Sentences with phrase «cultural standards of the time»

Most Christians today understand that passage as referring to the cultural standards of that passage as referring to the cultural standards of the time, and it has far fewer cultural references that the Roman passage does.

Not exact matches

Perhaps the best plan for most organizations is to follow the Ritz - Carlton daily lineup approach: a few minutes every day discussing just one of your list of cultural values or service standards, with the meeting led by a different employee every time.

Such a commitment places Volf at odds with two formidable rivals in the contemporary world: (a) those ecclesial traditions (Roman Catholic and Orthodox) that insist that the «constitutive presence of Christ is given only with the presence of the bishop standing in communjo with all bishops in time and space» and (b) those postmodern cultural and social standards that are grounded in individualistic and consumer - driven life styles and that simultaneously relegate all religious experience to the nether regions of the privatized soul.

Relativism in this form is the scourge of the times, everywhere creating indifference to objective intellectual, cultural and moral standards.

The standard list of contradictions published by the Dawkins loyalists have all been debunked due to intentional twisting of translations or time / cultural relevance.

Few democracies have spent so much time thinking so publicly about the cultural foundations of good standards.

So next time you find yourselves sputtering mad over the cultural perversity of The Twilight Saga and its ability to rake in billions of sparkle - tainted dollars, an even more culpable target for lowering the standards of cinema can be found merely by looking at kiddie flicks, which undoubtedly kick starts bad taste in movies.

I wonder aloud what the level of commits were at that time or whether contemporary movies impose the present cultural standards back in time.

In 2015, the California Historical Society and LA Plaza de Cultura y Artes embarked on a project for the Getty's 2017 Pacific Standard Time: LA / LA initiative — a far - reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles from September 2017 to January 2018 at more than 70 cultural institutions across Southern California.

The exhibition will coincide with the Getty Foundation initiative «Pacific Standard Time,» which is a collaboration of more than 60 cultural institutions across Southern California, all showing work made in Los Angeles from 1945 - 1980.

As part of the Getty Research Institute's Pacific Standard Time: Art in L.A. 1945 - 1980, she curated Civic Virtue: The Impact of the Los Angeles Municipal Art Gallery and the Watts Towers Arts Center for the Los Angeles Department of Cultural Affairs in addition to co-curating the suite of exhibitions, L.A. Xicano, at UCLA's Fowler Museum, LACMA and the Autry National Center.

Axis Mundo: Queer Networks in Chicano L.A. is curated by C. Ondine Chavoya and David Evans Frantz as part of Pacific Standard Time: LA / LA, an initiative of the Getty to encourage ambitious research and exhibitions at Southern California cultural institutions.

Mundos Alternos is part of Pacific Standard Time: LA / LA, a far - reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018 at more than 70 cultural institutions from Santa Barbara to San Diego, and from Los Angeles to Palm Springs.

Proof: The Rise of Printmaking in Southern California, is partof Pacific Standard Time, an unprecedented collaboration of more than fifty cultural institutions across Southern California, which are coming together to tell the story of the birth of the LA art scene.

at the Skirball Cultural Center, a part of Pacific Standard Time: LA / LA, and contributed an essay about Mexican women artists to the

She is cocurator of Another Promised Land: Anita Brenner's Mexico at the Skirball Cultural Center, a part of Pacific Standard Time: LA / LA, and contributed an essay about Mexican women artists to the Radical Women: Latin American Art, 1960 - 1985 exhibition catalogue.

This iteration of Pacific Standard Time celebrated Southern California's lasting impact on modern architecture with exhibitions and programs presented by 17 area cultural institutions from April through September 2013

Chingaderas Sofisticadas is part of Pacific Standard Time: LA / LA, a far - reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018 at more than 70 cultural institutions across Southern California.

PACIFIC STANDARD TIME More than 100 galleries, museums and cultural institutions will be mounting shows as part of this polyphonic dialogue, initiated by the Getty, between Latino and Latin American art and the city of Los Angeles.

Pacific Standard Time is an unprecedented collaboration of more than sixty cultural institutions across Southern California, coming together to tell the story of the birth of the L.A. art scene.

is presented as part of Pacific Standard Time, a collaboration of more than sixty cultural institutions across Southern California, coming together for six months beginning in October 2011 to tell the story of the birth of the Los Angeles art scene and how it became a new force in the art world.

This exhibition is part of Pacific Standard Time: Art in L.A. 1945 — 1980, a collaboration of more than 60 cultural institutions across Southern California — coming together for the first time to celebrate the birth of the L.A. art scTime: Art in L.A. 1945 — 1980, a collaboration of more than 60 cultural institutions across Southern California — coming together for the first time to celebrate the birth of the L.A. art sctime to celebrate the birth of the L.A. art scene.

Myth & Mirage is part of Pacific Standard Time: LA / LA, a far - reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018 at more than 70 cultural institutions across Southern California.

«El eje del mal» will be on view through October 22nd, 2017, and is part of the Participating Gallery Program of Pacific Standard Time: LA / LA, a far - reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018 at more than 70 cultural institutions across Southern California.

El eje del mal will remain on view through October 22nd, 2017, and is part of the Participating Gallery Program of Pacific Standard Time: LA / LA, a far - reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles, taking place from September 2017 through January 2018 at more than 70 cultural institutions across Southern California.

Los Angeles Modern Auctions (LAMA) is thrilled to announce its participation in Pacific Standard Time: LA / LA, as part of the Getty - led initiative celebrating the artistic and cultural relationship between Los Angeles and Latin America.

is presented as part of Pacific Standard Time: Art in L.A 1945 — 1980, a collaboration of more than sixty cultural institutions across Southern California.

About Pacific Standard Time Led by the Getty, Pacific Standard Time: Art in LA 1945 - 1980 was an unprecedented collaboration of more than 60 cultural institutions across Southern California coming together to celebrate the birth of the LA art scene.

The Getty Foundation has announced that more than seventy museums and cultural centers will participate in the 2017 edition of Pacific Standard Time — a series of thematically linked exhibitions at California - based institutions.

Liliana Porter's work will be included in the exhibit How to Read El Pato Pascual: Disney's Latin America and Latin America's Disney, a Pacific Standard Time exhibition of over 150 works by 48 Latin American artists who investigate and challenge nearly 100 years of cultural influence between Latin America and Disney, on view Sep 9 - Jan 14.

As part of «Pacific Standard Time: LA / LA», an ambitious exploration of Latin American and Latino Art in dialogue with Los Angeles that spans across more than 70 cultural institutions throughout Southern California, this groundbreaking exhibition will address an art historical vacuum that has omitted these women from the international record, reappraising their contributions to global contemporary art.

2012 «Light Darkness and Shadow: Art and the Meaning of Life», Huffpost Culture, 11 December «Review: Tim Noble & Sue Webster Nihilistic Optimistic, Blain Southern», Kentish Towner, 6 November Mark Sinclair, «Nihilism, optimism and bedtime tales», Creative Review, 1 November Martin Coomer, «Tim Noble and Sue Webster: Nihilistic Optimistic», TimeOut: London, 29 October «Where to buy... Tim Noble and Sue Webster», The Week, 27 October Amy Dawson, «Art Review», The Metro, 24 October Rachel Campbell - Johnston, «Exhibitions: Critic» s Choice», The Times, 20 October Lia Chavez, «A Glimpse at Splitting, Multiplying Universes: Frieze London 2012 Highlights», Huffpost Arts & Culture, 17 October «Arts Agenda: The cultural highlights you have to see», I Newspaper, 16 October «Tim Noble and Sue Webster exhibition: We and Our Shadows», Evening Standard, 16 October Rob Alderson, «Amazing Silhouette Sculptures by Tim Noble and Sue Webster on show in London», It» s Nice That, 16 October Waldemar Januszczak, «Magic Lurks in the Shadows», The Sunday Times, 14 October Emma O'Kelly, «Nihilistic Optimistic by Tim Noble and Sue Webster, Blain Southern Gallery», Wallpaper, 10 October Colin Gleadell, «The best anti-Frieze in London», The Daily Telegraph, 9 October Jon Savage, «Frieze Week: Tim Noble & Sue Webster», Dazed Digital, 8 October Kate Kellaway, «Interview with Tim Noble & Sue Webster», The Observer, 7 October Rachel Campbell - Johnston, «Critics Choice», The Times, 6 October Lynn Barber, «The Dark Arts», The Sunday Times, 30 September Charlotte Cripps, «Bringing art to the Charts», The Independent, 29 September «Modern Life is Rubbish», The Art Newspaper, October John B. Henderson, «Chess», The Scotsman, 18 September Tim Walker, «Observations: Chess is the name of the game in a new London show», The Independent, 4 September Liz Stinson, «Artists Turn Junk Into Amazing Silhouettes», Wired, 6 July «Tim and Sue», Hunger, Summer «Tim Noble, Sue Webster and David Adjaye in Coversation with Louisa Buck», Garage Mag Online, 25 May

San Diego, CA — Several San Diego institutions will host exciting exhibitions and collaborations this fall thanks to the Getty - led Pacific Standard Time: LA / LA initiative, a far - reaching and ambitious exploration of Latin American and Latino art in dialogue with Los Angeles taking place from September 2017 through January 2018 at more than 70 cultural institutions across Southern California.

His work will be on view in the upcoming exhibitions Play Ball: Baseball at the Detroit Institute of Arts, MI, The World's Game: Fútbol and Contemporary Art at Pérez Art Museum Miami, FL and at the Art Museum of the Americas, Washington D.C. Recent exhibitions include: Pacific Standard Time: LA / LA, CA (2017); Centro Cultural Sao Paulo, BR; Fundación Proa, Buenos Aires, AR; Neuberger Museum, Purchase College, NY; Nasher Museum, Duke University, Durham, NC (2015); LACMA Los Angeles County Museum of Art, CA; Pizzuti Collection, Columbus, OH; Museo Jumex, Mexico, D.F.; Bass Museum, Miami, FL; Museu de Arte do Rio, BR (2014); California - Pacific Triennial, OCMA Orange County Museum of Art, Newport Beach, CA (2013); MoCA Museum of Contemporary Art, Los Angeles, CA (2011); 53rd Venice Biennale, Mundus Novus - Artiglierie dell» Arsenale, IT (2009).

In 2011 her contribution was recognised and in some ways rediscovered during Pacific Standard Time, the California - wide celebration of the history of the L.A. Art Scene which saw sixty cultural institutions collaborate in one six - month long initiative (http://www.pacificstandardtime.org/) and featured work across various media by Judy Chicago.

Deconstructing Liberty: A Destiny Manifested at Muzeo Museum and Cultural Center, Anaheim by Liz Goldner Through October 15th As one of the first «Pacific Standard Time: LA / LA» (Latin American & Latino Art in LA) exhibitions to open, Deconstructing Liberty presents a forthright, proactive perspective with a goal to, «question ideas traditionally associated with American...