Sentences with phrase «cultural spaces exist»

Glasgow's cultural spaces exist predominately as a result of its industrial legacy.

Not exact matches

So, the term «extended breastfeeding» assumes that the specific cultural and material conditions that middle - and upper - class contemporary Westerners experience — widespread misunderstanding and stigma surrounding women's breasts and children's biology; widespread availability of commercial formula; clean water to prepare it with; the time and space to wash, sterilize, and store bottles, and so forth — are «normal,» while literally everything that has ever existed outside of this limited cultural experience and relatively short, unique period in time is somehow abnormal.

It sparked in me some questions: Why don't we talk about film and mainstream porn in the same spaces — or, at least, why don't they exist in similar, or more adjacent, aesthetic and cultural spaces?

Such works create the fiction of bodies existing outside time, space, and personal or cultural experience.

According to information provided by Cultural DC at the zoning hearing, a selection panel of five to seven jurors comprised of «artists, community members, [and] local business owners» appointed by Cultural DC, will determine who has access the proposed 2,300 square foot studio spaces which represents a 96 % reduction in the existing workspace at Union Arts.

The mechanisms of social mobility, that existed when I was younger and enabled me to be situated in a privileged cultural space now, don't exist anymore unfortunately.

Existing somewhere between constructed reality, fantasy, memory and imagination, these penciland - ink drawings on paper embellished with glitter and fluorescent pen invent a space where ethnic and cultural borders seemed to be abolished.

The exhibition with Zuecca Project Space represents a new chapter in the longstanding historical relationship - founded on trade, as well as religious and cultural exchange - that exists between China and Venice.

Together, Aztlán and Magulandia represented both physical spaces and the complex cultural, geographic, and conceptual relationships that exist between Los Angeles and Mexico and served as dual landscapes for Luján's artistic philosophy and cultural creativity.

In our facility to divine function in colored rectangles, Zittel hopes to demonstrate a cultural indoctrination, an understanding of space that has existed since the Roman domus — complete with tablinum, cubiculum, and triclinium — and lives on in our own offices, bedrooms, and dining areas.

With her work Van Heeswijk stimulates and develops cultural production and creates new public spaces or remodels existing ones.

2000 The Work Shown in this Space is a Response to the Existing Conditions and / or Work Previously Shown Within the Space III, Neuger Riemschneider, Berlin, DE Sequences, Galerie Roger Pailhas, Marseille, FR La Frontière, Recit d'Expériences, one of several exhibitions collectively entitled «Réseau Galleries / Multilangages de l'Art», Institut d'Art Contemporain - FRAC Rhône - Alps, Villeurbanne / Collège de Prévessin - Moëns (Ain), Academie de Lyon, FR TransAct - Platform for Transitional Activities in the Cultural Field, «Museum in Pro-gress» in cooperation with «Art Pool», Vienna, AT Shoot: Moving Pictures by Artists, Malmö Konsthall / The Cinema Spegeln / Restaurant Hipp, Malmö, SW; Living Art Museum, IS, as part of Kyikar Myndir show, Reykjavik, IS Never Exhibited: Works from the Marieluise Hessel Collection, Center for Curatorial Studies, Bard College, Annandale, New York, US Copyright / Copywrong, Ecole Régionale des Beaux - Arts de Nantes, Nantes, FR Thirtieth Anniversary Benefit Silent Auction, White Columns, New York, US Two by Two for Aids and Art, Dallas Museum of Art, Dallas, Texas, US Dust and Dirt, De Witte Zaal in cooperation with SMAK, Ghent, BE L'Elemento Verbale Nell» Arte Contemporanea, Galleria Martano, Torino, IT; Galleria Martano, Milan, IT Sentimental, Galerie Yvon Lambert, Paris, FR Die Natur der Dinge, NRW - Forum Kultur und Wirtschaft, Düsseldorf, DE Pure, one of several simultaneous exhibitions around UK, collectively entitled On the FRAC Track: A Selection of International Art from the Collection of Fonds Régional d'Art Contemporain (FRAC), Nord - Pas de Calais, Maidstone Library Gallery, Maidstone, UK Under the Apple Tree, Galleria Massimo de Carlo, Milan, IT A Tribute to Robert Hopper, Yorkshire Sculpture Park, West Yorkshire, UK From Here to There - Passageways at Solitude, Akademie Schloss Solitude, Stuttgart, DE Topologies, White Box, New York, US Multiple Configurations: Displaying the Contemporary Portfolio, Busch - Reisinger Museum, Harvard University, Cambridge, Massachusetts, US Heimatweh — Fernlust, Galerie Herbert Winter, Vienna, AT In the Mirror of Space and Time, Listasafns ASÍ, Reykjavik, IS Árátta, Listasafn Kópavogur, Reykjavik, IS Recent Works on Paper, Leo Castelli Gallery, New York, US Présumés Innocents: l'Art Contemporain et l'Enfance, Musée d'Art Contemporain, Bordeaux, FR l'Oeuvre Collective, les Abattoirs, Toulouse, FR Arteast 2000 + The Art of Eastern Europe in Dialogue with the West, from the 1960s to the Present, Moderna Galerija Ljubljana, SL Works by Peter Friedl, Thomas Hirschhorn, Lawrence Weiner, Arndt & Partner [Gallery], Berlin, DE (E Così Via)(And So On): 99 Artisti Della Collezione Marzona, Galleria Comunale d'Arte Moderna e Contemporanea, Rome, IT Collection Lambert en Avignon: Rendez - vous # 1, Rendez - vous # 2, January 12 - December 31, Hôtel de Caumont, Avignon, FR Wallpapers, Art Gallery of Nova Scotia & Nova Scotia College of Art and Design, Halifax, CA Orbis Terrarum: Ways of Worldmaking, Museum Plantin - Moretus, Antwerp, BE Drawings 2000, Barbara Gladstone Gallery, New York, US Von Edgar Degas bis Gerhard Richter / Arbeiten auf Papir aus der Graphischen Sammlung..., Kunstmusem Winterthur, Winterthur, US; Nationalgalerie Prag, CZ; Rupertinum, Salzburg, AT; Westfälischer Landesmuseum, Münste, DE; Neues Museum, Nürnberg, DE Proposals from Halifax: An Exhibition of Selected Typescripts, Flyers, Posters, Catalogues, Books, Mailers and Postcards of a Conceptual Nature Produced From 1969 to 1999 by Affiliates of the Nova Scotia College of Art and Design (NSCAD), Library and Archives - National Gallery of Canada, Ottawa, CA Stanze, Museums für Moderne Kunst / Museo d'Arte Moderna, Bozen / Bolzano, IT Tempus Fugit - Time Flies, Nelson - Atkins Museum of Art, Kansas City, Kansas, US In Process: Photographs from the 60s and 70s, Curt Marcus Gallery, New York, US Many Colored Objects Placed Side by Side to Form a Row of Many Colored Objects: Anton & Annick Herbert Collection, Casino Luxembourg - Forum d'Art Contemporain, LUBeyond Preconceptions: The Sixties Experiment, Independent Curators Inc., New York, US; traveling exhibition Hard - Pressed: 600 Years of Print and Process, International Print Center, New York, US Changing Perceptions: The Panza Collection, Guggenheim Museum, Bilbao, ES Talking Heads: Arti e Letterature nell» era della Globalizzione, Commune di Padova - Settore Attività Culturali, Padua, IT Festival de les Arts, Fundació Pro-Penedès, Barcelona, ES Editions and Multiples 1990 - 2000, Helga Maria Klosterfelde, Hamburg, DE Collection Lambert, Fundacio ProPenedès, Barcelona, ES

While explicitly addressing loss, his installation speaks to the persistence and resistance of cultural forms through time, and the potential for internally coherent spaces to exist within other, seemingly dominant spaces.

It's so important that we have more female artists around the world using their creative voices in public spaces, especially when they are sending messages that challenge existing norms and cultural boundaries like what Frances is doing.

In this sense, the artist hopes to point out the existing fractures in the times and truth regimes which encompass them, opening up space so that these cultural manifestations — violated everyday day - by - day by genocides and epistemicides — rise to the surface in an oniric and idealized sparkle, capable of blowing the universal and continuous force of resistance, insurgence, revolt and revolution.

«My work exists between the cultural and the visual level,» Edward Lipski (° 1966, London; lives and works in London) explains, «Iʼm interested in the space between something you understand and something that is also abstract.

It called for utilising existing space within the garden to create a new Cultural Village, which consists of a trio of buildings organised around a central courtyard.

The project combines new construction with the selective refurbishment of existing buildings and will also incorporate several social and cultural spaces in its surroundings to encourage meeting and sharing in the neighborhood.