Sentences with phrase «cultural stories of the day»

While I can understand that the 18 - certificate content may make a strong case for this approach, I'm again concerned that Christians neither wave placards at an imagined bogeyman, nor miss the opportunity to relate to one of the major cultural stories of the day.
Quebec illustrator Sébastien Thibault is someone who loves to play with symbols, shapes and colours to produce clever, conceptual artworks that beautifully illustrate some of the world's biggest social, political and cultural stories of the day.

Not exact matches

The cover story we are publishing this week falls within the traditions of journalism and Rolling Stone's long - standing commitment to serious and thoughtful coverage of the most important political and cultural issues of our day.
The coming of the Messiah was a big cultural phenomenon of the day — not just preached by Jesus nor indoctrinated by the followers of Jesus using the Old Testament as proof and the resurrection story as final proof.
The smooth telling of Russo's story juxtaposed against the present day, when gay marriage is sanctioned in some states and gay characters are all over prime - time television, drives home how different the cultural landscape is from the one Russo knew.
The vast technical background necessary for creating cinematic stories, illuminating interviews with the greatest living filmmakers, in - depth analyses of high quality movies... The material provided by Cahiers du Cinéma, Sight & Sound, Cinemagic, Cinefantastique and many others has inspired thousands of people to dedicate their lives to filmmaking, and thanks to the wonders of modern technology, these priceless cultural beams of historic value and prime educational significance continue to inspire, astonish and enlighten us, bringing up a new generation of artists who might persevere and thrive to one day fill the shoes of the likes of Orson Welles, Krzysztof Kieślowski, Jean - Pierre Melville, Agnes Varda, Paul Thomas Anderson, David Fincher and dozens of others whose work continually delight and move us in every way possible.
When it begins Thursday night with a story of international rivalry and cult - of - hothead - personality (tennis drama «Borg / McEnroe» with Shia LaBeouf as John McEnroe)-- and continues over the following 10 days with movies about race, environmentalism, globalism, feminism and politics — TIFF will engage with the current moment as few cultural events do.
«Small Town Talk» tells Woodstock's story from its earliest days as a bohemian arts colony to its ongoing life as a cultural satellite of New York City.
As she charts the dilemmas and gestures of an European trader Almayer (Stanislas Mehar) and his «mixed - blood» daughter, Nina (Aurora Marion), Akerman's decision to take Conrad's 19th - century, Malaysia - set story to modern - day Cambodia without acknowledging the changes comes to strike less as an eccentric gesture than as a purposeful extension of the narrative's inquiries into cultural identity and colonial uprooting.
Since his early days with «Superstar: The Karen Carpenter Story» and «Safe,» Haynes has developed sophisticated narratives out of existing cultural reference points.
St Valentine story to sequence, four black and white pictures to place in order, relate to cultural and religious festivals and days of celebration, traditions and customs, patron saints, legends and myths, Christianity in Roman times.
Based on thousands of primary documents and 180 on - the - record interviews, the story unfolds day by day, hour by hour, and at times minute by minute, with a rich cast of characters — military officers, American and Viet Cong soldiers, chancellors, professors, students, police officers, businessmen, mime troupers, a president and his men, a future mayor and future vice president — moving toward battles that forever shaped their lives and evoked cultural and political conflicts that reverberate still.
[16] It is a complete reprint of the strip, including side notes about cultural and political references made in the strip, «Headlines» breaks to identify the top stories of the day, and commentary from Breathed.
Today we are making an investment in books in translation and giving readers access to stories from diverse cultural perspectives with an aim to reach one million readers in honor of World Book Day.
In the interior design of the hotel the attentive eye can read, through the mixture of styles, the story of the island of Ischia itself, including the different dominant cultures throughout the ages, from the Greek to the Aragonese, from the Romans to the Saracens; countless Ischian lives joined together in a unique three - dimensional novel to leaf through day after day, ever discovering new and exciting cultural facts.
2017 — LOG at LUMP Gallery, Raleigh, NC, curated by Maria Britton — AWKWARD MOMENTS, Lesley Heller Workspace, New York, NY 2015 — SACRED PLACES, Smithy Center for the Arts, Cooperstown, NY 2014 — MEMENTO MORI, Field Projects, New York, curated by Deborah Brown — CROWD, curated by Andrea Brown for The Outsider's Studio Collective, Liberty, NY 2013 — NYFA@GOVERNORS, curated by New York Foundation For The Arts for Governor's Island Art Fair, New York 2012 — DAY JOB, curated by Nina Katchadourian, Freedman Gallery, Albright College, Reading, PA, and Pacific Northwest College of Art, Portland, OR 2011 — HEAD CASE, Lesley Heller Workspace, New York, curated by Laurel Farrin — 30: A BROOKLYN SALON, BRIC, Brooklyn, NY, curated by Elizabeth Ferrer — CHAIN LETTER, Samsøn Projects, Boston, MA — NEXT Art Fair, Linda Warren Gallery booth, Merchandise Mart, Chicago 2010 — DAY JOB, The Drawing Center, New York, NY, curated by Nina Katchadourian 2009 — ONCE UPON A TIME AND NOW, Evanston Art Center, IL — THE HAIRY WHO AND IMAGIST LEGACY IN CONTEMPORARY ART, at ART CHICAGO, Merchandise Mart, curated by Lynne Warren, Museum of Contemporary Art, Chicago — ART CHICAGO, Linda Warren Gallery booth, Merchandise Mart (Also 2006, 2007, 2008) 2007 — THE MISSISSIPPI STORY, Mississippi Museum of Art 2006/7 — RAGDALE, Chicago Cultural Center, curated by Margaret Hawkins 2006 — SALTONSTALL: THE FIRST TEN YEARS, curated by Andrea Inselmann Herbert Johnson Museum, Cornell University, Ithaca, NY — RISD BIENNIAL, Exit Art, New York, NY, curated by Robert Storr — ARTLA, Linda Warren Gallery Booth, Santa Monica Civic Center, CA — ART ADORED: Icons from the Permanent Collection, Mississippi Museum of Art, Jackson
Stories of representation, dispossession, and the day - to - day politics of cultural difference collapse into and spiral out of the work His research in Singapore has involved connections between Southeast Asia, the Caribbean and Great Britain in an «umbilical» relationship linked by the trade of cotton and other essential goods.
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