While I can understand that the 18 - certificate content may make a strong case for this approach, I'm again concerned that Christians neither wave placards at an imagined bogeyman, nor miss the opportunity to relate to one of the major
cultural stories of the day.
Quebec illustrator Sébastien Thibault is someone who loves to play with symbols, shapes and colours to produce clever, conceptual artworks that beautifully illustrate some of the world's biggest social, political and
cultural stories of the day.
Not exact matches
The cover
story we are publishing this week falls within the traditions
of journalism and Rolling Stone's long - standing commitment to serious and thoughtful coverage
of the most important political and
cultural issues
of our
day.
The coming
of the Messiah was a big
cultural phenomenon
of the
day — not just preached by Jesus nor indoctrinated by the followers
of Jesus using the Old Testament as proof and the resurrection
story as final proof.
The smooth telling
of Russo's
story juxtaposed against the present
day, when gay marriage is sanctioned in some states and gay characters are all over prime - time television, drives home how different the
cultural landscape is from the one Russo knew.
The vast technical background necessary for creating cinematic
stories, illuminating interviews with the greatest living filmmakers, in - depth analyses
of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands
of people to dedicate their lives to filmmaking, and thanks to the wonders
of modern technology, these priceless
cultural beams
of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation
of artists who might persevere and thrive to one
day fill the shoes
of the likes
of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens
of others whose work continually delight and move us in every way possible.
When it begins Thursday night with a
story of international rivalry and cult -
of - hothead - personality (tennis drama «Borg / McEnroe» with Shia LaBeouf as John McEnroe)-- and continues over the following 10
days with movies about race, environmentalism, globalism, feminism and politics — TIFF will engage with the current moment as few
cultural events do.
«Small Town Talk» tells Woodstock's
story from its earliest
days as a bohemian arts colony to its ongoing life as a
cultural satellite
of New York City.
As she charts the dilemmas and gestures
of an European trader Almayer (Stanislas Mehar) and his «mixed - blood» daughter, Nina (Aurora Marion), Akerman's decision to take Conrad's 19th - century, Malaysia - set
story to modern -
day Cambodia without acknowledging the changes comes to strike less as an eccentric gesture than as a purposeful extension
of the narrative's inquiries into
cultural identity and colonial uprooting.
Since his early
days with «Superstar: The Karen Carpenter
Story» and «Safe,» Haynes has developed sophisticated narratives out
of existing
cultural reference points.
St Valentine
story to sequence, four black and white pictures to place in order, relate to
cultural and religious festivals and
days of celebration, traditions and customs, patron saints, legends and myths, Christianity in Roman times.
Based on thousands
of primary documents and 180 on - the - record interviews, the
story unfolds
day by
day, hour by hour, and at times minute by minute, with a rich cast
of characters — military officers, American and Viet Cong soldiers, chancellors, professors, students, police officers, businessmen, mime troupers, a president and his men, a future mayor and future vice president — moving toward battles that forever shaped their lives and evoked
cultural and political conflicts that reverberate still.
[16] It is a complete reprint
of the strip, including side notes about
cultural and political references made in the strip, «Headlines» breaks to identify the top
stories of the
day, and commentary from Breathed.
Today we are making an investment in books in translation and giving readers access to
stories from diverse
cultural perspectives with an aim to reach one million readers in honor
of World Book
Day.
In the interior design
of the hotel the attentive eye can read, through the mixture
of styles, the
story of the island
of Ischia itself, including the different dominant cultures throughout the ages, from the Greek to the Aragonese, from the Romans to the Saracens; countless Ischian lives joined together in a unique three - dimensional novel to leaf through
day after
day, ever discovering new and exciting
cultural facts.
2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 —
DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College
of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 —
DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum
of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI
STORY, Mississippi Museum
of Art 2006/7 — RAGDALE, Chicago
Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum
of Art, Jackson
Stories of representation, dispossession, and the
day - to -
day politics
of cultural difference collapse into and spiral out
of the work His research in Singapore has involved connections between Southeast Asia, the Caribbean and Great Britain in an «umbilical» relationship linked by the trade
of cotton and other essential goods.