultural landscape.

Now in its second year, Guild House AIR provides four emerging artists with two months living space, a stipend and access to mentorship through Guild Hall's Academy of the Arts (an association of accomplished and prominent creative individuals) as well as introductions to the cultural community of The Hamptons.

The foundation's deep commitment to developing and sustaining the cultural life and heritage of Sharjah is reflected through year - round exhibitions, performances, screenings, and educational programmes in the city of Sharjah and in arts spaces across the Emirate, many of which are housed in historic buildings.

Previously Will was at Lower Manhattan Cultural Council for five years where he was responsible for managing artist cohorts, studio spaces, and other aspects of LMCC's Workspace, Process Space, and residency programs.

We play a vital role in Atlanta's cultural landscape by presenting over 100 consequential artists from the local, national, and international art scenes through our various exhibition and project spaces each year.

We're guessing «Made in Space» relates to Southern California's cultural vacuum; the press release provides a series of scenes, in various years, in LA malls and cars.

In odd years, countries choose their artist representatives for permanent pavilions in the Giardini or in rented spaces around town: scuoli, palazzi, churches, cultural foundations.

This year's program for La BF15 focuses on issues, devices and mechanisms inherent to the various aspects of exhibitions: works, space, display, surveillance, public reception, media, cultural...

Collection, Cornell Fine Arts Museum, Orlando, FL Commemorating 30 Years (1976 — 2007): Part Three (1991 — 2007), Rhona Hoffman Gallery, Chicago, IL The Blake Byrne Collection, The Nasher Museum of Contemporary Art, Duke University, Durham, NC 2006 Do Not Stack, Roberts & Tilton, Los Angeles, CA Black Alphabet: ConTEXTS of Contemporary African - American Art, Zacheta, National Gallery of Art, Warsaw, Poland Down By Law, Wrong Gallery at the Sondra Gilman Gallery, Whitney Museum, New York, NY Hangar — 7 Edition 4, Salzburg Airport, Salzburg, Austria Redefined: Modern and Contemporary Art from the Collection, Corcoran Gallery of Art, Washington, D.C. Relics and Remnants, Jamaica Center for Arts and Learning, Jamaica, NY 2005 Maximum Flavor, ACA Gallery, Atlanta College of Art, Atlanta, GA Neo-Baroque, Tema Celeste, Verona, Italy Neovernacular, Turner Gallery, Los Angeles, CA Kehinde Wiley / Sabeen Raja: New Paintings, Conner Contemporary Art, Washington, D.C. 2004 Eye of the Needle, Roberts & Tilton, Los Angeles, CA Glory, Glamour & Gold, The Proposition, New York, NY She's Come Undone, Greenberg Van Doren, New York, NY The New York Mets and Our National Pastime, Queens Museum of Art, Queens, NY Beauty, Kravets + Wehby, New York, NY African American Artists in Los Angeles, A Survey Exhibition: Fade, City of Los Angeles Cultural Affairs Department, Los Angeles, CA 2003 Peripheries Become the Center, Prague Biennale 1, Galleria Nazionale Veletrzni Palac Dukelskych Hrdinu 47, Prague, Czech Republic Superreal, Marella, Milan, Italy New Wave, Kravets Wehby Gallery, New York, NY Re: Figure, College of DuPage, The Guhlberg Gallery, Glen Ellyn, IL 2002 Painting as Paradox, Artists Space, New York, NY Mass Appeal, Gallery 101, Ottawa, Canada Ironic / Iconic, The Studio Museum of Harlem, New York, NY Black Romantic, The Studio Museum of Harlem, New York, NY 2001 It's Bigger Than Hip Hop, Rush Arts, New York, NY

Studio Manuel Raeder is an interdisciplinary design studio based in Berlin, that has been engaged in designing, publishing and editing over 100 artist books in the past ten years, as well as being responsible for the communication strategies and graphic identity of several cultural institutions such as Kölnischer Kusntverein (2007 - 2011), Kunstverein München (since 2010), and Artists Space New York (since 2009), and of the fashion label BLESS (since BLESS N ° 23).

In 2011 the Fondazione Prada opened a new exhibition space in Venice, Ca» Corner della Regina, an historic palazzo on the Grand Canal, which is going to be restored over the next years with the goal of offering a stimulating cultural program.

Elizabeth Price is selected by the Whitechapel Gallery as part of Artists» Film International, a collaborative project which showcases artists working with film, video and animation from 15 partner organisations around the world and presented over the course of a year in each venue: Belgrade Cultural Centre, Belgrade; Video - Forum (n.b.k), Berlin; GAMeC, Bergamo; Fundacion PRÓA, Buenos Aires; New Media Center, Haifa; Hanoi / DOCLAB, Hanoi; Para / Site Art Space, Hong Kong; Istanbul Modern, Istanbul; Centre for Contemporary Arts Afghanistan (CCAA), Kabul; Ballroom Marfa, Marfa, TX; National Centre for Contemporary Arts, Moscow; Project 88, Mumbai; KINOKINO Centre for Art and Film, Sandes, Norway; Cinematheque de Tanger, Tangier and City Gallery Wellington, Wellington.

The narrative of his intellectual and emotive adventure, developed over a period of 40 years and still under way, unfolds in close relation with the museum's exhibition spaces through a selection of 76 works — comprising paintings, photographs, videos, sculptures and installations — produced by 66 artists of various generations and cultural and geographical areas.

Asuka was an Artist - In - Residence with the Lower Manhattan Cultural Council's Workspace Program this year and was recently selected to participate in the 2010 HomeBase V Project in Berlin and a 2011 Sculpture Space residency in Utica, NY.

Newly - minted director Gonzalo Casals, a veteran of Friends of the High Line and the Museo del Barrio, hopes the upgraded venue, doubling the museum's exhibition space, will allow the 30 - year - old institution to «reframe scholarship from a queer perspective» and also raise its profile «as a cultural hub for the LGBTQ community.»

The new works include eight figurative paintings that she completed over the last year as an artist - in - residence at the Lower Manhattan Cultural Center's «Process Space» residency on Governors Island.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

Six years later, when Lehmann Maupin moved to its current home at 540 West 26th Street in Chelsea, the firm oversaw the redesign of the 6,000 plus square - foot space, and also their second New York exhibition space, opened in late 2007, at 201 Chrystie Street in the Lower East Side, Manhattan's new cultural hub.

Pjota has had significant exhibitions since he was 18 years old including solo exhibits at Galeria Choque Cultural, Museum of Contemporary Art of Paraná and the Volcom Art Space, all in Brazil.

The Serpentine's new space, the Serpentine Sackler Gallery, located nearby in Kensington Gardens, will bring a unique, listed building into public use for the first time in its 206 - year history, providing a new cultural destination and landmark for London.

«American Art Today: Faces and Figures,» The Patricia & Phillip Frost Art Museum (formerly The Art Museum at FIU), Florida International University, Miami, FL, January 17 — March 9, 2003 «The Harlem Renaissance and Its Legacy,» Worcester Art Museum, Worcester, MA, January 18 — April 13, 2003 «A Century of Collecting: African American Art in the Art Institute of Chicago,» Art Institute of Chicago, Chicago, IL, February 15 — May 18, 2003; catalogue «Structures of Difference,» Wadsworth Atheneum Museum of Art, Hartford, CT, February — April 13, 2003 «The Space Between: Artists Engaging Race and Syncretism,» Davis Museum and Cultural Center, Wellesley College, Wellesley, MA, March 18 — June 8, 2003 «Visual Poetics: Art and the Word,» Miami Art Museum, Miami, FL, April 25 — November 16, 2003; brochure «Visualizing Identity,» The Jack S Blanton Museum of Art, University of Texas at Austin, Austin, TX, August 27, 2003 — January 4, 2004 «Drawing Modern: Works from the Agnes Gund Collection,» Cleveland Museum of Art, Cleveland, OH, October 26, 2003 — January 1, 2004; catalogue «Skin Deep,» Numark Gallery, Washington, D.C., March 15 — April 26; brochure «Only Skin Deep: Changing Visions of the American Self,» curated by Coco Fusco and Brian Wallis, International Center of Photography, New York, NY, December 12, 2003 — February 29, 2004; traveled to Seattle Art Museum, Seattle, WA, 2004; Museum of Photographic Arts, San Diego, CA, 2005; catalogue «Supernova,» San Francisco Museum of Modern Art, San Francisco, CA, 2003 «Fast Forward: Twenty Years of White Rooms,» White Columns, New York, NY, 2003; catalogue «Today's Man,» curated by John Connelly, Hiromi Yoshii Gallery, Tokyo, Japan, 2003 «The Disembodied Spirit,» curated by Alison Ferris, Bowdoin College Museum of Art, Brunswick, ME, 2003; catalogue «The Alumni Show,» curated by Nina Felshin, Ezra and Cecile Zilkha Gallery, Wesleyan University, Middletown, CT, 2003; catalogue «Crimes and Misdemeanors,» Contemporary Arts Center, Cincinnati, OH, 2003 «DL: The Down Low in Contemporary Art,» Longwood Art Gallery at Hostos, Bronx, NY, 2003 «The Paper Sculpture Show,» organized by ICI, Sculpture Center, Long Island City, NY, 2003; traveled to Contemporary Art Center of Virginia, Virginia Beach, VA; Hunter Museum of American Art, Chattanooga, TN; Southeastern Center for Contemporary Art, Winston - Salem, NC; Orange County Museum of Art, Newport Beach, CA «An American Legacy: Art from the Studio Museum,» The Parrish Art Museum, Southampton, NY, 2003 «Stranger in the Village,» Guild Hall, East Hampton, NY, organized by the Museum of Modern Art, NY, 2003 «On the Wall: Wallpaper and Tableau,» The Fabric Workshop and Museum, Philadelphia, PA, 2003 «Family Ties,» curated by Trevor Fairbrother, Peabody Essex Museum, Salem, MA, 2003 «Influence, Anxiety, and Gratitude (Toward and understanding of trans - generational dialogue as a gift economy),» curated by Bill Arning, MIT List Visual Arts Center, Cambridge, MA, 2003 «American Art Today: Faces & Figures,» The Art Museum at Florida International University, Miami, FL, 2003

The first feature length documentary on the work of British - Ghanaian architect David Adjaye, «Collaborations» features interviews with Adjaye's collaborators, a roster of influential figures in the art and cultural world, and examines a significant number of his architectural projects, including public buildings, residential houses, artist studios and exhibition spaces globally situated and developed over the past fifteen years.

Established over 35 years ago to provide studio and exhibition space, as well as tuition and support for local artists with disabilities, Creative Growth is (in Higgs» words) «the most important cultural institution of our time.»

For a refreshing summer - themed show, try Tiwani's annual hosting of an African Gallery: this year it's curated by the founder of Nigeria's Boys» Quarter Project Space Zina Saro - Wiwa, who focuses on the cultural import of the pineapple (be sure to ask for her informative notes on each work).

In his recent project The Last Pictures, Paglen worked with MIT scientists to design a spacecraft able to last billions of years, which was launched into space with an archival disc inscribed with one hundred photographs that the artist chose to capture our present historical and cultural moment.

The film features interviews with Adjaye's collaborators, a roster of influential figures in the art and cultural world, and examines a significant number of his architectural projects, including public buildings, residential houses, artist studios and exhibition spaces globally situated and developed over the past fifteen years.

The debut festival offers an energetic programme across Liverpool's cultural spaces, providing a legacy in the region after the success of Liverpool's year as European Capital of Culture.

This unique, flexible space will be unequalled in Hong Kong, and will afford Sotheby's the opportunity to regularly host auctions, exhibitions, lectures, special events and other cultural programmes throughout the year, offering a new and exciting dimension to the Sotheby's experience in Asia.

We hope our programs inspire you to consider our shared spaces this year — both physical and digital, cultural and political — and expand on their limitless possibilities.

Born in New York in 1936, Nonas worked for 10 years as a cultural anthropologist, studying the way indigenous cultures in Mexico, Canada, and Arizona conceptualize space, before he began sculpting in the 1960s without any formal art education.

Over the years, he has written about art, music and culture for international magazines; he has contributed to research projects on cultural policy with institutions like the Council of Europe and the De Montfort University of Leicester; he has worked as a consultant for fashion and design companies; and he has also organised concerts and DJ sets in clubs, theatres and non-conventional spaces.