Sentences with phrase «cultural spheres of»

The book presents a range of highly individual artistic responses to the unprecedented changes now taking place in the economic, social, and cultural spheres of African nations and provides new insight into the increasing role of the visual arts within the global cultural community.

BP - or - not - BP want to rid the cultural sphere of companies like BP and Shell, not because they can point to any substantive interference intended to sway opinion in the climate debate, but because they believe that by purging the cultural sphere, the debate can be won.

Not exact matches

... lawyers» work on behalf of clients positively requires — both for its justification and its successful functioning for the benefit of those same clients in the long run — that lawyers also help maintain and refresh the public sphere, the infrastructure of law and cultural convention that constitutes the cement of society.

Berger has been both perceptive and consistent in his description of play, and his observations about the possible religious dimensions of this sphere of cultural activity are suggestive.

True, on the one hand the individual's sphere of freedom seems to be, and actually is, restricted by social and cultural conditions.

In comparison with the breadth and depth of the intellectual, economic, cultural, social changes of today and tomorrow in the secular sphere, however, which also contribute to determine the task of the Church, it must even be said that the Church in its aggiornamento proceeds very slowly and cautiously, so that there is more reason to ask whether it is reacting sufficiently quickly, courageously and confidently to the future which has already begun, than to fear that it is sacrificing too quickly and in too «modernistic» a way what is old and well - tried and has stood the test.

Failure to understand this shows a provincial mentality which has not yet grasped that we are living in a period of world history when no country can any longer be self - sufficient whether in the economic, cultural, scientific or social spheres.

Can we reconceive theological education in such a way that (1) it clearly pertains to the totality of human life, in the public sphere as well as the private, because it bears on all of our powers; (2) it is adequate to genuine pluralism, both of the «Christian thing» and of the worlds in which the «Christian thing» is lived, by avoiding naiveté about historical and cultural conditioning without lapsing into relativism; (3) it can be the unifying overarching goal of theological education without requiring the tacit assumption that there is a universal structure or essence to education in general, or theological inquiry in particular, which inescapably denies genuine pluralism by claiming to be the universal common denominator to which everything may be reduced as variations on a theme; and (4) it can retrieve the strengths of both the «Athens» and the «Berlin» types of excellent schooling, without unintentionally subordinating one to the other?

«More than any great Christian leader before him,» Niebuhr observed, «Luther affirmed the life in culture as the sphere in which Christ could and ought to be followed; and more than any other he discerned that the rules to be followed in the cultural life were independent of Christian or church law.»

It should be borne in mind that because religion conceived of as a vital force transcends its expression, it can not be unreservedly regarded as one among many spheres of cultural activity.

For a summary statement see Robert E. Stauffer, «Civil Religion, Technocracy, and the Private Sphere: Further Comments of Cultural Integration in Advanced Societies,» Journal for the Scientific Study of Religion, 12 (December 1973).

Invoking the term political correctness, he insisted that the military was caving in to cultural forces that wanted to wash religion out of the public sphere.

Descriptively, the public sphere refers to that aspect of social action, cultural institutions, and collective decision - making that affects all people in the society and engages the interests of all people in the national body....

To make the image of the good steward seem as manly as that of the vigilant warrior will take a lot of cooperative effort on the part of cultural, religious, corporate and public spheres.

A concept like of equality should therefore be extended to all those (socio - economic and cultural) spheres that are essential to human emancipation and self - development.

Especially in the light of the increasing privatization of the production of technical knowledge and cultural expressions, also these social spheres should be subject to democratic control.

Other spheres of our economic, cultural and political lives are also interdependent.

Although it occurs in the realm of the personal, it is not privatistic; it is a process translated into the socio - economic, political and cultural sphere in which the converted lives.

In governance we strive to apply Rudolf Steiner's concept of the threefold social organism which meets the different qualities and requirements of the economic, legal, and cultural spheres.

Many governmental plans are now in place to recruit and retain foreigners into Japan's scientific sphere; however, there are still some barriers for foreign scholars who would like to build their career in Japan, including a general lack of linguistic prowess and difficulty navigating cultural nuances.

The sphere of daily life for Marsh Arab women has shrunk as the natural resources they traditionally cultivated have vanished, reports an international team of researchers in «Effects of Mesopotamian Marsh (Iraq) desiccation on the cultural knowledge and livelihood of Marsh Arab women,» published today in the March 2016 issue of Ecosystem Health and Sustainability, a joint journal of the Ecological Society of America and Ecological Society of China.

Cultural sphere in Long Beach is perfectly developed — here you can find ethnical museums and exhibitions and the absolutely unique Museum of Latin America Art.

It signals, though, the increasing insertion of cinema within a broader cultural and technological public sphere that is growing increasingly powerful via the expansion of the World Wide Web and its derivative species (blackberries, cell phones etc.).

In real life you can decline to be someone's godfather, but in the cultural sphere nobody asks your permission; you just open the newspaper one day to discover you're the godfather of punk (Lou Reed) or soul (James Brown) or maybe neoconservatism (Irving Kristol).

The concepts covered are: * Camera techniques * Audio techniques * Editing techniques * Mise - en - scene codes * Narrative structure * Genre conventions * Representation * Ideologies * Cultural Spheres and Universes * Institutional Techniques * Audiences models and theories * A wide range of media theories broken into contextual areas into sociological and political This is vital tool in the lead up to the exam period, where it can be used as a revision guide for key concept development, and as a compliment to other units you are teaching.

It is derived through a process of cultural socialization — influences from all spheres of a child's life.

It is based on ethnicity and religion which gives rise to the violation of human rights in social, legal, cultural, and political spheres.

These two external spheres were the source of contrasting cultural influences, notably those emanating from the world religions.

Located in a valley rich in natural resources, Teotihuacan was the seat of power of one of the most influential Mesoamerican societies in the political, economic, commercial, cultural and religious spheres.

Within my own sphere of cultural knowledge, I'm personally well acquainted with Australian and Chinese culture, less so the rest of the world.

Postcommodity works to forge new metaphors capable of rationalizing our shared experiences within this increasingly challenging contemporary environment; promote a constructive discourse that challenges the social, political and economic processes that are destabilizing communities and geographies; and connect Indigenous narratives of cultural self - determination with the broader public sphere.

Walking across performance disciplines and cultural spheres, Panoply Performance Laboratory, is a brainchild of Esther Neff and Brian McCorkle.

Last year, Mehretu's 80 - by - 23 foot mural for the lobby of Goldman Sachs was featured in a profile by Calvin Tomkins in the New Yorker, giving her recognition in all spheres of cultural and financial influence.

In his new publication Jens Hoffmann reflects on the spaces of contemporary art — the gallery, the institution, the biennial — and ultimately positions the discipline of curating in the context of a larger cultural sphere shaped by the political, social, and economic conditions of its time, while demanding new attitudes and new thinking.

After one year in the space they shut down operations, and from 1981 until they ceased activities in 1996, Group Material constituted a flexible membership of three to five artists who organized projects in the public sphere — function as a medium for collective cultural production and public address.

The potential shame of stepping out of line, even though it's part of an otherwise decadent cultural sphere, looms large.

Rather than diminish their role, independence offers museums and galleries an enhanced sphere of influence at the centre of the nation's cultural life.

The artists, exhibitions, cities, and events gathered below reveal a year of boundaries being broken — of contemporary art becoming increasingly diverse and dispersed, and of artists asserting influence in the wider cultural and political sphere.

As an organization that values cultural equity, we hope through this new initiative to benefit a population of artists beyond just the sphere of higher education, a system that can suffer from homogeneity and a lack of equity.

His work — which uses studies of architecture, city planning, the writing of history, and the tradition of aesthetic forms as a language — articulates a cultural criticism that debates the function of the artistic act and of intellectuals and artists as social agents in the public sphere.

Even this kind of project is no longer new in our increasingly globalised cultural sphere, but «Other Primary Structures» is no less absorbing for being part of a well - established paradigm shift.

The exhibition «Pleated Blinds» offers an international perspective on the status of photography and the intricate nature of representation in the contemporary cultural sphere.

Art Slant Chicago Art Talk Chicago Bad at Sports Bite and Smile Brian Dickie of COT Bridgeport International Carrie Secrist Gallery Chainsaw Calligraphy Chicago Art Blog Chicago Art Department Chicago Art Examiner Chicago Art Journal Chicago Artists Resource Chicago Art Map Chicago Art Review Chicago Classical Music Chicago Comedy Examiner Chicago Cultural Center Chicago Daily Views Chicago Film Examiner Chicago Film Archives Chicago Gallery News Chicago Uncommon Collaboraction Contemporary Art Space Co-op Image Group Co-Prosperity Sphere Chicago Urban Art Society Creative Control Defibrillator Devening Projects Digressions DIY Film ebersmoore The Exhibition Agency The Flatiron Project F newsmagazine The Gallery Crawl... Galerie F The Gaudy God Happy Dog Gallery HollywoodChicago Homeroom Chicago I, Homunculus Hyde Park Artcenter Blog InCUBATE Joyce Owens: Artist on Art J - Pointe Julius Caesar Kasia Kay Gallery Kavi Gupta Gallery Rob Kozlowski Lookingglass Theatre Blog Lumpen Blog Marquee Mess Hall N'DIGO Neoteric Art NewcityArt NewcityFilm NewcityStage Not If But When Noun and Verb On Film On the Make Onstage Peanut Gallery Peregrine Program Performink The Poor Choices Show Pop Up Art Loop The Post Family The Recycled Film Reversible Eye Rhona Hoffman Gallery Roots & Culture Gallery SAIC Blog The Seen Sharkforum Sisterman Vintage Site of Big Shoulders Sixty Inches From Center Soleil's To - Do's Sometimes Store Steppenwolf.blog Stop Go Stop Storefront Rebellion TOC Blog Theater for the Future Theatre in Chicago The Franklin The Mission The Theater Loop Thomas Robertello Gallery threewalls Time Tells Tony Wight Gallery Uncommon Photographers The Unscene Chicago The Visualist Vocalo Western Exhibitions What's Going On?

Why do people with proven ability in other fields defer to a cultural sphere in which ability is a bit of a joke?

Beckman's innovations overlap two cultural spheres — neither completely in line with the vernacular of the American structural filmmakers in which it was exhibited cinematically in festivals — nor maximized to its full potential in contemporary art durational venues, where opportunities for installations focusing on projection, sculpture and sound were limited.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

A decade of tremendous change in the art world and beyond, the 1990s saw dramatic upheavals across all spheres, from the rising cultural dominance of grunge to the technological revolution introduced by the Internet — never mind the shifting of geopolitical borders following the dissolution of the Soviet Union and Yugoslavian Federation, and the brutal civil wars raging across Africa.

The three practices in the exhibition, two artistic and one curatorial, represent three modes of creative production as well as different generational ideas on working in the cultural sphere.

The aim is to offer fresh perspectives on Tibetan Buddhist images that have rarely been understood outside of their cultural and devotional contexts, and to forge new connections between different spheres of artistic practice, both traditional and modern.

Workshop: «Sexual Harassment in the Cultural Sector: Drawing the Line» at New Museum In response to the wave of sexual misconduct allegations affecting various cultural spheres, the New Museum is holding a series of four workshops designed to fight harassment and discrimination in tCultural Sector: Drawing the Line» at New Museum In response to the wave of sexual misconduct allegations affecting various cultural spheres, the New Museum is holding a series of four workshops designed to fight harassment and discrimination in tcultural spheres, the New Museum is holding a series of four workshops designed to fight harassment and discrimination in the arts.